A story has to be told by somebody. Explore in detail your impressions of the “story-teller” in Mountains Beyond Mountains. Was the “story-teller” the same as the writer (implicitly or explicitly) or not? How does this question influence your reading?
In this paragraph I will be talking about how the story and photograph have a similar technique. A technique that is similar and used throughout the story is figurative language. This is shown in the caption of the photograph when it says, “As the only window to the future”. This is an example of a figurative language because there aren’t windows that lead to your future.
The 1920s was a time of flamboyance and wealth in the upper class. Jay Gatsby, a man of old money, threw over the top parties, in which he would spend his money very nonchalantly. The ambiance of his parties greatly illustrated the upper class of the time. The author uses symbolism and characterization to support the central idea that the upper class was very careless, wealthy, and extravagant. Gatsby’s parties are luxurious, glamorous, and over the top.
This incredibly humorous idea, of the stag and hen night before the wedding, gives the audience a clear and simple over view of the lifestyles present in the 1980s, as characters throughout the play give out continuous hints regarding: sexual references, alcohol and sexism, which could have been a personal choice by Rourke to present
The Silent Killer Explication: “Alzheimer’s” by Kelly Cherry was published in 1997 during a time of personal struggle for Cherry and her dad. This short, free verse poem consists of twenty nine perplexing lines. The poet’s nontraditional placement of line breaks cause some ideas to fall off in mid-sentence, while others never complete the thought. This creates enjambments which mimic the disease’s confusing nature.
The most evident use of imagery is recorded in lines 76-94. Lines 76-94 describe Zora Hurston’s
Q1 The poem “On turning ten” by Billy Collin reflects on the speaker giving up on his childhood and imagination of the world, it shows the pain and discomfort of going into a dreadful teenage stage. The author uses metaphors comparing the 10th birthday as dreadful, creative imagery, and symbolic of the 10th birthday. Billy Collins used these devices to show the idea of coming of age consequently losing his innocence, he uses his creativity to present this, like a child’s mind.
Risk taking, ground breaking changes, and wild parties are all important aspects of the 1920’s. The massive parties that included dancing, alcohol, and a house full of strangers were so essential to this magical era that F. Scott fitzgerald made them a key element in his book, “The Great Gatsby.” These extravagant parties that Jay Gatsby was notorious for hosting, attracted strangers from all corners of New York to take part in these luxurious events. These parties were so popular and well known in the eastern New York area that they basically become Gatsby’s trademark. Upon hearing the name “Gatsby” guests did not visualize the face of a young man, but rather envisioned the wild parties he threw.
The 1920’s expressed great wealth and luxuriousness through excessive and lavish parties with dazzling effects and no apparent purpose other than to simply entertain. In Francis Scott Fitzgerald’s novel The Great Gatsby, Jay Gatsby’s displays of affluence demonstrate that in the 1920’s, opulence was represented in forms of materialistic objects. Hieronymus Bosch's painting “The Garden of Earthly Delights,” suggests that sensuous temptations and the need for grandeur can lead to the corruption of purity. In Philippa Hawker’s article “The subtle art of staging Gatsby's lavish parties,” she describes the effective use of overindulgence and chaos in Gatsby’s parties to represent the shift in societal norms of conservative and refined parties to a more vulgarized form. In John F. Carter, Jr.’s article “‘These Wild Young People,’ by One of Them,” he exposes the changing perspective of his generation from the stringent realistic outlook of the older generation to his looser and more
Tom’s and Gatsby’s party differed in almost every aspect possible. While Tom’s party was a small party to assert his dominance to his mistress and friends, Gatsby’s party was to lure and impress the love of his life. Tom’s party displayed his snobby old money ideals by not spending much money and effort, while Gatsby’s party symbolized new money with its excessive and flaunting spending and grandiose show. The level of intimacy at both parties differed significantly. Despite Tom’s party being small, it was far from intimate with all the guests budging into all conversations, Nick couldn’t even have a talk with Catherine long enough without Ms. Mckee budging in.
Sometimes the things we do for others don’t always go as planned. That was the case for the innocent wife in “Birthday Party” by Katharine Brush, as what was thought to be a nice gesture by the wife, was viewed as a crime by her husband. This small event can be an indicator of a crumbling relationship, and through literary devices such as diction and shifts to portray this deeper meaning. The harsh adjectives used throughout this piece paint a story much darker than simple botched celebration.
The short story “Birthday Cake” by Katharine Brush the author reveals how the people you care about can hurt you the most. Brush uses symbolism to show how discontented the couple are with each other, she also uses imagery to show how unappreciative the man is towards his wife. On the birthday point there is only one candle, this candle signifies how lonely the husband feels, it also symbolizes how lonely and isolated the wife feels. The narrator tells us that the woman is wearing “a big hat,” her hat symbolizes her block vision on her husbands likes and dislikes.
In the short story “Birthday Party” by Katharine Brush, may literary devices are used to achieve a purpose. Brush uses devices such as imagery, diction, oxymoron, and repetition to convey a birthday surprise gone wrong. In addition to the birthday surprise, Brush also uses these devices to convey feelings. First, the short story begins with a third person point of view.
Writers use imagery to help readers have a mental picture of an image or scene in the story. At the beginning of the poem, Rossetti uses visual imagery to describe the goblins as kind and friendly, trying to tempt the girls into buying their fruit. The author writes “One began to weave a crown / Of tendrils, leaves and rough nuts brown” (99-100). The goblins first impression of friendliness and welcoming Laura is what allows her to give into her temptation to buy the fruit. After Laura becomes sick after not being able to find and eat any more of the goblin’s fruit, Lizzie decides to go and find the goblins and buy fruit for her sister.
This shows a balance between gender roles, as well as the embracing progressive changes within culture and society. In the story “The Story of an Hour,” by Kate Chopin, a third-person omniscient narrator, relates how Mrs. Louise Mallard, the protagonist, experiences the euphoria of freedom rather than the grief of loneliness after hearing about her husband’s death. Later, when Mrs. Mallard discovers that her husband, Mr. Brently Mallard, still lives, she realizes that all her aspiration for freedom has gone. The shock and disappointment kills Mrs. Mallard.
