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Joy Williams John Paul White Analysis

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For years, I have had a love/hate relationship with the Civil Wars. On one hand, the duo only writes sad, angry ballads that often don't find me in the right mood. Yet, at the same time, I cannot ignore their talent. The perfect integration of simple-yet-heart-tugging guitar with perfect harmony creates a pair that is, frankly, unmatched in musical maturity and beauty. However, shortly after the release of their second full-length album, the Civil Wars broke up, upsetting thousands. Years later, the two have moved on, and I have some theories... Both of the members, Joy Williams and John Paul White, released solo albums this past year, with hers receiving notably better feedback than his. I began to wonder why her solo career shows so much potential, while his is dying on the vine, even though I feel that John Paul White is twice the musician that Joy Williams is (which speaks volumes, considering she has one of the best voices of anyone I listen to consistently). Why, if he was responsible for two thirds of the Civil Wars' success, is he falling flat so quickly? …show more content…

Listening to his new album, "Beulah," I realized that he was the driving force of the Civil Wars' style. His solo work has all the key parts of the pair's music: lyrics backed by vocals that focus on loss, heartbreak, and betrayal; similar simple, yet unique guitar riffs; and flawless integration of the two, with the vocals dominating over the guitar. It was the same as the Civil Wars' work! The only thing missing was

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Describe the circumstances that caused police to pull Wayne Williams over? The police were staking out the bridges because the last victim was dumped in the river, and he was in his car driving slowly across the bridge after the police heard a splash that sounded like a body. Why does he think he was convicted?

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Carl Williams: the non-ideal victim: HEATHER JONES 214139974 Carl Williams; convicted drug trafficker and murderer, was serving a life sentence in Barwon Prison’s Acacia unit when he was beaten over the head with the stem from an exercise bike and killed by Matthew Johnson in 2010. The first link that is listed when his name is searched in Google is the Wikipedia page titled “Carl Williams (criminal).” The initial impression is that he is not regarded as a victim of murder, but largely still as the killer he was. This is understandable. Williams is responsible for ordering the deaths of and killing members of Melbourne’s underworld, all of whom have left behind families and loved ones.

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Despite the many years after the Civil War ended in 1865, the war’s significance was still great enough to have caused such controversy with the public over its meaning. In David W. Blight’s Race and Reunion, the meaning of the war changes throughout the period of Reconstruction not due to the misconception of it solely, but due to what we wanted to interpret from the war (or rather, what we remembered from the war that eventually changed over time). Blight argues, “I am primarily concerned with the ways that contending memories clashed or intermingled in public memory, and not in developing professional historiography of the Civil War” (Blight, Prologue). With this being said, the meaning of the Civil War changed through what people felt and

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In Hollywood, it’s rare, very rare for a name to be associated with as many great projects as John Williams is. Aside from producer Jerry Bruckheimer, I can think of no one but Williams to sit on that throne, and rightfully so. The films he composed for are now either cult classics, regarded as genre-starters or artistic masterpieces. It is virtually impossible to list all of Williams’ scores, specially when most, if not all, are considered works of art that deserves full on explanation of their whys and hows. Having said that, some of his work reached and surpassed your good ol’ epicness level to reach a whole new level. Of those works, the most notoriously known is Star Wars.

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