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Essay on writing styles
Essay about writing styles
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More handpicked essays just for you.
Essay on writing styles
Essay about writing styles
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The short story “The Knife” utilizes various forms of diction to strengthen the quality of the text. He uses imagery in order to draw the audience into the story. Vivid phrases, such as “the tight click of clamps” and “the tough fibrous sheet” create a description that resonates with the audience. Selzer uses diction to create the tone and mood of the story. In the opening paragraph, his word choice suggests that the speaker is a murderer; in later paragraphs, it is implied that the speaker is a surgeon trying to save a patient.
In the short story “The Most Dangerous Game,” the author, Richard Connell uses the wonders of figurative language to spice things up in many ways throughout the story. Almost every page had something lying within itself, hidden behind metaphors similes, personification, and the list goes on. Some examples of how Richard Connell uses figurative language were clearly displayed on page 62: “Didn’t you notice that the crew’s nerves were a bit jumpy today?” This page also began to reveal the main feeling/emotion of the story(eerie/suspicious) came to be-which was set off by the example I used above. In this scene, the author uses very descriptive words and/or adjectives in his choice(s) of figurative language when he writes, “There was no breeze.
In the book Fallen Angels Walter Dean Myers tells the story of soldiers who struggles with a problem involving what is right and wrong in war. Fallen Angels set in Vietnam during the Vietnam war, the story introduces the main character Perry, who faces obstacles, including death and killing. The author’s use of literary devices, specifically imagery, irony, and metaphors convey the theme warfare often forces soldiers to reconsider their traditional notions of right and wrong. The author employs imagery to express the theme that warfare often forces soldiers to reconsider their traditional notions of right and wrong.
In the book Long Way Down by Jason Reynolds, he uses specific literary devices and techniques that cause this collection of poems to become one cohesive novel to portray the story of a boy struggling with the death of his brother and gun violence in his community. This story changed the way I view living in an inner city community and how that can affect a child’s development and mental state while living in that environment. Reynolds uses imagery to develop a deeper understanding of the death of a child, dramatically displays a child being shot and how our main character views this tragedy, “Her mouth open. Bubble gum and blood” (133). This disturbing piece of imagery establishes our main character’s inner conflict, indicating that Will (main
Throughout Slaughterhouse Five, Kurt Vonnegut intertwines reality and fiction to provide the reader with an anti-war book in a more abstract form. To achieve this abstraction, Kurt Vonnegut utilizes descriptive images, character archetypes, and various themes within the novel. By doing so, he created a unique form of literature that causes the reader to separate reality from falsehood in both their world, and in the world within Vonnegut’s mind. Vonnegut focuses a lot on the characters and their actions in “Slaughterhouse Five.”
He also includes imagery in A Modest Proposal. Swifts exaggerated imagery leaves a strong impact on the reader. In using descriptions like, “...carcass of a good fat child...” (93), he engraves a horrifying image on a baby on a platter in the minds of the reader. The strong uses of imagery throughout the essay bring his point across. A third rhetorical device that this essay is thick with is irony.
New Plans One Saturday morning, I woke up at seven in the morning to go to an amusement park called Six Flags. The plans had been made days ago, my two older sisters, my brother, a friend of ours and I would be going to Six Flags and spend the entire day there. As I got up after finally getting my alarm to finally shut up I walked over to the bathroom to take a shower when I realized that the ground was spinning, in my eyes at least, I had a vile taste in the back of my throat. I quickly fell back onto my bed feeling like if I hadn’t
Chapter 2 of The poisoner’s handbook by Deborah Blum has an aggressive style. Elements of diction support this style. Some of the elements that support the style are connotation/ denotation, cacophonous, and monosyllabic/polysyllabism. Connotation and denotation help to show the aggressive style of the writing in chapter 2. When describing mustard gas, Blum states the its effect include “searing the eyes into a crusted blindness” (Blum, 2010).
This shows that the speaker begins to fall from his humane side and the villain side started to come out. The uncontrollable lust for blood could not be stopped and it continued until he killed a plethora of woodchucks. Another example showing the author giving an atmosphere that everyone has a
Death, rape, murder, psychopath: words that vehemently cry for horror and taboo yet carry a mystique and fascination to not only the criminally obsessed, but also to the average person. As a result, authors and directors tend to capitalize on the viewing public’s urges for crime and thriller, often recreating stories of the world’s most tragic, sadistic serial killers in history through biographies, documentaries, television shows, and movie adaptations. Unfortunately, these dramatizations can sometimes overshadow the impact of these crimes, exploiting the violence for entertainment rather than the tragedies itself. However, in 2012, illustrator Derf Backderf revolutionized a new medium to portray the true crime genre with his graphic novel My Friend Dahmer. This comic book style memoir details of
Capote uses this choice of words to establish a setting and paint a picture in the reader's mind of what Capote truly wants them to see and to expand on the grim and dismal mood that the readers feel throughout the entire passage. He uses many tone words like, slapped, pruned, stamped, cursing, and numbed as tone words to shift the mood of the reader to the depressing mood that Capote intends for the readers to feel and to help provide vivid imagery for the readers. These words are used to help Capote and help the readers understand what is happening in the passage with detail and with a unique perspective. In conclusion, Truman Capote effectively uses rhetorical devices such as metaphor, imagery, and diction to contribute to the shift from the third section of In Cold Blood to the fourth and final section and to pride a grim and dismal mood for the readers throughout this entire passage.
(King, 263). The use of words like victim, horrors, heavy with the fatigue, are all there to make the
Storytelling has been the epitome of human expression for thousands of years. Along with musicians and artists, talented storytellers use their work to share ideas with others, often in an effort to evoke emotion or to persuade people to think similarly. Every element in a story is carefully crafted by the author in order to communicate a desired message to his or her audience. In Slaughterhouse-Five, Kurt Vonnegut incorporates irony into the story to express his belief that fighting wars is illogical.
Crocodile Dundee Review ‘Crocodile Dundee’ produced in 1986 put Australia on the map, with its hilarious unpretentious Mike ‘Crocodile’ Dundee (Paul Hogan) and it 's stunning and unique Australian landscape. New York reporter Sue Charlton (Linda Kozlowski) travels to Australia to meet a famous Australian bushman, she encounters both the beauty of Australia’s outback as well as the dangerous wildlife and brash locals, after experiencing Australia she brings Mike back with her to the exciting and happening place ‘New York’. This iconic movie directed by Peter Faiman is a must watch movie as Paul Hogan brilliantly acts out and superbly portrays the Australian larrikin. Mike Dundee appearance in ‘Crocodile Dundee’ as a sun weathered bushman, dorning an Akubra hat and a leather waistcoats with crocodile teeth necklace. ‘Crocodile Dundee’ both constructs and deconstructs the idea of Australian masculinity.
Time’s Arrow and Slaughterhouse-Five are both novels with an unconventional approach. By defying the expectation that such writing ought to be sombre, they deliver their own brand of mourning. Vonnegut interweaves the horrors of war with the seemingly trivial and absurd to create greater impact. The language, which is so often blunt and direct to the point of vulgarity, takes on a different character in the darker moments. It is transformed into something more childlike and delicate, suddenly capable of conveying the aftermath of a massacre with simple respect.