Lampreys During The 1950s
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During the 1950s lampreys became a problem. Lampreys were feeding on trout in the Great Lakes and by the late 1950s the population of the trout was very little. Fortunately, The Great Lakes Fishery Commission (GLFC), pursuant to the Convention on Great Lakes Fisheries, delivers sea lamprey control in partnership with the U.S. Fish and Wildlife Service, Fisheries and Oceans Canada, and the U.S. Army Corps of Engineers. The GLFC fixed this problem by, killing the larvae and eggs before the lampreys were born. They also put barriers around a section of the lake to trap lampreys. Once the lamprey was in the barrier they were removed. Eventually, the population of lamprey went down since they were being removed from the lake and
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First we will be talking about the negative effect. According to USGS (The United States Geological Survey) ever since the Introduction of Zebra Mussels to the Great lakes,” Large populations of zebra mussels in the Great Lakes reduced the biomass of phytoplankton significantly following invasion. And the Diatom Abundance as decreased by 82-91 percent.” Zebra Mussels consume plankton as food which leaves Small fishes such as young sportfish without as much food. These small fishes depend on Plankton for growth and survival.
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In a recent essay by Jennifer Price “The Plastic Pink Flamingo: A Natural History,” her use of irony, juxtaposition, and exemplification reveals her views on American culture in saying that it is too preoccupied with image and money rather than appreciating the beauty of the culture itself. In paragraph two of her article, Price uses strong juxtaposition. She juxtaposes the desert and a lawn by saying, “... conjured from the desert in 1946… even more strikingly than on a lawn.” This gives the audience a picture of how a pink plastic flamingo stands out more in a secluded desert than on someone's front lawn.
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An excerpt taken from Jennifer Price's essay, “The Plastic Flamingo: A Natural History,” evaluates the plastic pink flamingo that became a quirky fixation in the 1950s. Price illustrates the ironic mania of ornamental flamingoes “since Americans had hunted flamingoes to extinction in Florida in the late 1800s” (14), including the rise of “Flamingo motels, restaurants, and lounges” (27) that sprouted across the country, and the sudden popularity boost of the color pink. Price emphasizes on these details in order to inform the reader how Americans can take something such as the flamingo that has been used as a revered symbol of celestial beings, such as “the sun god Ra” (55), inspiration for the Mexican fine arts, and turned into hunting game
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Malcolm Muggeridge, a British journalist, once commented to “Never forget that only dead fish swim with the stream.” What the journalist learned was that it is significant to have individualism instead of following the stream. In Jennifer Price’s essay, “The Plastic Flamingo: A Natural History,” Price gives a history about flamingo to emphasize the fact that Americans lack individualism. Price analyzes American culture and American mindset through flamingo by utilizing great diction, sarcastic tone, and examples to build up on her insight. Price begins her essay with excitement.
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In "The Plastic Pink Flamingo: A Natural History," Jennifer Price offers a critical examination of United States culture through the lens of the iconic plastic pink flamingo, which gained immense popularity in the 1950s. Price's skilled craftsmanship in the text reveals her view of American culture as one that is deeply influenced by consumerism, materialism, and the pursuit of superficial trends. Through her use of vivid language, historical references, and satirical tone, Price effectively conveys her critique of the cultural values and priorities prevalent in the United States during the time period. Price's use of vivid language in describing the plastic pink flamingo serves to emphasize the excess and flamboyance of American culture. She
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