Nature is not only the trees, leaves, and, soil but, it encompasses a wide variety of things that cover both physical, mental, and even spiritual elements. Most important to Feige is that “Nature is infinitely large and varied”, omnipresent throughout the world (9). Nature can not be confined to a single presence but underlies in everything in the world. By Feige’s definition of nature “A body’s flesh blood and bone” also fall into the natural order of the world which expands nature’s reach to all of mankind. The main idea Feige stresses to the reader about nature, is that everything from a wooden farm to the American Republic is rooted in the natural order of things.
“A cool breeze came up behind us, sending shivers along the spines of the mesquite trees.” The text contains elements of the unconscious process of shivering and allows Taylor to project her inner feelings onto the landscape. The language mirrors how Taylor’s mind works and shows this by sending “shivers along the spines of the mesquite trees” as well as up her own spine, almost personifying the trees. Kingsolver’s descriptions of the natural landscape, shows her consciousness of the environment.
In some ways, Chris McCandless of Krakauer’s Into the Wild, acts as the epitome of Ralph Waldo Emerson’s ideals within his essay “Self-Reliance.” McCandless, who has grown into quite a celebrity, abandoned his family’s bourgeois values and sought to discover the terrain of his soul through an Alaskan Odyssey. Only months later, a moose hunter stumbled upon his corpse within a bus. Critics often chalk his death up as a warning to young adolescents looking for adventure, while the aforementioned adolescents idolize his journey. Despite the harsh denunciations and hero-worship, McCandless acted simply as his own person by disregarding society’s views and looking for his own thoughts in solitude, thus embodying Emerson’s “Self-Reliance.”
Maxine Kumin began publishing her first works in the second half if the 20th century. Of all her works, the narrative about human emotion and nature titled “Woodchucks” stands out among the rest. While normally writing with subtlety regarding her opinions regarding life and nature, in “Woodchucks,” Kumin makes it abundantly clear how she views all life. As a poem, “Woodchucks” clearly illustrates Maxine Kumin’s love for life and nature and her belief that all life holds the same sacredness and deserves such due respect. Maxine Kumin wrote “Woodchucks” in 1972, after she had already made a name for herself through many other published works.
It is during this troubling and stressful time in Billy’s life that he once again dreams of the landscape and wildlife to comfort him. He dreams about walking towards “a darkened house” where “wolves had followed him“ and Billy “knelt in the snow and reached out his arms to them and they touched his with their wild muzzles and drew away again and their breath was warm and it smelled of the earth and the heart of the earth” (Crossing 295). Billy dreams of a familiar scenario in his life and past memories, enjoyment of the outdoors, and specifically
When thinking of the wilderness one might picture a scene from a camp site. Untamed dense forest, and endless jungle probably come first to mind and although this might be one meaning of wilderness, Mellor’s perception of wilderness and pastoral opens our thoughts on how we view the unpredictable and the known. In “Lure Of The Wilderness” by Leo Mellor, he shows the meaning of the unexplored wilderness and the surprises that come with the unknown, while humans try to tame what is wild and create a pastoral environment around them. Mellor’s writing helps understand hidden aspects in the short story “Wild” by Lesley Arimah, when Ada is blindsided with a plane ticket to visit her aunt in Africa. She travels to a place mostly unknown to her, besides the relatives living there.
In his 1995 essay “The Trouble with Wilderness,” William Cronon declares that “the time has come to rethink wilderness” (69). From the practice of agriculture to masculine frontier fantasies, Cronon argues that Americans have historically defined wilderness as an “island,” separate from their polluted urban industrial homes (69). He traces the idea of wilderness throughout American history, asserting that the idea of untouched, pristine wilderness is a harmful fantasy. By idealizing wilderness from a distance, he argues that people justify the destruction of less sublime landscapes and aggravate environmental conflict.
“Right on the lawn last year,” Harrison started, slow and deliberate, taking time between clauses to fork and chew, and just to breathe. “I saw a mother and daughter mountain lion kill a subspecies of white-tailed deer called a Coos.” The story about the animals in his yard, like many of Harrison’s stories, eventually bled together with related memories into a kind of epic nature narrative. “The deer kept jumping up and the lions would go up after it and haul it back down.” After the lions kill the deer, a “discouraging visual” also witnessed by one of his nowdeceased dogs, a lab, we’re on to a rattlesnake, and another dog, his beloved setter.
The perception of wilderness can be problematic. One of the most prominent points that Cronon made in his evaluation is the ideology that wilderness is an illusion to escape reality. This perception can be ambiguous because it segregates humanity from nature, by establishing the idea that wilderness is separate from everyday life. Also, Cronon calls attention to the issue of dividing the land and calling it wilderness. The issue of this isolation is that it disintegrates humans and nature, rather than bringing them more in unity.
Mitchell Porter’s passage from “I Went to the Forest” explains how nature should be protected because it is peaceful place where people can relax and get away from their industrial lives. Porter persuades his audience that it is necessary to preserve nature before it is too late through her use of word choice, a personal anecdote, and an analogy. Porter’s several uses of stylistic and persuasive elements help him strengthen the logic and persuasiveness of his argument. By using the words such as “same”, “more”, and “frequently”, he shows the reader how monotonous today’s society is with it’s similar malls, restaurants, etc. By using these words, he illustrates how the monotony of communities replaces “the miraculous and infinite variety of
The following poems all teach readers the importance and significance of wildlife and the horrible treatment they too often receive from human beings. As everything becomes more modern, we can not help but stray farther away from nature. This increasingly insensitive attitude can have detrimental effects on the environment. Although the elements of poetry used in the following poems vary, Gail White’s “Dead Armadillos,” Walt McDonald’s “Coming Across It,” and Alden Nowlan’s “The Bull Moose,” all share one major conflict; our civilization 's problematic relationship to the wild.
The second theme within this story is clearly about Spiritual connection between human and nature. Through out the entire story, McCandless searches for true freedom that was blocked by the society. He considers that nature is the true place of his freedom, and where his soul belongs to. This is obvious from his action of living in the wild of Alaska, but it is also analyzed by the writer Krakauer. “McCandless went into the wilderness not primarily to ponder nature or the world at large but, rather, to explore the inner country of his own soul.”
Margaret Atwood, an internationally acclaimed novelist, poet and short story writer is widely considered as a major figure in Canadian litrature. In her works, she focuses on the themes of alienation and self-identity. As a poet, her works concentrate on the question of identity with as much pasion as Neruda and Walcott. There is a style and force in her writing. The major themes of Atwood’s poetry include the inconsistencies of self-perception, the Canadian identity and experience, the paradoxical nature of language and the conflicts between human kind and nature.
The purpose of my paper is to scrutinize closely the concept of social satire, revealing and thereby amending the society’s blight in relation to the novel, The Edible Woman by the Canadian author Margaret Atwood. The novel is unambiguously interested in the complex body truths in the Consumerist Society. In The Edible Woman, Atwood furnish a critique of North American consumer society in the 1960s from a feminist point of view. As a feminist social satire, it takes specific bend at the way society has customised the methods of marginalizing and preventing women from having power, authority and influence.
She has created awareness against the exploitation of nature through her writings. After colonization, England has dominated the major parts of the world, deprived the resources from various countries, and transported them to England. After 1940s many writers of different countries including Canada has tried to protect nature through their writings and Atwood is one among them. Many of her novels have great concern for nature by setting the plot in forest. She believes that her ecofiction will create awareness among the people of Canada to protect nature.