Throughout her childhood life her mother, Suyuan, was continuously pushing her to be her best. Jing-Mei purposely tried to fail at everything to prover to her mother that she could never become a great and famous person. Then after a piano recital that went horridly wrong, her and her mother had an argument and their relationship was never the same. Many years later Suyuan tried to give Jing-mei the piano that she had as a child. She refused the offer, but than a year later her mother died and Jing-Mei was cleaning out her mother’s house and decided to play the piano and she was surprised that she still knew how.
With the mother pushing her this much it makes her very strict. She doesn’t really give Jing a choice. This also made Jing feel like her mother didn’t like her the way she was. “’Why don’t you like me the way I am?’ I cried.
ing-Mei Woo is on her way to not only meet her sisters, but also to discovered a part of herself that not even her knew was living within her veins. She was about to face a moment of transformation that stared the moment the train left the station. A train in movement symbolizing the journey she had ahead and the things she was leaving behind. The description of this new country, the people and their traditions are evidence of the things happening in the outside, while her heart is discovering that her mother was right and that she was becoming Chinese, however, I don 't think that she became Chinese, with her trip to China.
Both her and her mom want her to be a prodigy of Beyonce. Both of their parents want them to become a prodigy of somebody. Jing-Mei’s mom wants her to be a prodigy of Shirley Temple. One other allusion in “Two Kinds” and modern day society is Peter Pan. Peter Pan never wants to grow up and neither does Jing-Mei.
This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely
Imagine a world where there is a group who decides how people are going to look, act around each other, and perceive different issues and controversies. Now imagine that this represents our world. There is no need to imagine because this is how the world is since the beginning of humankind. For hundreds of years, there has been society pressures on many topics and issues. From race to body image, pressures to be “perfect” in the eyes of a powerful social group is present in any period of time in the Anthropocene Era.
“After losing everything in China…She never looked back with regret. ”(Chunk 1 ¶3). Jing-Mei’s mother is a Chinese immigrant with the typical ‘everything is better in America’ mindset. Jing-Mei, being raised in America, had more of an American mindset. “You want me to be someone i’m not…I’ll never be the daughter you want me to be!”
To try to forget and move on from being raped, she needed to avoid looking at herself and seeing the person she has become. Ever since Melinda was raped, she has been frustrated with herself and has not been able to face her reflection. This shows that she could not face her feelings. Melinda’s coping strategy was to avoid others and avoid herself. The mirror is a symbol for her emotional struggles and that she cannot deal with them.
(TOPIC SENTENCE) I have an adamant bond with some characters in the short stories because I relate to them in some sort, specifically, (THESIS I) Waverly Jong, since she is a (MAJOR A) committed and (MAJOR B) intellectual young girl. (RE-WORDING MA) Throughout Amy Tan’s “The Rules of the Game,” Waverly shows commitment, which is an exceptional quality she has, that stood out to me.
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.
This peculiarly specific list showed that as a first-generation American, she was constantly scrutinizing the small actions that her mother demonstrated, and she was embarrassed, although it is not likely anyone else ever noticed. However, as she got older, Jing-Mei realized the fact that she was “becoming Chinese.” She still did not truly understand her mother or the beauty of Chinese culture, but her acceptance was the first step of the long excursion of
Chinese women suffer from the unfair notion for thousands of years. The basic requirements of being virtuous women are “Three Obediences and Four Virtues (三从四德)”. The “Three Obediences” were “obey your father before marriage (未嫁从父); obey your husband when married (既嫁从夫); and obey your sons in widowhood (夫死从子)”. And the “Four Virtues” were “Female virtues (妇德)”, “Female words (妇言)”, “Female appearances (妇容)” and “Female work (妇功)”. (Sun, 2015).
It becomes almost an obsessive relationship between the mirror and the women because she looks to the mirror for comfort only to (be) confronted with the truth about (her) youth wasting away.' (wordpress (2013)). The woman herself has given the mirror these 'God-like powers' over her.
“For unlike my mother, I did not believe I could be anything I wanted to be, I could only be me.” (Tan 24). With this statement you can see that she does not agree with her mother. Jing-Mei’s Mother was raised in Chinese culture, therefore she is very strict and demanding to Jing-Mei to do what she wants. From doing a chore, to hobbies or even Jing-Mei’s passion.
She once said, “I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day, spare me from the relentless cage of routine and rote. I want to be free.” These fears of aging are shown in “Mirror”.
