Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
In Timmy Reeds short story, “Birds and Other Things We Placed in Our Hearts,” there is a significant amount of imagery and symbolism through the authors use of style, characterization, and theme. The profound use of symbolism in the authors style of writing greatly captures the use of imagery throughout the story. The beginning sentence of the story reads, “As our chests hollowed out, we filled them with birds” (Reed). This beginning sentence is simply stating that the hearts of humans have withered away, leaving them feeling empty, and to fill that emptiness they filled their cavity with birds.
One of this week’s readings focused on Ch. 5, “Caged Birds,” in Professor Lytle Hernandez’s book City of Inmates: Conquest, Rebellion, and the Rise of Human Caging in Los Angeles, 1771-1965, and this chapter was particularly interesting because it further explained the development of immigration control in the United States. As a continuation from the last chapter, there was a huge emphasis in the Chinese Exclusion Act of 1882 and the Geary Act of 1892. This essentially prohibited Chinese laborers from immigrating to the United States, as well as eventually requiring these people to comply with regulations. “Caged Birds” encapsulates the events afterwards, as the book heads well into the early-1900’s. The disenfranchisement of immigrants develops towards further exclusivity because “[by] 1917, Congress had banned all Asian immigration to the Unites States and also categorically prohibited all prostitutes, convicts, anarchists, epileptics, ‘lunatics,’ ‘
The ratio of birds to humans is approximately 300 to 7, so if humans were attacked by a mass of birds, there’s a very slim possibility of survival, if any possibility. This is the base of the plot of Daphne du Maurier’s short story, The Birds (1952), and Alfred Hitchcock’s movie adaptation of the same name, which came out in 1963. While there are similarities between them, such as the conflict and the theme, there are also differences, such as the characters and the setting. This essay will be covering the similarities and the differences between the short story and the film. There are a few similarities between the short story and the movie, like the conflict and the theme.
Flannery O’Connor’s The King of the Birds is a narrative explaining the narrator’s obsession with different kinds of fowl over time. The reader follows the narrator from her first experience with a chicken, which caught the attention of reporters due to its ability to walk both backward and forward, to her collection of peahens and peacocks. At the mere age of five, the narrator’s chicken was featured in the news and from that moment she began to build her family of fowl. The expansive collection began with chickens, but soon the narrator found a breed of bird that was even more intriguing; peacocks.
Nature’s Retribution The imagery of the short story “The Birds,” by Daphne du Maurier, illustrates that nature is our superior and if underestimated or taken for granted will retaliate with surprising force. For example, Mr. Triggs underestimates the birds “O.K., said the farmer. Why don’t you stop behind and join the shooting match? We’ll make the feathers fly” (64).
The Ballad of Orange Grape, written by Muriel Rukeyser, is a poem describing a street scene in East Harlem. Instantly she draws the reader into the scene using descriptive language and guides you through the decaying neighborhood to a Frankfurters stand where the man running the stand pours an orange drink into a bin labeled as purple and pours a purple drink into a bin labeled as orange. The narrator noticing that sparks a philosophical debate with the man running the stand so that she can understand the meaning of his actions. This street scene is the authors way of questioning are use of language in binary system and how different words and phrases can convey a different meaning.
Daphne du Maurier’s short story “The Birds” is a piece of fiction that displays many literary elements. This story displays suspense, foreshadowing, and imagery. By using these literary elements du Maurier creates an intense story that leaves the readers wondering what happens next and wanting more. First, foreshadowing is used to reference events that will happen further into the story.
This passage from “A white Heron”, by Sarah Orne Jewett, details a short yet epic journey of a young girl, and it is done in an entertaining way. Jewett immediately familiarizes us with our protagonist, Sylvia, in the first paragraph, and our antagonist: the tree. However, this is a bit more creative, as the tree stands not only as an opponent, but as a surmountable object that can strengthen and inspire Sylvia as she climbs it. This “old pine” is described as massive, to the point where it, “towered above them all and made a landmark for sea and shore miles and miles away.” (Line 8).
Do you know anyone who has Orinthophobia, the fear of birds? Or do you yourself fear the birds? “The Birds”, written by Daphne De Maurier, is a short story that uses various literary terms to make an exceptional piece of writing. The story uses the literary devises such as foreshadowing, imagery, and characterization to create an exhilarating tale. Maurier uses these three components to tell a thrilling story that keeps the reader on edge.
By placing the bird so high up, yet incredibly close to the family, it can be taken as a warning. The bird only appears in this single line throughout the excerpt, acting as an observer but also as a predator waiting for a chance to strike, providing an unsettling truth to death being out of our control. Though many efforts may be made to create a sanctuary, there are things out of one's control and when power is exercised, there will be forces fighting back. The opening sections of the novel A Bird in the House demonstrate this clearly by how Margarets Laurence's’ use of literary devices can be interpreted.
Birds play a key part in a lot of the characters' story, they represent something slightly different for each person. One of the main mentions of birds is with the character Frederick,
Birds are gifted with the extraordinary ability to fly. Their wings propel them above the ground and over people below. They are able to view the world from an angle that no one else gets to see. This is what makes birds and wings such powerful symbols in literature. These symbols characterize characters, move the plot and develop one more of the book’s ideas.
In the two poems Sympathy by Paul Laurence Dunbar and Caged Bird by Maya Angelou, gave a comparison between the life of a caged bird and the life of a slave. There are similarities and differences in the two poems. The difference between the two poem is that Sympathy is more aggressive than the poem Caged Bird, and the similarities of the two poems is the theme and imagery. The poem Sympathy the poem
“Caged Bird” written by Maya Angelou in 1968 announces to the world her frustration of racial inequality and the longing for freedom. She seeks to create sentiment in the reader toward the caged bird plight, and draw compassion for the imprisoned creature. (Davis) Angelou was born as “Marguerite Annie Johnson on April 4, 1928 in St Louis, Missouri”. “Caged Bird” was first published in the collection Shaker, Why Don’t You Sing? 1983.
