During the 1950s and 60s, many young teens started to rebel in various ways to break free from the ‘Ozzie and Harriet fantasy’ their parents and generations before them have experienced. This was displayed through the themes of various rock and roll songs. A specific theme described in many songs at that time was the defiance of stereotypical gender roles. Despite being common back then, this theme and many others at that time are still evident in modern music today. A prime example of the defiance of stereotypical gender roles in modern day music is Lady Gaga. Throughout multiple albums, since her debut in 2008, she has “rebelled” against the standard expectations of women. Specifically, her songs ‘Donatella’, ‘X Dreams’ and ‘Born This Way’, discuss seemingly taboo subjects for women to be addressing, mimicking the way many female musicians in the 50s and 60s began to explore such unmentionable subjects. It was expected …show more content…
Lady Gaga alludes to this control men (and the media) have over women in her song “Do What U Want”. In the pre-chorus of her song, she repeats the words “Do what you want/ What you want with my body” as if she was telling men and the media that they can have control over her body but not her mind; a statement that would’ve been very influential and relevant back in the 50s and 60s. Many women felt the same way after being given the opportunity to work and make a living for themselves only to have their jobs taken away and to be subjected to the power of their returning husbands and back in charge of household maintenance. The men can force them back into the kitchen but they can’t change their craving for self-reliance and
The first half of the book, Dr. Glenn Altschuler, largely focused on how rock ‘n’ roll and those who wrote and produced it stirred up topics such as race and sexuality. As with any new social or cultural shift, rock ‘n’ roll faced an almost immediate resistance from both religious and fundamentalist extremists. In most cases, it was the same types of people that opposed rock ‘n’ roll also opposed other major social reforms such as racial integration.
Amy Winehouse is a legend and the music she created was incredible. She sung in the styles of Jazz, Soul, Blues and reggae which made her popular to many audiences and instantly she was different from the rest. In this essay I intend to give you a brief overview on Amy’s background and then I will explore Amy Winehouse’s Vocal and musical influences such as Sarah Vaughan who was an American Jazz singer and many more. Once I’ve covered that topic I will go on to discuss her appeal to a contemporary audience. The resources I will be using are Websites based on Amy Winehouse’s musical influences, Her documentary and books such as ‘’Amy Amy Amy the Amy Winehouse story by Nick Johnstone’’ Amy was a Jewish girl who was born in England.
Music all over the world has been shaping generations for many years now. The rock n roll of the 70’s and 80’s, pop and hip-hop of the 90’s and early 2000’s and finally, many different popular genres of the generation we now live in. Music provides a means of expression for all types of individuals. Some music even goes against the social norm and tries to bring attention to social injustices. The song “Crooked Smile” by rapper J. Cole tackles the issue of unrealistic expectations of women with the songs exceptional lyrics, broad metaphors, and positive tone.
For many centuries in our society women have been confined into a stereotypical idea of a patriarchal society. In today 's society the idea isn’t as much viewed upon with all the rights women have been given, but the concept still lingers in some of men 's minds. More so, than today, in the 19th century women were obligated to abide to the principle of gender roles and a male dominated culture. Women were seen as to be a slave and to act a certain way towards men as well as be able to gratify man 's lust of expectations of a perfect woman. These presumptions of women had been very much portrayed in short story , The Chaser by John Collier, in which a boy name Alan Austen seeks for a love potion from an old man, for a girl he likes name Diana.
Women’s Blues music in the 1920s and early 1930s served as liberation for the sexual and cultural politics of female sexuality in black women’s dissertation. Hazel V. Carby explores the ideology of the white feminist theory in her deposition, "It Jus Be 's Dat Way Sometime: The Sexual Politics of Women 's Blues", and critiques its views by focusing on the representation of feminism, sexuality, and power in black women’s blues music. She analyzes the sexual and cultural politics of black women who constructed themselves as sexual subjects through songs in blues music and explains how the representation of black female sexuality in black women’s fiction and in women’s blues differ from one another. Carby claims that these black women
In one of her songs, “Sissy Blues”, she uses a slightly insinuating tone to describe a love triangle between herself, a man, and a man who dresses like a woman called ‘Miss Kate’, described as ‘a sissy’. The music is almost frantic and sharp, following the insinuating tone of Ma’s voice. The tale she spins is of her losing her man to someone she did not expect: a man dressed in drag, ‘Miss Kate’, with a ‘jelly roll’ (euphemism for male genitals) who flaunts himself. According to Sandra Lieb, “…”freak shows” and drag shows-evenings set aside for homosexuals, lesbians, and transvestites-were common in many Harlem and Chicago night clubs” (Lieb 123), which testifies for the reasoning and inclusion of this character in “Sissy Blues”. It is a song about sexual jealousy, a common theme in many songs, but Ma Rainey places a twist on it when her man is in love with a ‘sissy’.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
This can be related to C. Wright Mills idea of the power elite, in which those ruling our country have the political and economical power to make decisions that keep their power intact (Marshall, 2012). We have historically had a patriarchal society in which men have held the political power and women were prohibited from it. McCammon, Campbell, Granberg, and Mowery (2001) discuss the suffragette movement and how along with the ability to vote, it led to another the passing of laws that allowed women broader citizen rights and helped to change gender roles (p. 61). This helped with the movement’s success by changing the thoughts of those in politics about the role of women in society (McCammon et al., 2001, p. 65). A woman’s role was clearly defined as being rooted in domestic work and family life, while men’s roles were in business and politics (McCammon et al., 2001, p. 53).
Octavia Butler is an Afrofuturist, science fiction author who writes many dystopian stories that allude to questions about gender, social structures, and an individual’s ability to control her body and sexuality. When people think of speculative and science fiction they tend to think of nerdy white men writing stories about space and light sabers, but Octavia Butler challenges this stereotype herself by being one of the few African American women in this genre. In Octavia Butler’s speculative fiction short story “Speech Sounds” there is a reversal of gender roles and a strong idea of feminism that is portrayed through the main character Rye. There is also the use of simile and metaphor to help point out flaws in the social structure of the story and the world of the reader.
This theory involves the correlations between personality traits such as widespread expectations of impression positively correlated with generosity, so that a person who is cold is viewed to be serious. It is often stated that implicit personality theories also include correlations between psychological and dimensions of impressions. There are parts of the impression formation process that are framework dependent, some individuals also tend to exhibit certain trends in forming impressions variety of situations. There is not one single implicit personality theory used, but varied approaches the task of impression formation in an own unique way. Moreover, there are some components of implicit personality theories that are consistent across
Some of these women created their own punk bands including “Perdone, Berserk, Doughnuts, Fast Times, Walls of Jericho…” (Haenfler 146). These bands addressed the prominent issues regarding sexism prejudice in society. By directly voicing these concerns among the punk scenes all across the United States, these young women showcased their resistance and affected their audience members directly. Through another similar media source, DeGeneres embraces her individuality and fights against homophobia by using her fame.
In Ancient Greek Civilization, women were viewed as submissive. A man always controlled the women; that either being the Father or Husband. Women were forced to stay in the house and complete all household duties. Women were not even granted the right to attend assemblies, participate in politics, or even represent themselves in court. Having little to no overall power in your society can have a huge burden on Women but this can also fuel certain Women to strive to change the society they live in.
In today’s society, women still fight for the right to be their own person and exercise their own independence within their own
Taylor Swift wasn’t always the ‘feminist’ that she claims to be, before her ‘empowering’ award speeches and squads, the young icon said in an interview that she does not want to be called a feminist. Marketplace feminism, based on Zeisler’s book, We Were Feminists Once, is a form of “branding feminism as an identity that anyone can and could consume.” The boom of feminism in pop culture led Taylor Swift and many artists went with the ‘trend’ that is feminism. Yet, majority fail to discuss sensitive issues that the media might think will not go well the audiences.
When we write we are often confronted with some sort of “rhetorical situation”. This term is best described as a combination of factors. There is a rhetor(s), an exigence, an audience, and specific constraints to consider when analyzing a text. Through an interview with Professor Funnell, who teaches a course that aims to explore the representation of women in various facets of popular culture, I identified how these elements contribute to Beyoncé’s song, Flawless, and consequently discovered how to better address future situations regarding other texts. Music is a way for people to send a message through the lyrics.