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La Niña Santa Movie Analysis

681 Words3 Pages

Q1: The ending of a movie is an important part of every narrative plot since it determines how the viewer experiences the entire story. It is in this part, that the director could make the deeper meaning of the movie clear or to make the viewer ponder in an underlying idea that the director wants to communicate. Although most cinematic narratives have an ending that involves the camera moving away from the character and distancing the audience form the set, indicating that there is a conclusion to the scenario, Lucrecia Martel and Tomas Gutierrez Alea, have chosen to provide a different depiction of a “narrative closure” in La Niña Santa (Argentina, 2004) and Memories of Underdevelopment (Cuba, 1968), respectively. In the movie La Niña Santa by Martel, there is a sense of untied ends and at parts, confusion for the audience. The whole movie progresses towards the …show more content…

Dr.Jano’s feeling of confusion and guilt surprisingly mirrors the theme of the adolescent curiosity and disorientation with respect to the line separating holy and unholy. Consequently, Dr.Jano’s character is seen as ambiguous; much like all the other characters in the movie, which are shown without an objective point of view. This indirect portrayal of the characters could make them seem distant to the viewer, though Martel’s cinematic tools, such as the prominent sensory elements, for encouraging the viewer to have a subjective view, lead to an interpretation of the moral of the story and the discovery of the narrative closure within the imagination of the viewer (Jubis 15). This is evident in the ending of the movie on multiple instances. First, Dr.Jano is called onto the stage for the closing conference, which involves the unveiling of his forbidden acts involving molestation of Amalia who is his daughter’s age and also flirting with her mom, Helena, who is comparable to his wife, thus he is too nervous so he keeps everyone waiting for moments and finally

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