Topic: The complex relations between fathers and children in the poetry of Robert Hayden, Rhina Espillat, and Theodore Roethke Thesis: the historical backgrounds and family settings of Robert Hayden, Rhina Espillat, and Theodore Roethke have contributed to the expression of complex father and children relationships in some of their poems. Williams, Pontheolla T. Robert Hayden: A Critical Analysis of His Poetry. University of Illinois Press, 1987.
The different key features also plays an important role for example the tone that is being formed by the lyrical voice that can be seen as a nephew or niece. This specific poem is also seen as an exposition of what Judith Butler will call a ‘gender trouble’ and it consist of an ABBA rhyming pattern that makes the reading of the poem better to understand. The poem emphasizes feminist, gender and queer theories that explains the life of the past and modern women and how they are made to see the world they are supposed to live in. The main theories that will be discussed in this poem will be described while analyzing the poem and this will make the poem and the theories clear to the reader. Different principals of the Feminist Theory.
The essay will consider the poem 'Practising' by the poet Mary Howe. It will explore how this poem generates its meaning and focus by analysing its techniques, metaphorical construct and its treatment of memory. The poem can primarily be seen to be a poem of missed opportunity. In this way is comes to form, alongside other poems of Howe's a study about a certain kind of loss and the recuperative efforts of memory, alongside the certainty of the failure of this recuperation. The paper will begin by giving a context to the poem with regard to Howe's life and work and will then proceed to analyse it directly, drawing attention to how it can be seen to fulfil this thesis about its content and meaning.
This becomes evident in a lack of information about the type of society, and the reader therefore lacks a complete understanding of how the women are oppressed. As a whole, this poem sets forth the idea that female gender is fluid, and asks its readers to questions what it means to be a woman in a male dominant
La voz a ti debida has received criticism from a number of academics for being a misogynistic work of poetry and is described as “androcentric” by Bermúdez. The theme of possession is widespread in the poem, along with the objectification of the amada, both anti-feminist elements of Salinas’s work. In addition to this, the beloved is portrayed as empty and lifeless, only acting as a hindrance to the happiness of the narrator, whether she loves him or does not. The amada’s power is only weakened by her lack of voice, taken from her by Salinas. The theme of possession is prevalent from the onset and throughout La Voz a ti Debida.
She breaks her thoughts down in order to show the indifference. She says that women are first portrayed as objects; this patriarchal society sees us as mere bodies. Thus, we are either regarded as objects or as bodies; the mind does not exists here. Here, the subjectivity does not lie in the mind, but within the body. Women’s sole purpose is to be that of another subject’s intentions and manipulations.
She is describing how men want things done their way and women who do not cater to their needs get punished. The men never take responsibilities for their actions towards their women. This entire poem signifies how women bend over backward for their husband and get no rewards or praises in the end. Sor Juana is considered a feminist because she is in favor of women being well educated and having the right to pursue their dreams. Sor Juana turned down several suitors who approached her with marriage proposals.
The poem A Step Away From Them by Frank O’Hara has five stanzas written in a free verse format with no distinguishable rhyme scheme or meter. The poem uses the following asymmetrical line structure “14-10-9-13-3” while using poetic devices such as enjambment, imagery, and allusion to create each stanza. A Step Away From Them occurs in one place, New York City. We know this because of the lines, “On/ to Times Square, / where the sign/blows smoke over my head” (13-14) and “the Manhattan Storage Warehouse.”
The final poem of significance is Jazzonia, in which Hughes experiments with literary form to transform the act of listening to jazz into an ahistorical and biblical act. Neglecting form, it is easy to interpret the poem shallowly as a simple depiction of a night-out in a cabaret with jazz whipping people into a jovial frenzy of singing and dancing. But, the poem possesses more depth, when you immerse yourself in the literary form. The first aspect of form to interrogate is the couplet Hughes thrice repeats: “Oh, silver tree!/Oh, shining rivers of the soul!” Here, we see the first transformation.
This explication is on the poem “Africa” by Maya Angelou. In the poem, the speaker shows the suffering of Africa by personification, imagery, and wordplay to result that Africa is moving forward to regain herself to give us all the world has done to Africa. The speaker is a knowledgeable person who is passionate and knows well about Africa. The poem takes the setting of Africa and in the time period around the 1400s - 1500s. The poem is an ABAB pattern with three stanzas.
The poem "Kindness" by Naomi Shihab Nye speaks about how you experience kindness and what it really is. The main point in this poem is that in order to experience people's kindness you need to experience hurt, sorrow, and loneliness. The author says that when you loose everything and have no one or thing that when kindness comes along it lifts you up "and then goes with you everywhere/ like a shadow or a friend" (33-34). When portraying this message the author uses a sad but hopeful tone to send the message she wants to say. This tone helps portray the message because you can feel how sad someone is when they are lonely and they have nothing.
In comparison to Marvell’s “To His Coy Mistress”, these response poems convey two different viewpoints from the mistress and in my reasoned opinion, provide a deeper scope to the objectification and mistreatment of women in poetry. This can be seen through evidence and supported by exposing the overall attitude of the speakers, issues of gender in each work, each poem’s language, the overall tone of each work, the form of each poem, and through each speaker’s responses to “Big Famous Lines” presented in “To His Coy Mistress”.
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.
Women have less to say about what they need or want but they have to pay much and also to face the results when the men around them botch. It is dreary to see these frail willed men delineated in the novel who failed to stay up for women, who recognize an overall population where women are set backs of their
Society’s superficial viewing of women is also reflected in the poem’s wring, as it may seem that this poem is strictly concerned with a prostitute, but in fact it describes all females. The male representative in the poem, Georges, then asserts his superiority, despite their similar conditions of being poor. Although he is sexually attracted to her as he “stiffens for [her] warmth”, suggesting an erection, he is unwilling to accept her as a human being as he deems her question “Why do you do this?”
