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Essay of the novel stranger by Albert camus
Societal norms in Stranger by Camus
The evolution of Meursault's character in the stranger
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The Analysis of the Stranger, John Wilson in The Secret Lives of Sgt. John Wilson Heroes in literary works were once referred to as the "rebel"; however, the rebel has been replaced by the "stranger" in recent literature. In Lois Simmie's The Secret Lives of Sgt. John Wilson, the novel centers on the title character who is alienated, disaffected and an outsider. The author’s depiction of the central character of Wilson as a stranger engages the reader in a different way, by having the reader want to know more about this mysterious and striking figure.
Life is full of decisions, but they are subconsciously influenced by society. This influence has created an unhealthy relationship between social classes. How people choose to act is in complete correlation to society’s set expectation for a certain class. These actions then become reflections of people’s moral values. In Tony McAdam’s criticism of The Great Gatsby, Ethics in Gatsby, he points out the corruption of characters morals due to society’s influence and the impact that has on decision making.
In everyday life, people are put under many pressures and are expected to be perfect to society. In Edith Wharton’s, best-known and most popular novel, Ethan Frome, this idea is highlighted, showing the protagonist’s breakdown. Ethan Frome struggles against the rules of society and his duty to his family, fighting a battle within himself between what he wants in order to be happy and what he feels he must do to satisfy his family and society. Frome struggles between his desire for his wife’s cousin, Mattie, and his sense of duty toward Zeena, his wife. The pressures that come from the responsibilities in the Frome household lead to Ethan Frome’s emotional breakdown, showing how societal pressures can lead to harmful self-doubt.
Morality is pivotal to human-kind. Society determines what is “good” and “bad.” Humans evaluate if their actions are moral according to this rubric. A Separate Peace explores what can change one’s level of morality. Both characters exemplify immoral human characteristics to an extreme.
Part One: Key Terms 1. Jane Addams: Progressives, thinking they were looking out for the immigrants “best interests”, wanted them to talk, walk, and look the way that everyone else talked, walked, and looked. Whatever the progressives thought to be appropriate. This is where Jane Addams intervened. Jane Addams was a well educated, twenty nine year old progressive herself.
Jane Addams was born September 6, 1860 in Cedarville, Illinois. She was the daughter of John and Mary Addams. John was a successful business owner, and a respectful businessman within the community. Jane was two years old, when her mother, Mary died giving birth to her ninth child. As a child, Jane dreamed of becoming a medical doctor, but she became depressed after the sudden death of her father and that’s when she decided to change her career path.
From the film The Weather Underground, it is clear that the Weatherman believed that through radical means, they could revolt against an unjust government. They believed in justice for minorities, and they fought for their beliefs in a series of destructive acts (The Weather Underground). Based on the film, as well as Lysander Spooner’s “Free Political Institutions” and Jane Addams’s “Newer Ideals of Peace,” it seems that Addams would be likely to oppose the actions of the Weathermen, while Spooner would be tempted to join them. Jane Addams’s views regarding the pursuit of peace oppose the methods of the Weathermen, so she would be unlikely to join them. “We may then give up war, because we shall find it as difficult to make war upon a nation
Society Corrupts Innocence Society has been setting unrealistic standards for individuals for several years. During the 1920’s, when F. Scott Fitzgerald wrote his novel, The Great Gatsby, society had specific social classes and standards. Social classes still exist today, but in a more obscure way than in Fitzgerald’s era. Social classes today are more based upon where an individual lives, but also include how much money that person earns. One thing that is shared between now and the era of Fitzgerald’s novel is that individuals are often judged by the size and glamour of the house the live in, and what area the house is located in.
Societies are, by necessity, made up of people, though according to Marx, “Society does not consist of individuals but expresses the sum of interrelations, the relations within which these individuals stand”. Societies contain an ethos that is shared in some way by all its inhabitants, but sometimes this ethos can become a sort of corrupt and unattainable ideal. When Arthur Miller wrote Death of a Salesman this ethos turned wrong was the driving force behind the tragedy of Willy Loman. However this conflict is far older than America; in 441 BC when Sophocles wrote Antigone this driving force was simply man made law (as opposed to divine or natural law). In both plays, these pervasive societal constructs are presented and deconstructed by means
Introduction Hook- Absurdism is seen as the confrontation of the individual with the natural world and society. Albert Camus thought there were three solutions to absurdism, which were physical suicide, philosophical suicide, and acceptance. Bridge- Philosophical suicide is seen as a leap of faith, a sort of giving in. If death is looked at in those terms than a philosophical murder should be similar to its suicidal counterpart.
He disagrees with the society’s way of living and is arrested for it, but he takes a step forward to change it. The author takes on different varieties of tone throughout the story such as gloominess, despair, and joy, which clarify the idea that he disagrees with this society’s
This is a fatal event in Rousseau’s mind as unlike ‘the savage’ who ‘lives in himself’, an individual in society ‘is always outside himself and knows how to live only in the opinion of others’. Very unlike the Hobbesian war-like state of nature where ‘vainglory’ cause people to act like barbarous beasts, Rousseau argues that egocentrism derives solely from social interaction believing that his predecessors were projecting ideas of modern corruption onto the state of nature. Therefore, Rousseau’s analysis of moral psychology reveals how humans have become duplicitous and false through socialisation as the foundations of competition and bettering people are laid and consequently, a ‘desire for inequality’ governs the
It can be quite easy to make assumptions about one’s character upon first glance or first encounter, but often these first assumptions are not a direct representation of a person’s true disposition. In the short story, “The Diary of a Madman” by Guy de Maupassant, an esteemed magistrate is being remembered for the model citizen he was, having lived a life that no one could subject to criticism. However, a notary uncovered his diary in a drawer in his home, in which he entailed his tendencies and cravings for murder that no one had expected of him. Within this text, the author uses the character of the magistrate to convey the theme that one’s true character cannot be decided from external appearance or actions. From the beginning of the text, it is made evident that this man was revered as the most well-respected judge in all of France.
Albert Camus's novel, “The Stranger”, and Samuel Beckett's play, “Waiting for Godot” have many differences and similarities. Firstly, “The Stranger” is a book about the main character, Meursault, who has irregular characteristics. In the book, he is an absurdist who is very indifferent to everything if it doesn’t affect him physically. Also, he only believes and cares about himself. Furthermore, the second piece of literature, “Waiting for Godot”, is a play that focuses on two people who wait for a man named Godot.
Albert Camus’ The Outsider is a strangely complicated noir fiction novel with a relatively simple plot that attempts to depict Camus’ philosophy of the absurd through the seemingly emotionally stunted main character, Meursault. The Outsider begins with the death of Meursault’s mother and deals with relationship dynamic of his encounters with his neighbors, his boss, his friends, and his lover. His unique outlook on life eventually culminates in the murder of a stranger and consequently his death sentence. Camus ultimately tries to portray the depraved morality of the world and the fabricated rationale society attempts to imposes on the irrational universe. Camus implies that morality and motive have a direct relationship with one another and that there are arbitrary evils
