Lesley Crewe effectively argues that love comes with regrets that must be overcome. Her argument is well established through her use of idiosyncratic characters, the relationship between them and the indigenous dialogue. Nonetheless, her usage of the plot makes the argument ineffective because it stretches authenticity frequently and is a basic harlequin romance. For example, having a Hollywood star come to Cape Breton and have a background of getting sexually assaulted is quite ridiculous including the impractical conclusion which unsuccessfully displays her universal message.