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The Hard Crack Analysis

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“ Work Hard. Dream Big.” Mark Morris has been dancing since age of 8. Interestingly, he started to choreograph because of the existence of music. He’s able to give the entire first half hour of music for the party scene, the gift giving, the parents and children with the 70s vibe. He has been a choreographer since he was in his teens. A professional choreographer since 1971. He has had a company since he was 24. At 53, he has known adversity and enjoyed countless triumphs and he just keeps moving on. “I’m very tough,” he says. “And I am not not brave. I do this, and we’re very successful.” At the end of a performance by the Mark Morris Dance Group, Mark Morris himself appears on stage, arms flung wide. He takes a swooping, extravagantly theatrical bow to the audience and then turns to salute his dancers. This gesture of thanks is warm, humble and hugely embracing. He’s in sight and comprehensive understanding of music is daunting, and he frequently studies in the compositions he chooses for great lengths of time, to know every …show more content…

It was partially mesmerised by the piece 'The Nutcracker' and wanted to find out more about why ‘The Nutcracker’s music is so interesting. This piece is like a massive dance of about 200 people. He was really ambitious about it. Also, he wanted to have the whole stage full of dancers. The interesting fact was that the under study can be either a guy or a girl. Even though it is mostly the girls dancing, when a guy merges in, no one really knows. He creates a movement on someone but its not fixed. Even though it can be changed, but its not pure improvisation. The piece has a complicated scene of people partying at the Christmas party, audience can choose to watch everyone or audience can choose to watch one person and everything would still make sense. He thinks if it is just a solo, it would be meaningless. This is the intellectual aspect of 'The Hard

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Besides being an established composer and conductor, he was the director of the Eastman School of Music for over forty years. His Chorale and Alleluia is one of his most notable wind band pieces. Through not set to any particular religion, it follow much of the same feeling of joyous celebration and exaltation found in many religious

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Alvin ailey was one of the most important pillars in the modern dance world. Since he was 18 to the time of his death in 1989 he has shown an undying passion for dance. Ailey is widely respected for his achievements nand the company he founded in 1954. He is also known and respected for being an awesome choreographer. Today i’m going to show what contribute to his success as a dance pioneer.

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The stage lighting is subtle and just enough to spotlight the dancer who stands tall with her arms extended to the sky and hands clasped together. A long, white sheet-like scarf drapes the dancer’s hands. As the music begins the solo dancer starts to sway then slowly she starts walking back and forth across the stage only ever taking one or two steps in each direction. With each step crossing one foot in front of the other. Her arms are still outstretched but now they are open; the audience can see the dancer’s face.

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During this time Alvin was only 27 years old when the ballet had premiered. Some would say that this piece was one of Alvin’s greatest masterpiece. He had found his own voice in the creative artist he was presenting on the concert dance

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Gordy Smith is from the story, Stepping on the Cracks and is one of the main protagonists in the story who plays the role of the “neighborhood bully.” Throughout the story it is easy to see that Gordy is disrespectful because he’s obnoxious, because he’s aggressive, and because he’s cruel. However, Gordy is most likely driven by his motivation, which is attention since he has been neglected and abused by his parents. The reader can see Gordy is disrespectful because he’s obnoxious.

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He is such an influential person in the music industry that he has been given many awards and distinctions, even after his death. It shows his worth for the music industry. His life has many lessons for those who have interest in music. He has been hard working, and throughout his life, he always thought of music and how to contribute to it. Such a professional approach to one’s career should be learnt from his life and this is why his life has been highlighted in this

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Lester Iradell Horton was born in Indianapolis, India on January 23,1906. Not very much was known about his early life. Horton studied ballet for two years with a local teacher in Indianapolis. He was also taking classes at Herron Art Institute and worked with the Indianapolis Theater. Not very long after he began to work for sculptress Kathleen Stuberg.

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He composed for the piano works, chamber ensembles, concerti, symphony orchestra, and for the voice and chorus. He also

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Mark Applebaum, also known as the mad scientist of music is a composer that breaks the rules of music to create a more interesting sound for all along with himself to hear. Within the video Applebaum refers to the question, “Is it Music?” for the audience to ponder throughout his presentation. The major focus of the presentation as stated by Applebaum is his boredom for music and how he uses that to turn what he finds tedious into something interesting. Applebaum presents the audience with ten roles that he uses within his music.

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Wicca is a rapidly growing neopagan religious movement that is a nature based religion that celebrates the changing of the seasons and with a belief in a Divine that it is manifested into two aspects; the God and the Goddess that is revitalizing the “Old Ways”. There are generally two schools of thought about the history of Wicca as a religion. One is that Wicca is a continuous hidden witchcraft religion that had its start in paleolithic times then went underground and remained hidden during the Burning Times where Christianity came to the forefront, and the other is that Wicca is a modern reconstruction of the old pagan religions. The word wicca finds its roots in the old Anglo-Saxon word wicce that means one who practices sorcery with

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The manipulation of the non-text based elements was displayed through the distinct contrast of dancing styles between the older couple and their younger selves. In the beginning of the performance, older Bill envisions a younger version of his wife exiting from the brightly, white-lit fridge to dance with him. In this scene, Bill is dancing in a dignified manner as both his feet maintain firm grip to the ground, while his torso sways gently side to side. This dancing style is representative of an older and sophisticated individual which alludes to the audience that his refined style is due to his wisdom of experience.

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First of all, the piece is quite interesting as a prelude – an introductory piece of music as it start off with dynamic and vibrant sounds that include the whole ensemble. This piece is structured as a three-part or ternary form which consists of ABA’ form. The idea of this piece is mainly act as an introductory of a story because this piece is only an excerpt from a bigger orchestral performance. From what I have heard, the solo performance is mainly comprise of the woodwind instruments in part B that indicated the slight sign of relief and calmness. The piece has a lot of variation where the composer include different timbres and dynamics such as the high dynamic structure during the first and the last part with the associating crashes of cymbals.

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