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May Swenson's Women

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In the poem Women by May Swenson, it was a little easier to understand her visual concept. There are numbers of individuals who are visual learners.The poem Women uses enjambment, to make the entire poem choppy and mime the incline of men. The poem Women is an open-form descriptive poem. Which means there are no restrictions, and it tends to avoid traditional patterns. The theme of Women is basically women are viewed as straightforward and illiterate creatures that should be considered blessed to be used by men. Overall the theme of "Women" is feminism. Initially, a fascinating aspect of Women is the shape and structure of the poem. As a form of visual poetry, the configuration of the poem subsidized heavily to the overall message. The poem's …show more content…

Generally speaking a pedestal is an immovable structure, but in this poem pedestals are referred to as "moving to the motion of men" (Line 3), acknowledging that pedestals are an implication and are objects to be manipulated by men according to their whims. The irony in “Women” is exposed in the opening lines of the poem; women are not objects, and they are not here solely for the support of …show more content…

The derision persona uses becomes thick and bitter. “To be joyfully ridden/ until the restored egos dismount and the legs stride away/ Immobile sweetlipped sturdy and smiling” (lines 11-13). A common saying sates, “Behind every great man is a great woman.” The persona would likely agree: the job of women has been to restore the egos of men by providing them a sturdy shelter from their failures. Women’s attributes are easily disposed of as “the legs stride away”. Riding also has a sexual connotation which could easily symbolize the typical, heterosexual, male-dominated relationship. This is reinforced by the description of women as being immobile, sweet lipped, and smiling. These rocking horse qualities symbolize women’s desire to be confined, dedicated, valued for their beauty, and ready to serve. Of course, this description is not a factual representation; it is another expression of the persona’s ironic

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