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Marjane satrapi persepolis essay
Marjane Satrapi’s Persepolis postcolonialism
Marjane satrapi persepolis essay
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To begin with, a discourse community is a group people having the same issues and needs address with. Author John Swales also have idea. He says. “A discourse community has a broadly agreed set of common public goals. These public goals may be formally inscribed in documents (as is often the case with associations and clubs), or they may be more tacit.”
In the nine years following the Iranian Revolution, over 30,000 people were executed by the Iranian government as a result of their values conflicting with the conservative Islamic ideals of the new regime (McTighe). The graphic novel Persepolis explores this change in government and the conflict-ridden road leading to it through the story of a young girl named Marjane and her family. It explores how the family’s Communist values cause them to being willing to risk their lives calling for a change and speaking out, first for the overthrow of the corrupt king, then against the Islamic regime. As Marjane struggles with the trials of growing up, she is also forced to live through a series of conflicts which force her to examine her values and
Imagine if everyone had a pre-determined negative image about you? This is what life was like for Marji, the protagonist of the novel Persepolis by Marjane Satrapi. The book is set in the year 1980, in Iran where Islam was a major religion at the time. This is also the time for the Islamic Revolution which kicked the Shau out of office and made Iran a theocracy. In Persepolis, Satrapi challenges negative stereotypes about Iranians through important characters who oppose the Islamic Regime.
The graphic novel, Persepolis, is a much more complex book than a reader would assume. There is always a deeper meaning in the tales that the author tells for the duration of the story. Unrequited love is a minor part of Marji’s life, but the stories that she tells that are focused on love hold messages that everyone can learn from. Persepolis is an autobiography, which creates a personal aspect that a biography lacks. For example, miniscule changes occur throughout the novel that are subtle but revealing.
During the Islamic Revolution, religion was very important to the fundamentalist Islamic regime that took power over the secular state. In her graphic memoir, Persepolis, Marjane Satrapi, a spiritual young girl, suffers a deep loss of faith due to the oppressive fundamentalist religion in Iran. This loss of faith causes Marji to experience disillusionment and a loss of identity, which greatly shapes her character. Through her experiences with God, Satrapi comments on the difference between spirituality and fundamentalist religion and displays the negative repercussions of an oppressive religious state.
Satrapi talks about the struggle of being Iranian with all of the bombing that occur and how Satrapi shows some stereotype in her book with displaying Iran people and Islamic religion. She portrays Islamic and Iranian people somewhat horribly with pictures of them doing horrible actions to their citizens (14/4-7) and what types of gruesome torture they do to them in jail (51/1-5). Another stereotype that I saw in the book was how Satrapi tried to breakdown the idea of agency. Usually in Third World countries they are portrayed as lacking in agency where they are often in need of help rather than active agents in helping themselves. However I felt that Persepolis had tried to breakdown this stereotype by showing that there were actually many heroes in Iran who had tried to fight for change.
Effects on the Memoir Persepolis Marjane Satrapi’s novel Persepolis describes experiences during the Islamic Regime that leave people suffering, dying, and fighting for a better government. Marjane Satrapi uses a comic layout to illustrate what is difficult to say in words. Her panel design depicts images of her, her family, and friends as well as how people in the community are reacting to the different events of the revolution. The use of panel design assists the memoir by making Satrapi’s purpose of portraying information more successful. Throughout the novel Persepolis, Marjane Satrapi uses panel design to advance the reader 's’ knowledge of the many situations occurring in Iran that cause distress to many individuals rebelling against the regime.
The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.
Germaine Greer once said, “Revolution is the festival of the oppressed.”, Through the graphic novel Persepolis, Marjane Satrapi gives a voice to those who were oppressed during the Iranian revolution Ensuring that they are not forgotten. With the use of homogenous features and other stylistic devices, Satrapi shows how she and her classmates, her parents, and other nationalists were marginalised, excluded, and silenced during this time period. From early on in the book, the theme of oppression is ever-present. On page 3, Satrapi introduces herself, expressionless and wearing the veil, stating, “This is me when I was 10 years old”.
Children are constantly learning about themselves and the world around them. As they grow up, their world expands from their home to peers and, eventually, to people and places they know about. Children should learn about themselves and develop a positive self-image if they have to be successful citizens in society. They must learn how different they are as well how alike they are in relation to others. Marjane Satrapi’s Persepolis is the story of Satrapi’s childhood growing up in a tumultuous post-revolutionary Iran.
She knew that it wasn’t all perfect and good but she also knew that it was not a cesspool of despair and darkness that some people make it out to be. So, she wrote the novel in a very smart way, she uses literary devices to show and tell a fantastic story but at the same time uses it as a way to talk about the problems and good things about Iran in the 1970s. This allows Persepolis to live longer and be discussed much longer if she simply didn’t use metaphors. It is also a way to show and teach people about a very heated subject and show them not everything is totally black and white in this world and that sometimes the monsters are actually men but at the very same time people can be great, people can work together to further a cause, people can care and at the end of the day people in Iran are exactly that, people and Marjane Satrapi simply wanted to show that in her novel and she succeeded
Images can evoke strong human emotion, both positive and negative, and Marjane Satrapi does an amazing job of doing both in her graphic novel Persepolis. The use of images to symbolize important events in a story is a beneficial strategy that can be seen throughout the book. Topics that play huge roles in Persepolis are nationalism (one’s pride for their country), social classes (the separation of the rich and poor), and the loss of innocence (when a person loses their naive nature to the corruptness of the world). These ideas shape the story through persuading people’s actions. For example, nationalism gives people the courage to stand up for their country, as Marjane’s family did during the war.
The graphic novel, Persepolis that is written by Satrapi depicts the coming of age story of Marjane and her experiences during and after the Iranian war. Through Marjane’s experiences, the character frequently encounters the hardship and conflict of growing up. However, these hardships are major factors that shape Marjane as a character and establish the context of the novel. Within this novel, Satrapi uses graphic novel conventions and literary devices to convey the conflict of Marjane; with herself, with man (in the form of her teachers), and with the society that is revealed in Persepolis.
Have you ever read a graphic novel with a variety of worldwide problems? From: racial issues, economic issues, women’s rights, political repression, social issues etcetera. Persepolis by Marjane Satrapi is the authors memoir of growing up in Iran during the Islamic Revolution. Marjane Satrapi tells her story through black and white comic strips of her life in Tehran from her childhood ages six to fourteen. Persepolis portrays a memorable portrait of daily life in Iran, as well the perplexing contradictions between home life and public life.
Have your younger siblings ever had a completely different view on something such as where to go out for dinner or what show to watch on television? It is important to realize that the two of you are going to have different perspectives because you are at different ages and the two of you have different interests. As a matter of fact, Marjane Satrapi’s perspective as a child is different from when she gets older because of her loss of innocence, her political and social awareness, and her views on religion. At the beginning of Persepolis, Marjane is around the age of ten. By the end of the story, Marjane is around the age of fourteen.