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Women in literature
Women in literature
Role of women in general literature
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More handpicked essays just for you.
Women in literature
Women in literature
Role of women in general literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Roxane’s desire for beautiful language and exquisite confessions of love heavily affect the behavior of Christian and Cyrano. When Christian attempts to tell Roxane that he loves her, Roxane, angered, pouts, “You offer skimmed milk when I ask for cream. Tell me how you love me” (76). While, for many people, a simple declaration of love is more than sufficient, Roxane expects her love to come in the form of exquisite, extravagant, and embellished poetry. Her demands for flowery language place an immense, stressful burden on Christian, who struggles to please her.
Thus Ward is able to address the double edge sword that presents females in stories as “weak” or built upon the “wrath of a woman.” The inclusion of the universality that is associated with Greek mythology allows Ward to shed off the label of blackness from her work. With China, Esch and Katrina all carrying some traits of Medea, it allows the reader to see all aspects of being female from being vulnerable, brave, nurturing and protective. Moreover, Ward insinuates that women should be presented as empowering to one another and through Medea paralleling story Ward articulates her
Often times, queer young adult literature highlights issues that plague adolescents without ever providing an account that feels authentic for its readers. Chulito by Charles Rice-Gonzalez is a gripping fictional account of what it means to be young, gay and Puerto Rican in New York City. Rice-Gonzalez is a lecturer at Hostos Community College and a longtime LGBT activist within the Bronx. Set in the South Bronx, Chulito explores a variety of themes, including masculinity, gayness, identity, and love. In this book, Rice Gonzalez highlights the importance seeing masculinity as being complex instead of dichotomous-
This paper will discuss the well-published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomeroy uses this book to educate others about the role women have played throughout ancient history. Pomeroy uses a timeline to go through each role, starting with mythological women, who were called Goddesses.
The different key features also plays an important role for example the tone that is being formed by the lyrical voice that can be seen as a nephew or niece. This specific poem is also seen as an exposition of what Judith Butler will call a ‘gender trouble’ and it consist of an ABBA rhyming pattern that makes the reading of the poem better to understand. The poem emphasizes feminist, gender and queer theories that explains the life of the past and modern women and how they are made to see the world they are supposed to live in. The main theories that will be discussed in this poem will be described while analyzing the poem and this will make the poem and the theories clear to the reader. Different principals of the Feminist Theory.
Women who received such recognition for their outwardly contributions received a brunt of scorn and ridicule from others, as seen through Artemisia’s interactions with the characters in the book. In cases such as Artemisia’s, challenging male authority and “superiority” often times resulted in acts of violence and humiliation. As Isotta Nogarola wrote in a letter to Guarino Veronese, “Why then…was I born a women, to be scorned by men in words and deeds.” (document 9 of Did Women Have a Renaissance) Veronese’s frustration with the conditions reflects the impact of society on women’s wellbeing. The use of the sibile in court, to inflect pain on a woman in the hopes of leading her to tell the truth is an example of the innate bias towards men and brutality towards women.
Women have always been portrayed as the weaker sex compared to men. It has been demonstrated in history itself and throughout literary works. Shakespeare’s Macbeth and Homer’s The Odyssey, however, portray women to be more powerful than men, even when their society thought otherwise and underestimated them because of their gender. Lady Macbeth, The Three Witches, Queen Arête and Penelope demonstrate the astute, charming, and ambitious side of women that was overlooked by men when it came to having power and making decisions.
In many societies today, individuals are led to believe that the concept of women possessing their own strength or independence is abnormal. As a result, women experience the world in a constrained way in comparison to men, even if they are in higher classes of society. However, these extensive aspects of females are contradicted in some ancient Greek literature. In the epic poem, The Odyssey, Homer portrays women as a vital and powerful force through the characters Penelope and Circe, who counter the normality of misogyny in Homer’s time. Penelope’s character displays how some women are able to exceed society’s standards and show strength and cleverness when it is necessary.
Sor Juana Inés de la Cruz, a self-taught philosopher, poet and forward thinker, wrote many empowering poems that captured how she felt during the time she was living in. Two of which “Foolish Men” and “On her Portrait” express how she didn’t like the stereotypical roles women were put in during her life. These poems show true anguish and express a slight distain for men. In the poem “Foolish Men” Cruz starts off by explaining how men are so quick to blame women for their ailments but in actuality it is themselves causing them.
The roles and social status of women in ancient times are being described by many well-known playwrights and poets. Yet, different works shows different opinions towards “women power”. In this essay, I am going to compare Homer’s Iliad and The Code of Hammurabi along with Sophocles’ Antigone.
Medea and the women of Corinth both share, to a different extent, the experience of being unfairly categorized as the caretaker of the family, which aids Medea in persuasion because she can be trusted as a woman to speak on the patriarchal society. She continues as ‘’of all creatures that have life and reason we women are the sorriest lot’’ (229-230) of all the living things Medea describes women as the ‘’sorriest’’ which suggests that women are pitied and helps Medea to allure the Chorus to be on her side. Medea suggests to the Chorus that Females ‘’must at a great expenditure of money buy a husband and even take on a master over our body: this evil is more galling than the first. ’’(231-233) Medea is arguing that women must sacrifice a ‘’great’’ amount of money to ‘’buy’’ their partners. This conveys the patriarchal community in Corinth.
Lady Macbeth and Medea are therefore considered tragic heros because they put their loyalty above their own self-worth. Ultimately, this ideal encompasses how femininity is controlled by men, because the actions of the Macbeth and Jason were the cause for Lady Macbeth and Medea’s
Furthermore, Feminist Criticism provides a better view of literature because it shows that women can be powerful. When Emilia finds out that her husband has been plotting an evil plan she says,” Tis proper I obey him, but not now”(Othello V.2.195). Emilia refuses to help her husband after she finds the cruel intentions he has despite the expectation of women always being submissive to their husbands. Women also have a voice and feelings, they are capable of defying their husbands commands when they know what he expects is simply wrong. In a literary article,The Role of Women in Othello: A Feminist Reading states that,” Society weighs heavily on the shoulders of women; they feel that they must support the men and defer to them, even if the actions of the men are questionable” (Literary Articles).
She describes the world to be unjust, especially to women. Medea believes that women are looked as inferior to men, and even so, men are quick to display their unlikely maltreatment. To her, women have little to no say in their marriage, their bodies, and general society. Medea’s outlook of women is first conveyed through this quote, bringing upon the theme of the state of women within Greece. This quote reveals the state of women within Greece, a leading theme of the story.
Feminist literary criticism’s primary argument is that female characters have always been presented from a male’s viewpoint. According to Connell, in most literary works, female characters often play minor roles which emphasize their domestic roles, subservience and physical beauty while males are always the protagonists who are strong, heroic and dominant (qtd. in Woloshyn et al.150). This means that the women are perceived as weak and are supposed to be under the control of men. Gill and Sellers say that feminist literary criticism’s approach involves identifying with female characters in order to challenge any male centred outlook.