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Gender popular culture and stereotypes
Gender popular culture and stereotypes
Gender popular culture and stereotypes
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In the text, it is about why colleges and/or professors seem to give out A’s to students. It could also cause the value of grades inflate. Staples explains what seems to be the problem as well as showing what could be a solution. Staples wants reader to understand colleges are starting to be devalued. He goes on to emphasize why the colleges/professors feel forced to give in and give students A’s, why it will not change.
In contrast to the twentieth century we still see some of this in our current day and ages. Contrasting portrayals of men and women in films leave us with the fact that we haven’t changed. Men and women are sought to have different gender roles within
Buffy The Vampire Slayer’s main character Buffy Summers is seen as a form of female empowerment. Sue Short wrote “Jenny Bavidge argues that the strongest theme in the series is ‘the insistent protest against the violence done to real girls and women’, going on to claim that Buffy’s trials show ‘that to be just a girl is often an epic task in itself’ ” (113). Short notes that the Buffy The Vampire Slayer series “avoids the standard ‘female in peril’ trope”. The creator, Joss Whedon, created the show in response to horror movies always killing off the pretty blond female who had sex.
“The most common way people give up their power is by thinking they don't have any.” Said and written in one of Alice Walker’s novels, Possessing the Secret of Joy. The novel encompasses the impact of having culturally controlled gender roles and brings awareness to how women feel powerless in their society. Her quote shows how quickly ignorance in humanity stunts the growth of empowered people. Moreover, this quote can represent the relationship between power and women, which, consequently, is discussed in the documentary, Miss Representation. Alice Walker’s wise words appear in the first shot of this film.
Next, many gender and sexual stereotypes are perpetuated in media, through the ways of movies. In fact, the movie Legally Blonde fits under the category of stereotypes exceptionally well, since it shows many stereotypes of women in the society. For instance, there is one scene in the movie, where Warner, the handsome boy is playing football with his friends, and Elle, the dumb blonde sits on the sidelines to study and distract the guys playing as she wears nothing but a sparkly bikini top under a furry shawl on her upper half. This example evidently portrays the serotype of being a blonde dumb. Throughout the movie “Legally Blonde” Elle is shown as a material sorority girl, who is a duplicate copy of barbie in real life.
In Angela Carter’s “The Company of Wolves” the wolves are perceived as dangerous and aggressive creatures posing threat to humans. In small villages, the children are given weapons just to protect themselves from the evil wolves. However, in Angela Carter’s story, a male can turn into a wolf. This undermines the binary oppositions for Carter’s story. Aaron Devor states in “Gender Roles Behaviors and Attitudes”, how the females are dependent and how the males are independent and much more aggressive.
“Ex boyfriends are just like off limits to friends. I mean that’s just like the rule of feminism” (15:15). This famous saying said by Gretchen Wieners from Mean girls is widely known and most of the time ridiculed by people. Mean Girls is a movie that portrays the stereotypical American high school life. The movie has a main focus on the girls of high school, rather then on the boys.
Mean Girls, set in Illinois, depicts the socio-political climate of an American high school, with it’s protagonist, Cady Heron moving from Africa and homeschooling to be socialised in her new society. The antagonist throughout the film, Regina George, is portrayed as an authoritarian woman who has total control of the school (Mean Girls 2004). Regina is shown to engage with numerous sexual partners at the same time and promotes her liberation through wearing a tee-shirt with her bra protruding out the front when she finds two holes cut at her breasts; motivating a new fashion trend throughout the cohort (Mean Girls 2004, Robinson-Cseke 2009, p. 45). This depiction of a strong, independent woman aligns with ‘Post-feminist texts-films, books, magazines and television programs characterised by a model of young womanhood that is empowered, successful, entitled, independent, socially mobile and free to choose her destiny’ (Toffoletti 2008, p. 72). Post feminism is further reflected in the film through the power change which occurs, transferring from Regina to Cady, mirroring the transfer of power from second wave feminism to post feminism.
In the popular play Macbeth, Shakespeare compares the gender stereotypes portrayed to those different pre-existing ideas from other generations such as the 1900’s, the 50’s, and even today 's society. Macbeth has plenty of examples of the exaggeration of gender roles that clearly differentiate male and female by construing their proper roles as polar opposite or complementary. Examples proving that there are gender stereotypes in Macbeth pertain to characters such as Lady Macbeth, The Witches, and Macbeth himself. In Macbeth, the many different stereotypes of gender roles from throughout the century to today’s society have been displayed in many aspects of the play. With examples of the exaggeration of gender constructs pertaining to the male
