Juxtaposition In Chickamauga

In the short story “Chickamauga” (1889) by Ambrose Bierce, he uses juxtaposition to compare the perspectives of the romanticised public and experienced people in war to show that war isn’t built on romantic visions, but it is built on visions that are both dreadful and gory. The young boy enters the forest and fantasizes a battle with a “flying foe,” in which he comes out of an “intrepid victor;” however, the boy’s fearlessness fades when faced with a “rabbit.” The use of the word “intrepid” gives the sense of a great amount of bravery that the young boy has in a moment where he feels no fear, but he cowers at the sight of a “rabbit,” perhaps otherwise known as a harmless animal. The reader can see that the valiant spirit that the young boy emits in his game is only present due to the fact that he isn’t faced with true war, so it became easier for the boy to assume the role of someone who is heroic. Bierce

The image that the reader creates to imagine the conditions of the men with “hanging...flesh...” give perspective to someone who may have never been exposed to the sights seen in war. Bierce accomplishes his purpose in showing how the images seen and recognized in civilian life show a far more glamorous portrayal of war compared to the reality that is vastly different from what is commonly known about war. The juxtaposition of ideas show how certain groups of people perceive war based on their experiences. Bierce’s use of juxtaposition throughout the story shows the development of two ideas of war, and how the two ideas grow to be different in many