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Like Water For Chocolate Archetype

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I don’t love you as if you were a bouquet of pink roses, or a warm meal. I love you as if you were an ice cold watermelon that I sneak in the middle of the night to cool down. This kind of love is shared between the main characters in the novel, Like Water For Chocolate, written by Laura Esquivel. The two lovers are torn apart but forced to be near each other as Pedro marries the sister of the woman he loves. Pedro represents the lover archetype, this enhances the novel by creating the conflict by the traits of devotion, sacrifice, and jealousy.

The novel begins with the romance between the main characters Tita, and Pedro. Pedro shows his devotion to Tita when he asks for her hand in marriage. “...for the very next day Pedro Muzquiz appeared at the house, his esteemed father at his side, to ask for Titas hand in marriage”(13). Tita is not allowed to be married as she is the youngest daughter and has to look after her mother. Titas mother has a solution: She offers up her second oldest child to Pedro. This creates a divide between Tita and her mother and sister. Pedro shows his devotion to Tita by asking her to marry him, and settling for her sister. He knows that he will never be able to be with Tita and that this is the only way he can be close to her. …show more content…

However the love between Tita and Pedro does not die. “Like silent spectators to a movie, Pedro and Tita began to cry watching the stars act out the love that was denied to them” (56). Pedro knows that he will never be fully happy without Tita. He Is willing to commit to a marriage without love just to have Tita in his life. This causes Tita and her sister Rosaura to not get along. Rosaura worries about what Tita and Pedro are doing behind her back. While Tita is heartbroken because of the love that was stolen from

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They should’ve thought about Rosaura and Esperanza before they did anything. I hope that this was a lesson for the both of them, an eye opener. Maybe the cause of Pedro getting burned was his reaping of what he sowed. Tita was doing so good, she had gotten John and they were going to get married. She went right back to Pedro.

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John replies that he still wishes to marry her but that she must decide for herself who she truly loves. Tita chooses Pedro and they are finally free to express their love. Tita realizes that Pedro has already crossed into the afterlife and Tita joins him by eating candles. Their spirits finally at peace set fire to the entire ranch only leaving Tita’s recipe book. In the end the book shows that the concept of love is more powerful than Lust by the love Tita and Pedro have for each

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In 1960, three sisters Minerva, Patria, and María Teresa are members of a secret movement against Trujillo-- all except for Dedé, the surviving sister. Throughout the novel, all of these sisters develop in many areas. One of these important areas include the struggle of being a “good Catholic girl”. María Teresa (Mate), the youngest of the Mirabal sisters, goes through many struggles that gradually develops her

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Even when they wanted to be with each other and couldn’t they still loved each other. Pedro even accepted Rosaura’s hand in marriage just to stay close to Tita. “At that moment the firey bodies of Pedro and Tita began to throw off glowing sparks.” “Each of us is born with a box of matches inside us but we can't strike them all by ourselves; we need oxygen and a candle to help. In this case, the oxygen for example, would come from the breath of the person you love; the candle would be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches.

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Mama Elena is known for abusing her authority by telling Pedro's father instead of marrying Tita he should marry Rosaura. For example, "But if you really want Pedro to get married, allow me to suggest my daughter Rosaura, who's just two years older than Tita"(13). She shows that as being the head of the house, she can do anything in her way. Her power is also showing that she can make somebody suffer. Another way she shows her strength is by beating Tita.

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Throughout the novel, women are seen as maids while the men have full control of their emotions and what they do in life. Tita fell submissive to Pedro at a young age. Pedro continued to show no boundaries with Tita, even when she walked away. Pedro showed up again when Tita was about to get married, trying to stop her. Even though he was already married, he wanted

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Although John would prefer to be the one Tita chose, he would be perfectly content with her choosing Pedro instead because it would make her happy. Instead of being commanding and in-charge like most men are portrayed to be, he instead put aside his own desires for those of Tita. In one case in the novel, after Rosaura has recovered from her illness, Pedro found himself in a situation that required him to conceive with Rosaura. He begrudgingly does what is expected of him after much avoiding, “That night, realizing that he wouldn’t be able to ignore his conjugal duty forever, Pedro knelt by the bed, on which the nuptial

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His love for Tita is impure with lust “when Pedro directs a longing look at Tita's bosom pushing against the thin fabric of her blouse, her breasts immediately react to sexual desire “(Esquivel 44). He just wants to please himself and considers Tita as his longing, not as his

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In the end, Tita eventually achieves her dream of making love to Pedro, and she is overfilled with joy. Her domain has always been the kitchen, because she was born in a kitchen, and she was raised by Nacha, a woman whose favorite activity was cooking. Tita began cooking when she was a little girl, and it is her passion. She stores all her emotions into her food. The roses and the wedding cake show that when someone is truly in love, they will express it no matter one.

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However, due to its secrecy, he is unable to control Blanca and stop it. During her secret relationship with Pedro, Count Jean de Satigny asks Esteban for Blanca ’s hand in marriage, to which Esteban agrees. However, Blanca refuses this, and Esteban lashes out at her telling her that she will “change [her] mind” (206). Esteban’s attempt to force her into this marriage failed and demonstrates the lack of control he truly has over his family.

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Like Water for Chocolate is a radical novel which illustrates how male and female characteristics are interchangeable in a time period and culture where gender roles are all encompassing. The female characters depict characteristics typical of men such as authority, masculinity, and sensuality. While the male characters portray more feminine roles, therefore accentuating the way gender is presented. Through the reversal of gender roles traditionally represented as masculine and feminine, the author is able to show how gender roles are exchangeable and should not be based off of physical sexual orientation to directly define the personality of the individual. Mama Elena is forced to take on both the mother and father figure of the house.

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Tharps proceeds to describe her marriage with Javier and how the sex was pleasant, but never brought her to the ‘Big O’. Tharps and Javier continue

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Although a love affair easily gets the reader’s attention, Diaz through his imperfect characters and symbols splendidly illustrates the relationships around Yunior that shows the process of his growth of a human being from child into adolescent. Diaz depicts a relationship between Yunior and his father by using

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Francesca decided to stay and save the love her and Robert had for each other rather than to leave with him and and risk loosing Robert’s and her family’s love. . Calixta in the other hand never thought of leaving her family at anytime. When Calixta reunites with a former beaus she decides to invite him over while she is waiting for her family to return and the storm to end. As the storm gets stronger the intensity increases between Calixta and Alcee so Alcee decides to bring up the passion they onced shared with one another. Their affair ended as soon as the storm finished and both of them carried on with their lives.

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Once Juan returns with Maria Rosa, Concepcion has yet another hurdle to overcome known as Maria Rosa. Throughout the short story, Maria Concepcion has an internal struggle due to her husband’s affair, which ends with Maria committing an immoral act and justifying it with the preservation of her family. Maria, because of the fact she in deeply religious, has a strong wish for unity in her family. She wants to

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