Masks Depicted In Shakespeare's Much Ado About Nothing
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In Much Ado About Nothing, the author William Shakespeare utilizes main themes such as deception, humor, and romance to create dramatic and thrilling scenes throughout the plot. I will be quoting lines from the novel that have more to do with how deception is used in this story and how they eventually lead to other topics such as love and romance. Around the beginning of the play subjects of deception and trickery are clearly present. For Example, Don John tells Claudio, “I pray you dissuade him from her. She is no equal for his birth.
How nothing is Actually Nothing “They say, too, that she will rather die than give any sign of affection. I did never think to marry. I must not seem proud.” (Shakespeare 66) this quote from Benedict sums up the intentions of this play, there is a lot to say and hear about nothing actually going on.
In the play “Much Ado About Nothing” by William Shakespeare Beatrice and Hero are a foil to each other because they do everything opposite of each other like there view on rules, marriage, and how they speak to other people. Usually in a play especially one that is in a confusing language character foils are hard to notice and they are not easy to depict how the foils change the play to make it more interesting to read or watch. To begin with in the beginning of the play Hero talks about having a husband and finding love and getting married, and Beatrice says that she wants nothing to do with having a husband and getting married. Throughout the play hero doesn't break any rules and she doesn’t speak out of turn even when she doesn’t agree with
The topic of Hero’s honor and Claudio tarnishing it is a major subject matter that arises in the climax of Much Ado About Nothing, which is the wedding scene at the beginning of Act IV. This particular act revolves around how Claudio decides to publicly shame Hero while the other characters react to his accusations of her infidelity on the night before the wedding. Claudio’s need to shame the woman he loves without a second thought is an unusual behavior, and Leonato trusting Claudio’s claims over his own daughter’s honor is even more unexpected. In Shakespeare’s time, a woman’s chastity is what made her honorable and once that’s been violated, her social status is almost completely lost. Shakespeare’s usage of metaphors and symbols instead of straightforward speech helps amplify the reactions of the characters at the wedding along with their
Their endearment could have grown unencumbered by the restraints of their family’s feuds. Shakespeare unfolds the play with a prologue that lends the readers a backside to the forbidden rendezvous, he writes, “Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean.” Both star-crossed lovers wouldn’t have had to go to such extreme measures to be united with one another. However, Shakespeare makes it clear that impulsivity is the real convict in our bodily nature, where logic and reason are exchanged for hasty, emotional and physically dangerous
In his article, “Dido, Queen of England”, Deanne Williams remarks the personal aspect of the life of the Queen in 16th century England: “From Sir Philip Sidney to Sir Roy Strong, [who were] Queen Elizabeth I 's observers …. Elizabeth managed to avoid it for decades, maintaining, when pressed, that she considered herself wedded to England” (Williams 31). According to the Renaissance royal biographers William indicates that a tangle of invitations, courtships and suitors, and the hedging and equivocation that did not cease until Elizabeth was long past meno- pause (Williams 31). Yet, Love was encouraged by the authors that are focused on in this research paper, yet, all the same, they depict love as a downfall in two female characters that embody power and authority: Faerie Queene 's Britomart and Dido, Queen of Carthage 's Dido”. In these two heroines, one can flesh out three aspects that can be interpreted as a negative role
Today, in the 21st century, most women are fairly respected and have the freedom to make their own choices; but when reading Romeo and Juliet, from the Shakespearean age, I have learned that women were viewed very differently. Using clues provided by this book, it is clear that whether women were housewives, royalty, nurses, or children, they didn’t have equal rights to men. Men were very masculine; they ordered their wives around and expected women to obey. Whereas women were very obedient and unfortunately were often taken advantage of. In this paper, will be examining the stereotypical role of a woman in the Shakespearean age.
Shakespeare’s play, Much Ado About Nothing, is a play about multiple relationships. Hero and Claudio are the first relationship, and Beatrice and Benedick are the other relationship. The play talks about the ideal traits of a couple in the Shakespearian time period. Times have changed, as couples have evolved and have generally become less “traditional”. Back in the day, the female would submit to the male.
William Shakespeare’s works, written primarily from the late eighteen hundreds to the very early sixteen hundreds, have long been the subject of academic debates and analysis. Potent with double entendres, metaphors, and social commentary, it is easy to apply queer theory to Shakespeare’s plays, notably Twelfth Night, written in 1601. Though Twelfth Night’s ending pushes its characters into traditional heterosexual romances and binary gender roles to satisfy the genre and placate conservative Elizabethan audiences, the characters in the comedy defy tradition by exploring homosexual love and expression of gender. The most apparent homosexual themes are present in the relationship between Antonio and Sebastian.
In today’s world, gender expectations and roles of men and women are a highly debated topic. However, the reconsidering of these expectations is not a new phenomenon. Set in Verona, Italy, the play Romeo and Juliet by William Shakespeare explores the reversal and fluidity of characteristics usually assigned to a specific gender. In this play, two young people fall in love and end up tragically taking their lives as a result of their forbidden love. Shakespeare suggests that men are not necessarily masculine, women are not necessarily feminine, and that when people are forced by society to act the way their gender is “supposed” to, problems will arise.
William Shakespeare’s “Much Ado About Nothing” was a play about romance, misunderstanding and happiness. A modern audience would view this play in a different way to an audience in Shakespeare’s time, particularly in relation to the role and status of women and attitudes towards courtship and marriage. Two of the main ideas in the play include the fact that women’s voices aren’t heard and the role of the father in the relationships of their daughters are two topics that will be covered. As a 21st century viewer of this play seeing the treatment of women, and how their voices and opinions aren’t always taken into account, I believe that this sort of treatment wasn’t the right thing to do.
For Shakespeare’s plays to contain enduring ideas, it must illustrate concepts that still remain relevant today, in modern society. Shakespeare utilises his tragic play Othello, to make an important social commentary on the common gender stereotypes. During early modern England, Shakespeare had to comply to the strict social expectations where women were viewed as tools, platonic and mellow, and where men were displayed as masculine, powerful, tempered, violent and manipulative. As distinct as this context is to the 21st century, the play exposes how women were victimised by the men who hold primary power in the community in which they compelled women to conform to the ideal world of a perfect wife or confront an appalling destiny for challenging the system. Moreover, Shakespeare utilises the main antagonist, Iago, to portray how men are desperate to achieve what they want and to indirectly fulfil the stereotype of masculinity and power through manipulation.
Utilitarianism is a consequentialist theory, and it is the idea that the only thing that makes an action right or wrong are the consequences resulting from that action. In other words, the action is only right if it produces the greatest net well-being, or happiness, for all parties. Deontology is the concept that there are at least some other factors of an action that determine if it was right or wrong, not just it's consequences. These are two conflicting ethical standpoints, which can cause disagreements, when applying them to a scenario. We can take a look from both views and determine how we would act in a certain situation and compare the results.
The male roles in the family seem to be above females’ because they get to make decisions for girls. Men feel dominant to women, so the same behaviors as the women are acceptable for them. Along with these, the ladies are not expected to crave love and affection like the gentlemen do. The gender issue of men being dominant and women being submissive used in the drama, A Midsummer Night’s Dream, shows the differences in the roles, behaviors, and expectations appropriate for each gender and is an example of an outdated stereotype. Unlike the time frame of this literature, women in the present are valued equal to men.
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