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Just York City Sparknotes

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The political movements of the 1960s—the Civil Rights movement, the anti-Vietnam War campaign, and the feminist movement—had transformed cultural life in the United States. As political elites continued to make decisions that enmeshed the US ever more deeply in war and inequality, art became more provocative and a vehicle of sociopolitical change. New York City provides the setting for Patti Smith’s memoir, Just Kids, at a time when NYC had become a haven for struggling artists to immerse themselves in their craft as well as to gain inspiration from other artists who had already achieved a privileged position in the arts. For Patti Smith, the daunting decision to move to New York at 19 years old led her to experiments with identity, her explorations …show more content…

Patti Smith's memoir tells the tale of her artistic ambitions and her relationship with Robert Mapplethorpe. She depicts their uphill battle to find recognition for their art and to reinterpret love for herself.
The 1960s in America was a decade consisting of compelling social change with notable social movements and events creating the country’s cultural landscape. What triggered the uproar of social movements occurred before the 1960s with the Civil Rights movement. A prominent issue that occurred in the Southern United States was segregation between African Americans and other Americans (predominantly White Americans). Segregation was implanted in all aspects of American society that eventually became “an accepted part of southern society” (Greene 2010). The government’s perspective on civil rights was stagnant and not striving toward …show more content…

The city that gradually welcomed young artists eventually created a close-knit environment where everyone was seeking to get their work out of the door and into the hands of success. However, these ventures artists took were set when the landscape of New York City was deteriorating out of the social division. The “postwar optimism” the country continued to pursue impacted New York City through the deindustrialization of downtown neighborhoods, rise in crime, and poverty (Rohlwing 2018). With this backdrop behind many young artists seeking to move to New York City, it further enhanced the escapism towards their craft. The diverse and accepting art community of New York City eventually inspired a new and upcoming artist by the name of Patti

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The slow tap-tap, tap-tap that synchronized the Fifth Avenue March steadied Alice Mansfield “like a rope cast for rescue” (58), a safe sound to shield her from what jazz music’s rapid, shifting, brassy melodies make her aware of: everything she’s repressed. A widely noted aspect of jazz music is the way it articulates traditionally shameful parts of human nature, such as violence and sexuality – which makes Alice squirm. But this popular conception of jazz misconstrues the genre by leaving out its racial historical context, one of its crucial themes. In the Fifth Avenue scene, Morrison describes how jazz illuminates another source of pain and discomfort that Alice – and all of American culture – has a tendency to repress: knowledge of racism of the past and

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On October 6, 1966, the “Love Pageant Rally’ was held in Golden Gate Park, San Francisco. Over two thousand people gathered together, where they danced to the music of the Grateful Dead, and a local band called Big Brother and the Holding Company - whom were featuring their new singer, Janis Joplin. The ‘Love Pageant Rally’ was not coordinated to protest California’s new anti-LSD law; the group of Hippie writers, musicians and enthusiasts who organised the rally opposed confrontations with the San Francisco Police Department. They openly believed they could change the world through love and celebration. The ‘Human Be-In’ took place at the same location on January 14, 1967.

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During this time, the nation experienced a public examination of its most adverse flaws, with the establishment of an ideal society perceived as the end result. This societal shift was most vividly reflected by Allen Ginsberg, with his notorious poem “Howl”, which was a cry of desperation against the heavy-handed conformism of the era and an affirmation of the glory of the human experience. Ginsberg begins his poem by writing, “I saw the best minds of my generation destroyed by madness” (Ginsberg), capturing the essence of what incited the Beat Movement, where the “best minds” referred to those figures whose unwillingness to conform had ostracized them from society. In order to adhere to this conviction, Beat writers commonly refused to promote inhibition and censoring of self expression in their work. With this in mind, Jack Kerouac, another leading figure of the Beat Movement, declared that one should “believe in the holy contour of life… [and have] no fear or shame in the dignity of [their] experience, language & knowledge” (You’re A Genius All The Time).

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Introduction "In the past six years, Seattle has gone from a small but vibrant music scene to a rock mecca recently profiled by Time, Entertainment Weekly, and USA Today.” This quote in Rolling Stone’s “Grunge City” article from 1992 speaks of the rise of the grunge sub-culture (Borgman 1993). Born of post-punk, post-hippie, and heavy metal, grunge is a term used to describe a specific moment in music, self-expression, and fashion of the mid-1980’s. This movement, similar to many others in the past, gave a voice to a lost generation of youth, yet unlike those it’s roots were drawn from members of the grunge movement did not necessarily share a common goal, such as how the punks had anarchy and rebellion and the hippies had peace (Price 2005).

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With drugs, sex, and typewriters at the tips of their fingers, the Beat Generation held the 1950s and many future generations in their palms with their rapid, spontaneous lifestyles and reputations of adventures so… beat. One of the most well-known novels from their literary movement and a prime example of their ways of life was On the Road, written by Jack Kerouac, noted as ‘The King of the Beats’ by many (Morgan xx). And while many critics believe the novel to be a piece of writing that “[leaves] a smirch on the configuration of classic American literature” with its scandalous topics and appraising following, the message of Kerouac’s most famous book may not only reflect on the fast-paced lives of the Beat Generation during that time period but also on the state of America and the toll that their lives have taken on the American Dream (Vopat 1). On the Road, as a story of Kerouac’s personal tales, serves to reiterate a familiar story of a pair of boys going against the current and striking it out on their own with the Beatific message that the American Dream, that had once been “innocent, young, [and] full of promise”, has been destroyed, crippled by its intense quest for a freedom that has long been deemed unrealistic (Vopat 7).

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