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Michelangelo Research Paper

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Each person has his or her own personal outlook on what it means to be a Renaissance man. Undeniably, each individual that contributed to this cultural rebirth was a person of many great talents or areas of knowledge. Michelangelo Buonarroti was a prime example of what it meant to be a Renaissance man. He was a sculptor, painter, architect, poet and engineer. The works of this High Renaissance master are some of the most heroic in Renaissance art. This paper will explore Michelangelo’s influence on the Renaissance Arts and why his work helped shape the world of art so drastically.
Michelangelo was born on March 6, 1475 in Caprese, Italy to Leonardo Buonarroti and Francesca Neri. His father was the judicial administrator in there small town …show more content…

This was only the start for Michalangelo. Due to his advanced talent, he was given the opportunity to move into the palace of Lorenzo de’ Medici of the powerful Medici family from 1489 to 1492. The Medici family changed his life. They clothed him in fine velvet clothes, gave him generous wage, and allowed him access to the most respected sculptors, poets, and scholars of the time. He was also given the opportunity to study anatomy by spending time thoroughly observing corpses. This was a very important aspect of his life and his vast knowledge in anatomy allowed him to physically perfect his human artwork later on. All these privilege’s laid the path for his very unique style of …show more content…

David goes to battle against Goliath and defeated him with the help of God and his slingshot. In his sculpture, Michelangelo decided to focus the sculpture on the moment right before the battle with Goliath, where David was tensed up and ready to fight. He was keen on detail mainly in David’s face. His creased brows shows focus. His mouth is set in a firm line. His eyes are darted to his left, as if watching the enemy. Michelangelo had created a sculpturing technique of drilling out his pupil to create an intensity in his gaze to make it that much more realistic. The gesture of David’s face and his eyes radiates power at the moment in which he has spotted his enemy. Structurally his body weight is was clearly on the right leg. Most of David’s body was relaxed but just about to tense up which is shown through the swelling veins and taut muscles. The detail of this sculpture makes it one of the most riveting and realistic sculptures to this

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During that period, statues were sculpted in action capturing the moment, while forcefully being thrust into viewer’s space. Similar to Michelangelo, Bernini sculpts an almost perfect god-like figure of a human man. Bernini’s David had a different body position that brought emphasis on David’s next action, as if he were in battle. David is crouched low with a twist leaning towards one side ready to launch the deadly rock at Goliath. Bernini’s detail lets you see the determination and perseverance on David’s face with his tightly clinched mouth and fierce gaze at Goliath.

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Michelangelo’s David is, in my opinion, very different than Bernini. As known, religion can be said to be one of the most prominent roles during the Renaissance era. To me this means that Michelangelo wanted the viewer of his sculpture to feel a holy like sensation. The torso of David is much

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2005. “Living on the Edge in Leonardo’s Florence: Selected Essays.” 1st ed. University of California Press. “Living on the Edge in Leonardo’s Florence: Selected Essays”, written by Gene Brucker gives an overview of the Italian History.

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David has what almost looks like a smile on his face and eyes wide open. I think every aspect of this freestanding sculpture has great amount of detail, which brings David to

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Polykleitos’ Doryphoros versus Michelangelo’s David Compare the Donatello’s David with Michelangelo’s version of the same subject. How does the difference between these two indicate the stylistic difference between their two respective periods? Polykleitos is known as the best sculptor of men, with the primary subjects of his works being male athletes with idealized body proportions. He was interested with the mathematical proportions of the human form, which led him to write an essay the Kanon, on the proportions of humans. The Doryphoros is an illustration of his writings in Kanon on the symmetria between the body parts.

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2. Since George Bull wrote extensively about the renaissance, one can only assume that he wrote about Michelangelo because he was one of the most famous Renaissance artists. Michelangelo Buonarroti was one of the fifteenth century’s most famous artists of the Italian Renaissance. He was born in the small village of Caprese, where his father was a Florentine government agent. The young artist was placed by his father in one of the grammar schools which taught Latin.

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Michelangelo Buonarroti was a Renaissance man who was born in 1457 in Italy and was an artist. He sculpted, painted, wrote poetry, and designed architecture. Michelangelo focused on religious art such as the Pieta, David, and the Sistine chapel artwork. Michelangelo’s work changed how people look at art and opened minds to religious works. Michelangelo is remembered as the “father and master of all the arts”.

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David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.

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David was created to represent the hero David, but later was removed from piazza gallery and put in Florence to protect it from damage. This sculptor is a seventeen foot piece of marble. Bacchus was completed by Michelangelo when he was just twenty-two years old. The statue

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Though, influenced Michelangelo’s works and texts has religious theme and his art embodied a notion and vision of human dignity and reliance on the Creator. Michelangelo was completely committed to art and religion and lived prudently despite his fame. According to Roger, Michelangelo “was affectionate and generous to his family and friends, but he is also inclined to be distrustful and withdrawn harboring a sharp temper and a sarcastic tongue” (Eugène 62). In the art world, Michelangelo is viewed as an archetype Renaissance character due to the extraordinary order and flexibility he displayed in his works.

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It is an amazing piece of art recalling the biblical story of David and Goliath, where a young man defeated a giant tyrant in the

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Even his left foot is placed gently on the head of Goliath; his knee bent inwards instead of outwards to suggest not dominance but rather a subtle connection. The traditional male dominance is lost. This could be interpreted as a representation of homosexuality that was commonly practised in the Middle Ages (Boswell), even though it was considered a crime during the time of the creation of this sculpture. Another reading is that Donatello wanted to explore other ways to portray the male nude, this being one of the first male nudes of the Renaissance. The lack of defined musculature also allowed the body of David to flow smoothly and uninterrupted, effecting a sense of dynamism in a resting figure to present the body as expressive and

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The marble block had been sitting in the courtyard of the Opera di Duomo for over 20 years. Michelangelo 's David is a figure of a boy with short hair, but in a more masculine portrayal. It shows David before the battle. The David of Michelangelo is a nude boy in a very muscular shape. It shows his veins in his arms and hands.

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Michelangelo quite possibly used a model for his masterpiece, David, but with the David produced by Bernini, during the Baroque period, was so much more active and realistic, using diagonal lines and not the traditional pyramid used in so many earlier works of art. I can’t imagine any model could have posed in that position for such a long time. So the information artists gleaned from the dissections and drawings produced by Leonardo Di Vinci, had to be a huge asset, to be able to recreate on canvas and in stone, the bones, muscles and tendons so amazingly accurate. (Khan, n.d.)

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Michelangelo had a gigantic influence on the renaissance. He was a master at both painting and sculpting, he also was an architect, engineer, and poet. During his day he was unbeatable in his painting and sculpting skills. He had many artist study under him and help him with painting the Sistine Chapel in Vatican, but none were on par with him.

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