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Lighting Techniques In The Film 'The Purge: Anarchy'

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The savagery human beings fall into when there are no rules is shown in the movie, ‘The Purge: Anarchy”, through the use of lighting, color palette, and sound. About thirty minutes into the movie Eva and Cali’s luck runs out when a group of men dressed in all black and heavily armed enter their home. Both women are taken from the sanctuary of their apartment and dragged to a white semi-truck waiting outside. At the same time, the sergeant is outside in his car watching the whole ordeal take place. In this short scene, the director uses various lighting techniques to show how the characters are beginning to either fall under the savage behavior or becoming victims to it. As the women are being dragged out, and throughout the scene, the director uses low-key lighting to emphasize the shadows lurking in the darkened corners. This style of lighting contributes to the …show more content…

The use of a backlight on the women as they’re being taken throws them into semi-darkness as they shrink beneath the attack of the soldiers; once again, it gives off a feeling of fear because although the women aren’t purgers themselves they have unfortunately become victims to those who are. Most importantly to the contribution of this theme is the use of side-lighting on the sergeant’s face after deciding to help Eva and Cali. At this point in the film the viewer has an idea of why the sergeant is out on such a dangerous night so it begs the question as to why he’s willing to help two women he doesn’t know when he has his own vindictive agenda. The side-lighting shows the two sides there are to him: the good, protective guy and the bad, vengeful man the death of his son turned him

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The crime scene at the beginning of the film, for example, used a low angle view to show the body floating from underwater. Low key lighting is often represented when scenes are shot inside Norma’s home. The interior shots are also tightly framed shots with extreme camera angles it gives off a depressed, claustrophobic environment. In the exterior shot, the scenes are in high key lighting and use realistic lighting to give off a lively atmosphere that Joe does not experience while inside the home.

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These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The

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Film noir is a cinematic style that began in the early 1940s that focused on the crime and corruption that occurs in everyday life. Film noir was influenced by two major film movements, German Expressionism and French poetic realism (Schrader 8). While German Expressionism influenced lighting techniques, realism affected narrative and cinematography. The Great Depression and World War II shaped film noir’s cynical tone that fate is uncontrollable. A classic example of film noir is the 1945 film Detour, directed by Edgar G. Ulmer.

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In 2003, the motion picture, Kill Bill Volume 1, debuted in theaters. Set to a backdrop of bloodshed and violence, the film offers 112 minutes of savagery, as the main character attempts to get back at every person who has wronged her in the past four years. Kill Bill is only one of the many films in which violence is the number one attraction. “Kill or be killed,” seems to be the overarching motto, as millions of moviegoers flock into theaters each weekend to watch as characters fight to the death. In contrast, violence portrayed on the silver screen is no longer acceptable outside of the theater.

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In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

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Lighting is used rather traditionally for the majority of the movie and helps to distinguish the “good” from the “bad”. For instance, the original Maria is shown in soft-key, angelic lighting that casts a halo around her to emphasize her purity and beauty. The fake Maria, on the other hand, is shot in harsh lighting that creates a dark, unsettling vignette around her. This lighting style creates a contrast between protagonists and antagonists and is used frequently in Hollywood cinema.

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These are both key features alongside the fabulous cinematography by Bradford Young with his amazing visual style and low key lighting that really helps tell the story further with the dark claustrophobic entrance of the hallway to the dark but well

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The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be

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The use of ultra-violence in films is a common thing in modern films and it is mostly used as an attraction to make a film action packed. In neo-noir films, however, the use of ultra-violence signifies a deeper meaning. It is used to portray a very surreal environment in which we live in. The violence in films such as Kill Bill by Quentin Tarantino might seem excessive to most, but it only serves to illustrate just how horrifying the reality can be in patriarchal hierarchical societies ruled by a single “god”. In this essay, I will discuss how the attempted murder of The Bride by Bill, the rape of The Bride by the male nurse in the hospital, and the rape and murder of O-Ren Ishii’s mother by Boss Tanaka shows how Tarantino wants us to understand how women are treated by men in the traditional realist world.

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Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will

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There is a different lighting for every setting.for example Benjamin Martin’s Malita has a base within a swamp and the lighting makes the scene feel dark and gloomy or when Benjamin’s oldest son, Gabriel, gets married the lighting is bright and cheery. The Patriot does a good job at making the lighting realistic and sets the mood for dramatic scenes. There is many realistically lighted scenes with light passing through trees and windows as you will see in this video. I believe that the main theme of the movie is patriotism. Patriotism is defined as an act of support and devotion in one’s country("Patriotism").

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The use of contrast and the play with light and darkness is fascinating. It has a great psychological effect on the audience. The Don Corleone’s office is submerged in darkness and the characters in the scene come in and out of the light, thereby directing the focus onto them. A very large part of the film is shot in low key lighting, to emphasize on the theme of the film which is essentially, the life story of the Mob in

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the audience watches a family as they attempt to navigate the streets of Gotham City which are cast in stark, gloomy shadows. This use of low-key lighting helps to create the image of a city that is cold and dangerous. In Beetlejuice, We see an Establishing shot of the huge white

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To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.

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The lighting is used to show perception and how Briony’s perception differs from the truth. This is evident when Briony discovers that Lola has been raped. Light falls on Briony from above as she stares at the scene before her , signifying her understanding and more importantly shows that she realizes who attacked Lola. The colour in Atonement starts with lush tones that mirror the sexual tension and the façade of perfection that the upper middle class life of 1935 creates.

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