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Women in the wwii society
Women in the wwii society
World war 2 gender stereotypes
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Avery’s father in the story “Avery’s Gift” is similar to Ellison’s father in the selection “Chicken Of The Sea Is So Wacky -- Of Course It Was Made By Kids” due to aspects that they share like them both being supportive of their children and both of them using the skills that they were good at to help make something that important to their children. Another similarity between the two is how after the children finished their project they both felt that they achieved something with their father. Both fathers went out of their way to help with a project that was important to their children. “Avery blushed but smiled back at Mrs. Vadakin, whose eyes glistened with tears. ”(paragraph 16 of “Avery’s Gift”).
Dave Barry’s “Guys vs. Men” is a satirical essay that explores the gender-based notions society has placed on the behaviours of individuals. Barry specifically focuses on males, and centers his essay on what characteristics a guy possesses as opposed to a man. He describes men who try to exhibit manly behavior as serious, and develop “stupid behavioural patterns” that produce violence. With a humourous tone, Barry argues that there is another way to look at males: “not as aggressive macho dominators; not as sensitive, liberated, hugging drummers; but as guys”. Barry proceeds to illustrate three characteristics guys embody: they like neat stuff, they like a really pointless challenge, and they do not have a rigid and well-defined moral code.
Individuals are consistently pressured by gender expectations within societies, predominantly in rural towns during the 1960’s. Silvey’s utilisation of characterisation and point of view of Charlie Bucktin presents the traditional gender roles in Jasper Jones, set in Australia during the 1960’s. As Charlie prepares himself to set foot on a journey with Jasper Jones, he noted his appearances and display of femininity: “…the application of pansy footwear, is my first display of girlishness… I jog back with as much masculinity as I can muster, which even in the moonlight must resemble something of an arthritic chicken.” This excerpt shows that Charlie is challenged by Corrigan’s gender expectation of masculinity.
The masculine archetypes in William Shakespeare’s “TOTS” and Gil Junger’s “10 Things” reveal evolving perspectives on masculine archetypes and power. In both texts, characters such as Petruchio, Patrick, and Joey Donner serve as conduits for exploring these themes. During the Elizabethan era, gender roles were strictly defined, with men expected to assert dominance over women. Shakespeare’s work reflects these expectations, while Junger reinterprets them for a modern audience, emphasizing mutual respect and emotional vulnerability. In “TOTS”, Shakespeare portrays male authority through characters like Petruchio and Gremio.
In some aspects the military can be said to be an end in itself but the author has failed to address its primary role as servant to the ruling interests. Though the book has some lacunas but it cannot be denied that Kathleen Barry has done a pioneering work on the concept of empathy which is the most important trait in all human beings. It also needs to be inculcated in the soldiers on the battlefield also so that they can effectively differentiate between right and wrong. The book provides a fresh and broad reaching critique of militarised masculinity.
Unfortunately, toxic masculinity plays a role in every society, therefore many people, mostly men, put on a “mask” to hide behind in order to make a false impression of their best selves. No matter who it is, everyone has a way that they want people to know them by, which is why it plays such an important role. The book Lord of the Flies is a fiction text about a group of young boys whose plane crashes after it was shot down during a war. The boys turn from civilized to savages on their long journey on the island as they become less and less of a society. Toxic masculinity affects society in more ways than one and often is used to get ahead or to be seen as superior.
Masculinity. It can be argued that no one word has undergone such a dramatic shift during the past century, as masculinity. In many ways J.D. Salinger’s groundbreaking novel, “The Catcher in the Rye”, and its main protagonist, Holden Caulfield, were both ahead of their time as they realized masculinity could not have a uniform definition. The reader is led on a journey by Holden, from fancy prep schools to the tough streets of New York City, all in the search for one thing: the meaning of masculinity. Holden’s search for identity culminates in his failure to conform to societal standards of masculinity, allowing Salinger to effectively question the need for such strict standards which seemingly only inhibit personal growth.
The enlisted men as shown in All Quiet on the Western Front and Atonement embody the suspension of societal constructs, specifically hierarchy and order, in times of war. One major societal construct that falls away during war is the concept of hierarchy.
History has repeatedly given men privilege due to their physical advantages; yet it is these same advantages that have developed into “rules” or expectations that all men should conform to in order to prove their manhood. Michael Kimmel’s essay, “‘Bros Before Hos': The Guy Code” outlines the “rules” where men are expected to never show any emotions, be brave, act knowledgeable, be risk takers, be in control, act reliable, and be competitive, otherwise they would be showing weakness which is analogous to women. It is humiliating that men associate weakness with women; they should focus on the potential of the individual rather than their gender. Most insults toward men attack their masculinity because society finds it shameful for men to be
Over time, the thought patterns of many individuals mould to believe only one perception of what is morally acceptable— a perception that is completely faulty. The ideology of the male body and demeanor is only one of the many societal norms constructed by the media, and it alone can result in mental health fatalities, mass violence, or the mere elimination of self-identity whilst attempting to meet the ever-changing ideals of masculinity. The continuous and stereotypical depiction of masculinity in the media has idealized invulnerability, toughness and physical strength as the sole qualities of a ‘true man’. As a result, the complexity of masculinity is flattened, and immense pressures are placed on individuals to meet requirements that are entirely faulty. According to Katz, cultures, topics, and even genders are not one-dimensional; in order to fully comprehend the meaning the entirety of something, one must look at more than its representation in the media.
Another common fear during the First World war was emasculation. The loss of masculinity is mainly visible in the patients ' consciousness (Harris, 1998), thus in patients ' relationships, but also in dreams and nightmares and it is visible in Owen 's poetry as well. An extract in Regeneration that discusses the emasculation of the soldiers can be found in chapter four. Pat Barker already foreshadows on page 29 that emasculation is going to be an important theme in the chapter, as Anderson wonders if being locked up can be a "emasculating experience". The scene when Sassoon and Graves go swimming really emphasises the topic emasculation.
Obtaining and defending one's honor defines a person's life the community conveyed in Gabriel García Marquez’s novela Chronicle of a Death Foretold. Honor is an intangible prize that is synonymous with worship and good reputation. In the small town that this chronicle takes place in is very divided through gender. For a woman to be respected highly and maintain her honor she must be pure and practice chastity before marriage. Opposed to that, for a man to be considered with honor, he perform hyper-masculinity in everything that he does, and treat everyone with this pugnacious attitude.
In “Death of a Salesman” by Arthur Miller and “A Streetcar named Desire” by Tennessee Williams, both authors analyze men and masculinity through their male protagonists. The male protagonists under analysis are Willy Loman 's, Harold Mitchell, and Stanley Kowalski. All of these males mistreat their women; this mistreatment is a result of several factors, such as alcoholism and the power struggle to maintain masculinity. Both Williams and Miller use devices such as imagery, symbolism, setting, musical indicators, stage directions setting and character to illustrate men and masculinity with the main protagonists and the relationship the named with their female partners.
In The Sun Also Rises by Ernest Hemingway, the main character, Jake Barnes, is experiencing life post World War I. In a war that denounced faith and integrity, Jake becomes troubled by the concept of being part of a world without purpose. As a result, he starts drinking heavily along with his friends, who are also experiencing the same problems. However, no matter how much these characters drink, they cannot escape their sadness. To add to this purposeless life, Jake also struggles with male insecurity which all the veteran males struggled with after the war.
Through his psychoanalytic theory the writer respectfully expounds males identify with masculinity by not behaving as their female caretakers act. Mr. Carter based