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Contemporary Art Case Study: Massachusetts Museum (MASS Moca)

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1. Case Study: Lowell National Historic Park, Lowell, MA
Lowell, Massachusetts, a little modern city established 30 miles northwest of Boston in 1826, is an illustration of the complete redevelopment of the urban mechanical center of a factory town to private use, however with an accentuation on modern legacy tourism and training. In the late 1970s, a gathering of Lowell occupants battled to protect their declining city's history after a string of urban replenishment undertakings destroyed plant structures and column houses. An examination stipend, subsidized by Dr. Patrick J. Morgan, Lowell's Superintendent of Schools, found that Lowell was the country's initially arranged modern group and the first city where extensive manufactures of materials happened on a substantial scale.
Because of this national centrality, Lowell turned …show more content…

Case Study: Massachusetts Museum of Contemporary Art (MASS MoCA)
MASS Moca, which turned into the biggest community for contemporary expressions in the United States when it opened in May 1999, is a piece of a becoming pattern of the versatile reuse of noteworthy mechanical structures into contemporary craftsmanship historical centers. The pattern of mechanical changes, as they are so named by compositional history specialist Helen Searing, is so common due the wealth of space and light in modern structures, the substantial size and more mechanical nature of much contemporary craftsmanship, and the utilization of modern structures as craftsman studios.
The Massachusetts Museum of Contemporary Art (MASS Moca) opened in May of 1999 with nineteen displays in five manufacturing plant structures and 300,000 square-feet of "mothballed" space. The substantial site comprises of 26 structures on 13 sections of land, built principally somewhere around 1872 and 1899 as a dyeworks for Arnold Paint Works, in the little Berkshire town of North Adams, MA. Arnold shut in 1942 because of the Depression and lower material costs in the southern

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The book A Shopkeeper’s Millennium: Society and Revivals in Rochester, New York, 1815-1837 touches upon many of the social, political, religious and economical changes that occurred in Rochester, New York from1815 to 1837.The author Paul E. Johnson, organizes the data collected into sections to help the reader better understand certain aspects of the different stages of the revival. He starts the book off with a man named Charles Finney traveling down the Erie Canal to the town of Rochester, NY. The Erie Canal places Rochester, NY in the center of the trade markets, which in turn pushes the town’s craftsmen to develop a new style of business. This new form of business is one of starting points of the revival as the change is business led to

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LYDDIE Lydia (Lyddie) Worthen, a thirteen-year-old begins working in the Lowell textile mill to pay off her family’s debt. In Lyddie by Katherine Paterson, every girl has the choice of signing the petition Diana Goss is circulating. The air in the factory is murky and dense, the sound coming from the looms are unbearable, as well as the unfair hours and pay on the job. Lyddie should sign the petition, for the treatment she and many other girls received on their job are unjust.

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344 Words | 2 Pages

During the nineteenth century, Manchester,England was leading in textile manufacturing due to the cotton mill and it being the first industrialized city. The industrial growth increased the population to over 300,000 by a span of 100 years, this new increase was due to working class and immigrants. In document 1, there is a vast growth in the city of Manchester over the span of 100 years. Manchester was given representation in Parliament and the middle-class men received the vote. While the growth of industry was needed in Manchester for better development of modern society, it came with many issues.

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The industry was booming with inventiveness and new machinery to improve the production inside the factory, while the homes of the country’s citizens were making little to no improvement. “Before electricity, most urban Americans lived

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The 19th century was a pivotal point in our state’s foundation. That being said, one cannot discuss the imperativeness of Wisconsin and its connection to the outside world without maintaining its staples of industry at the forefront of conversation. Though Wisconsin brought a cornucopia of cultures and new ideas into it from Europe in the 1800s, the chief bridge between it and the rest of the world is, unequivocally, its labor complex and the fruits it bore. At the conception of its settlement, Wisconsin’s expansive wilderness was nothing short of irresistible to all those who witnessed its magnitude.

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808 Words | 4 Pages

The Isabella Stewart Gardner Museum showcases Mrs. Gardner 's collection to the public in greater Boston area. Each room functions as a pilgrimage, as one travels through various countries and time periods ending at the chapel and subsequently the Gothic room. In this paper, I will examine the Gothic room 's theme in relation to the placement of its objects. I will also evaluate the room 's strengths and challenges in serving the public, and how the practices employed in this room fit into the context of accessibility for the entire museum.

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583 Words | 3 Pages

Post-occupation Boston was different to today’s cities in a multitude of ways. Many differences were due to the time period but some were specific to Boston’s political and geographic landscapes. Like other recovering cities between 1775 and 1880 Boston had to deal with issues regarding; sanitation, congestion, and regulation. Over time many of these issues have been fixed as local and central government became more established.

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Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different.

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The increase of population also increased the construction, public safety and industry. During the 1900’s many business were having a very difficult time keeping up with the demands of the people. There were many people looking to settling down in Calumet City and homes were not available (Calumet City History, n.d). Early accomplishments for Calumet City included water mains and hydrants “to supply water for domestic and fire protection were laid on nearly every street and wooden sidewalks were constructed” (Calumet City History, n.d). Lighting was also constructed and provided street lighting to residents of Calumet

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At the beginning of the documentary, Davidson notes that the introduction of modern cities is a legacy of colonialism. While this was a great step

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Life in Colonial America was different for all those involved, which were the settlers of Jamestown, Plymouth, and Massachusetts Bay colony.. Jamestown, Plymouth, and Massachusetts Bay had similarities and differences. They each had their own unique leaders, form of government, economics, and ways of life, although all the settlers in these colonies had a deep dependence on God. Jamestown was the first permanent settlement in North America, founded in 1607.

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FREDERICK LAW OLMSTED AND CAMILLO SITTE: NOT AS DIFFERENT AS THEY FIRST APPEAR Harkening from different sides of the Atlantic, two influential urban planners worked to transform the blossoming urban environment of the nineteenth century, albeit with very different approaches. This essay will be looking at the ideals and some of the work of Frederick Law Olmsted and Camillo Sitte. Born within just over twenty years of one and other, Olmsted in Hartford, Connecticut, and Sitte in Vienna, both men had careers encompassing fields well beyond urban planning. Not a planner by training, Olmsted delved into the world of planning when he and Calvert Vaux won the design competition for New York’s Central Park in 1858.

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Arts and crafts are often thought of today as something that only children partake in. They can easily be done with your hands and are small hobbies. To people in the late 19th century, arts and crafts were about connecting to your surroundings rather than just filling the time. The arts and crafts movement began a revolution of people who sought to use their hands rather than big machinery to create something. Through meaningful interactions with their materials, people who partook in these activities gained meaningful insights.

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