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Afterglow Of Light Pollution Essay

1147 Words5 Pages

Light pollution is an expanding visual and technological phenomenon that not only affects how we see cities but influences cognitive and perceptual relationships between people, animals and climate.
A rapidly growing global population and built environment increases, all forms of pollution, and scientific research in the subject identifies how sleep patterns and seasonal change effects its ocular and geographical perception in cities (Stone, 279-293). Consequently, ‘temporality’ becomes an important structural component in forming my proposal, which considers how the afterglow of light pollution merges with fluctuating climatic conditions and built environment to form fresh visual landscapes. These dialectic images help define social architectures and ocular identity through exploring …show more content…

However, walking in sites designed for motorised travel could offer autonomous opportunities to move freely and weave within city spaces intended to direct users towards particular destinations. In these settings the practice of walking is a polluted environmental experience, and standing still in exhaust fumes generates social and physical barriers. Nevertheless, these ever-shifting boundaries create fertile ground from which the urban imaginary can arise from the Anthropocene.

In conclusion, I will investigate the porous thresholds and temporal intersections between photography, modes of listening and performativity. Artistic experiments will examine and analyse how sound affects vision, and ‘listening’ reveals and transmits unseen audible phenomena (via the human body) to form and reveal new temporal objects - an afterimage of a spatial experience or atmosphere. Therefore, obsolescence denotes that these atmospheric objects (such as Information and Communications
Technology (ICT) emissions) fall outside all categories of economics, culture and social control and become the raw materials in the production of

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Paul Bogard uses a vast amount of pathos and logos to inform his crowd about light pollution. Paul Bogard starts with a story about when he was younger. He went to his family’s cabin in Minnesota and he learned many things about the natural darkness they had there. He uses the example pathologically to persuade readers about how natural darkness is beautiful.

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This is a portrait of Costa Rica. For the first few hours I spent there, it was dark. Riding on a bumpy bus for over an hour, jet lagged, tired, and patiently waiting to arrive at Strong Missions, I could already, in complete darkness, smell a change in the air- no motor or factory smells, simply the scent of a farm or the mountains right before one hikes down. I squinted, trying my best to

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The writer, Richard Louv, in his argumentative paper, Last Child in the Woods, supports his argument that relates to the separation between people and nature. To support his argument, he uses rhetorical devices in order to motivate the readers to reminisce about their past and how nature applied to it. Louv’s purpose is to manifest the feelings of the reader’s past to connect with his ideals of nature. Louv begins his argumentative essay by including an experiment about changing the colors of butterflies’ wings, which addresses a problem that is apparent in our society. Today’s culture thinks that real nature “isn’t worth looking at” if they can just construct their own imitation of nature.

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Introduction As the world’s population continues to migrate and live in urban areas, planners, engineers, and politicians have an important role to ensure that they are livable and sustainable. But what defines an urban area and what makes it so attractive? In my opinion, urban areas are places that consist of a variety of land uses and buildings, where services and amenities are easily accessible to the general public, and includes an established multimodal transportation network. Also, it should be a place where people can play, learn, work, and grow in a safe and collaborative manner.

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Before industrialization, people would make time for walking, just as they would make time to eat and drink. Through the decades the activity of walking has transformed due to the suburbanization of society. Many people have changed the way they view walking; this is a result of being exposed to suburbs, technology, and automobiles. In Rebecca Solnit’s essay, “Walking and the Suburbanized Psyche” she argues that the cultural activity of walking is fading due to suburbanization. The suburbanized psyche changes the way people think; most people want to get to their destination as soon as possible instead of walking and enjoying the wonders of nature.

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In The Puzzle of Experience, J. J. Valberg argues that, concerning the content of our visual experience, there is contention between the answer derived from reasoning and that found when 'open to experience '. The former leads to the conviction that a physical object can never be “the object of experience,” while with the latter “all we find is the world” (18). After first clarifying what is meant by 'object of experience ', the 'problematic reasoning ' will then be detailed. Afterwards, it will be explained how being 'open to experience ' opposes the reasoning, as well as why the resulting “puzzle” cannot be easily resolved. Lastly, a defence of Valberg 's argument will be offered on the grounds that it relevantly captures how we understand our visual

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On December 21, 2012, Los Angeles Times published “Let There Be Dark” adapted from Paul Bogard. In this article, Paul persuades his audience that darkness should be preserved by using evidence, reasoning and persuasive elements. Paul uses the natural environment as evidence to persuade his readers that darkness should be preserved. For example, Bogard states in paragraph 4 “The rest of the world depends on darkness as well, including nocturnal and crepuscular species of birds, insects, mammals, fish and reptiles.” This is convincing evidence because he explains the importance of darkness in the everyday lives of many different species in the world and the absence of this darkness would lead to an unstable ecosystem.

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(20-21) and refutes that “now even that visual connection is optional” (21-22). His concession and refutation further proves that even though the time spent by most of society may be limited, it is still valuable because of the apparent disengagement of man from nature. Consequently, the separation of man from nature has resulted in the loss or reduction of any connection with nature. The mutual relationship between man and nature has evolved from a contract to a sad reality.

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In the architectural realm these nonvisual experiences become important in how our space is perceived, how it makes people feel and even perform. The scale of architecture in relation to the person, the sensation a hand feels while touching a handrail, or the sound a person makes on the building as they walk: all of these

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