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Kanye West Homecoming Analysis

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Hip hop critics believe that hip hop is a violent subculture and supports crime and violence, but research has shown that there is no direct correlation between the two. One hip-hop artist that goes against this stereotype is Kanye Omari West. Mr. West lyrics allows the listener to understand that you don’t have to rap about having money and cars to get someone’s attention. In Kanye West’s Homecoming, he said, “Reach for the stars, so if you fall you land on the clouds.” This is an influential quote that encourages the listener to reach for their goals, but if you happen to fail on the way it’ll be ok because you have a comfort system to be there for you. Many people forget to realize that hip hop began as an outlet for African American and Puerto Ricans living in the South Bronx, so it was never meant to be something everyone should fear. …show more content…

Even though my parents listened to KRS-One and Public Enemy, while my sisters engaged in Kanye West and OutKast, both eras of the hip hop genre purpose were to discuss economic problems and push people toward the right path of life. In Yan Dominic Searcy’s article, he says, “Many rappers grew up amid violence, police harassment, poverty, drugs and promiscuity. Rappers will tell you they rap about what they know. If the community wants to change rap lyrics, the community must change reality.” (Searcy) In this quote, the author is details that the only reason hip hop artist write about things that are real and actually going on in the world, so we should put blame on the community on violence. Searcy goes on to

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Julio Gomez Mr.Kingsland ELA 11 Feb/21/2018 Per 6 Essay planet In these essay hip-hop planet, McBride describes how hip-hop influences the culture of the people of the world. In the chapter full circle, McBride argues that hip-hop represents a deeper meaning which also represents everyone in the world the struggle of life. Finally, In the chapter, the crossover McBride argues that the mean of hip-hop has changed through the generation. What I mean by these three central ideas that McBride wrote in his essay is the change, the influence, and finally the meaning of hip-hop.

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The article “Hip Hop Planet” by James McBride is about how hip hop is not his favorite type of music but, it needs to be heard. McBride shows us this by explaining that he avoided hip hop most of his life. In the article McBride says that he basically ignored “the most important cultural event in my lifetime.” James informs us that hip hop has influenced the world globally and that it has become a phenomenon. Furthermore, McBride made clear that he eventually realized that hip hop is much more than just music, it has a message.

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The authors argue that while hip-hop has been a powerful force for social change and self-expression, it has also perpetuated harmful stereotypes and misogyny towards black women. They examine various aspects of hip-hop culture, including lyrics, music videos,

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“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.

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Byron Hurt is the creator of the documentary “Hip-Hop: Beyond Beats & Rhymes”. In this documentary Hurt creates valid points of how hip-hop is all about conquering and violence. An author interviewed in this documentary, Kevin Powell, says, “We live in a society where manhood is all about conquering and violence…. And what we don’t realize is that ultimately that kind of manhood ultimately kills you.” This quote is remarkably true –as well as sad.

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Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.

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Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate

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In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

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The fact that a majority of hip-hop music addresses either violence, drugs or sex, black males are found at fault and loathed. Realistically, black males in hip-hop music only focus on crude topics because of the treatment they receive in this “white” world is crude. Essentially, the music artists’ produce are representations of the real world and byproducts of

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Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.

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Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

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The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.

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The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.

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Hip Hop grew out of the Bronx in the 70’s, a time where racism and hatred towards people of color was still rampant. Our music was defined as a genre where all people could speak their mind of the injustices that they face everyday and it was used as a rallying force against the oppression of the white man. However, as we progress as a society, we see Hip Hop straggling behind still stuck in their misogynistic ways of the past. There is nothing inherently sexist in the genre of Hip Hop, but instead years of enlarged egos and showmanship has led to a present where the accolades of a woman who has reached levels of superstardom can be destroyed by one man claiming that “[He] made that bitch famous” (Kanye West “Famous”).

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It craved a tapestry of exposing social issues that white America would never shed light on. According to rapper Mos Def in his 1999 manifesto, Fear Not of Man, he says “Me, you, everybody – we are hip-hop,” suggesting that hip-hop music no longer represents solely the voice of the black community, instead, hip-hop now represents all those who partake in or promote hip-hop culture whether male or female, rich or poor, black or white, American or foreign, and so on. (Mos Def, 1999)” This will ensure that if anyone to one this topic, remember “Hip-Hop/Rap music is

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