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Women in the renaissance history of art essay
Women in the renaissance history of art essay
Women in the renaissance history of art essay
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In the 19th century many debates raged on the correct way to showcase a women’s body in a painting. “What was the relationship between women’s moral and sexual nature?” (pg. 272), artist worked to find a balance between these two concepts. A successful combination of these two topics can be seen in the can be seen in Eclogue by artist Kenyon Cox. Cox’s painting depicts four women naked and partially clothed lounging about together in a field.
Teamwork Assignment For our teamwork assignment we are doing Artemisia Gentileschi, “Judith and Maidservant with head of Holofermes”. In the painting we can see two women which I can infer are Judith and Maidservant. One lady which I believe to be Judith is holding a sword in one hand and blocking the light with the other. The other lady that could be Maidservant is holding something similar to a head that by the title of the painting I infer that is Holofermes head.
Jacob Lawrence painted the Migration Series in 1941 during the time of the Great Migration in America. Lawrence and others, such as Langston Hughes, have been one of the most prominent artists that portrayed the social commentary of African Americans in the United States during the early 1900s. Lawrence’s sixty panels narrate the historical migration of the numerous African Americans who took the train heading from the South to the North, where they could provide a better life for themselves in the midst of an industrial setting. The depiction of the sixty tempera paintings accompanied by various supporting texts leave an emotional account of this time in history to this day. Jacob Lawrence’s two-dimensional cubistic style of painting throughout this series often
Within this brutal painting, this depicts a man that was asleep while another woman holds him down. In this position, Judith was able to cut through his throat decapitating him. This painting has been thought to be Artemisia Gentileschi taking back the power to her helplessness that she derived from the rape. Like the position Holofernes was in, that she felt as the rape internally killed her (Violence and Virtue: Artemisia Gentileschi's "Judith Slaying Holofernes, N.d.). Because Holofernes was incapacitated after a night of drinking, leading to the conclusion that the man was unable to fight off the two women.
The painting is a caricature of Harris and Klebold’s heads resting on two fingers of a giant hand. It was given the name, “Crop Failure.” Their faces were both painted with an evil and cruel expression. They are both grinning, but their eyes look lifeless and degenerate. The canvas is white with a lot of red in the background.
It is important to know why a piece is primarily created as well as the messages behind them. Reclaiming Female Agency is all about why something is initially created and the reason behind the artist’s style. For them it is just as important to the piece being named for the artist. Broude and Garrard along with all the artist they used to feel that if the artist was raised by an artist or had great tragedies happen to them as important to what they created and why. One artist’s story that stuck with me was Artemisia Gentileschi and what was also said about women killing men and others by Garrard.
In order to make the power of the woman believable, the artist shows off the physical strength of Judith and paints the figure with muscular arms and a thicker body structure.
Artemisia Gentileschi has remained one of the most famous women artists in modern history that is not famous for solely her skill. Though talented, scholars have instead chose to highlight the sexual assault and personal struggles Gentileschi went through as a means to deeper understand and criticise her masterful art. Although she painted few altarpieces and no frescoes, her talent was still comparable to some of the great male masters of her time, with her rendition of the story of Judith and Holofernes frequently being compared to the great Caravaggio’s. Despite her success as an artist, many historians have instead focused on her role as a woman. Undoubtedly, Artemisia experienced many things that other men, and male artists, would not
In this painting, which is oil on canvas, Judith is severing Holofernes head in good reason. In the biblical story, the Book of Judish tells of how Judith was stripped of her clothes and raped by Holofernes, whom was the Assyrian General. Judith later gets Holofernes drunk, and enticed him to bed. Only to execute her revenge. By cutting Holofernes's HEAD
Judith takes revenge on the army general for pillaging her town, by beheading him. This whole painting basically represents revenge on any male wrongdoer, and greatly relates
Then the way the woman is smiling in the picture, could look almost comical, but she still has some backbone. The way she is shaped in the portrait shows she has some strength and will fight for her sanity if necessary. Despite how one can see a strong, firm woman in this painting. Still today people discriminate against them, some men don’t like the idea of a woman being independent and stronger than him. However, that still won’t stop women from showing who they really are and what they have to offer to society.
The two pieces of art I will discuss is Edouard Manet’s ‘Olympia’ and Mary Cassatt 's ‘Woman in Black at the Opera’. Manet’s Olympia was not critically accepted, the reaction to his painting was negative, only four critics out of sixty were favorably disposed to Olympia. Olympia was a derivative of Titian 's Venus. In 1863 the critics and the viewers didn’t know how to take Olympia, “they were unable to cope with so many novel factors and so they were unable to categorize the picture and so were unable to analyze it or understand it in any context” (Laurence, 2012). Nowadays we are more open minded and are able to see the painting in a different light.
There are many different unique types of art that can all have a unique story to tell. In Meta Warrick Fuller’s painting called Talking Skulls. This image creates a vivid image of black women struggling to make any money at all and are in the worst of all jobs. This relates to the spark of the creation of the renaissance because it showed the struggle that black women had to overcome when living in the southern and they wanted a new life. But not just women had a struggle economically, even men did too.
The art world is perpetually sexist and racists, and curators are key to changing the masses view on art history and contemporary art voices through representation and inclusion. In order to offer up a more just and fair representation of global artistic production, mainstream (non-activist) curators need to re-envision/re-write their definitions of "greatness" to include non-whites, non-westerners, the under-privileged, and women. In Maura Reilly's essay, Taking the Measure of Sexism: Facts, Figures, and Fixes, Reilly fixates on the differences between men and women in the art world and how little has changed in the art world for women, despite decades of feminist activists. Better does not mean equal.
In Mythology the power of beauty has always been for profound persuasion. The women in most myths are typically shown as trophies that warriors accommodate after battle. In the myth of the “Trojan War” Helena fell in love with the Trojan Prince Paris. Paris took Helena back to Troy which angered her husband at the time Agamemnon, thus began the gruesome war. In the painting Helen of Troy, Evelyn de Morgan uses the immaculate beauty of Helen to show that people can easily be distracted by beauty.
