Minerva Mirabal was the leader and the voice of the butterflies before their murders on November 25, 1960. Minerva was the leader of the group because of her extroverted attitude and her disgustion of oppression. Minerva consistently portrayed the image of the butterfly to the public despite the struggles she had going on in her personal life. From a young age, Minerva’s identity is rooted in her struggle against oppression. Throughout her life, she transforms her identity into a national symbol.
Esperanza is a young girl who lives on mango street and
She is also one of the strongest women in the plot of the story. This makes Esperanza look up to her mom and make herself want to be a strong woman when she grows up. Esperanza's mom helps influence the way Esperanza wants to live her life in the future. The last of the three most influential characters is Marin.
According to Merriam Webster, a novella is an Italian term, which derives from the word “novel,” and means a short novel or long short story. There are numerous novellas in the world of literature; some significant examples include Of Mice and Men by John Steinbeck and A Christmas Carol by Charles Dickens. A theme of “influences” is displayed throughout these novellas and can influence our perspective on life. Another popular high school novella is Sandra Cisneros’ The House on Mango Street, where protagonist, Esperanza Cordero encounters multiple characters, such as Sally, Sire, and Nenny, who help influence her life in both negative and positive ways.
Yet her refusal to do so prevents her growth. She instead chooses to sit by her window and miss something that she can no longer have. Esperanza throughout the novel does the same. She misses a home, even though at that moment her home is Mango Street. She is constantly repeating throughout the novel that Mango Street is temporary and not her home.
She dreams “One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever” (707). Esperanza believes that she can change the way she is living and live a better life. She is trying to get a good education to become a more improved and intelligent person so one day she does not have to be poor.
These problems coming to light through the many women Esperanza looks up to, drive her to rise above her obstacles, and become more than just another poorly treated woman. Despite the variety of girls in the neighborhood, one of Esperanza’s closest friends ends up being Sally, who has moved from one abusive home to the next. Sally’s father was a very strict man and she constantly disobeyed him once out of his sight. Whenever Sally is caught dressing “provocative” or acting “too old” her father decides to teach her a lesson.
Butterflies Reflection In The Time of the Butterflies I am exposed to many different viewpoints. An important one being Minerva Mirabal. This novel takes me through the crazy lives of the Mirabal’s. This family is in a personal war against El Jefe Trujillo.
Esperanza shifts from a follower into a confused individual, allowing her to begin her life as a woman outside of the oppressive nature of Mango Street. The suffocating stereotypes and sad, gloomy traits of the culture surrounding Esperanza contribute to the cultivation of her strong will and ardor. Mango Street opens her eyes to the abusive nature of her environment, and aids her in breaking the chain of corruption by defining and terminating the situation for herself. The neighborhood itself allows Esperanza to
These characters influence Esperanza’s choices and her overall viewpoint of life. Sandra
Esperanza’s interest is writing poem, appears in many of the chapters where it explains a way of bonding with her community by sharing poems with one another. Because Esperanza has become a writer her observations strengthen throughout the novel. One example of how she matures through writing is in the beginning of the book she told stories that were obviously meant for a younger audiences but through the middle of the book she started to use more observation based upon what she saw which helped develop the story more for the reader. This change shows that she is becoming an artist, and also that she is starting to distance herself from her community, since she focuses more on capturing experiences than living through them, she starts to further her self from interaction and focuses more on observation of the people around her. By the end of The House on Mango Street, she knows that she underwent a huge transformation and her relationship with mango st is starting to weaken.
As a child, Esperanza wants only escape from mango Street. Her dream of independents and "self-definition" also means leaving her family behind without any responsibilities to her family. Throughout the book, her has also faced some situation where is feels ashamed to be part of the Mango Street community and in some instances refuses to admit she has anything to do with mango street. At the beginning of the book near the earlier chapters, Esperanza feels very insecure about herself in general along with the house that she lives in. As mentioned before, she doesn’t want to discuss her name nor where she lives.
Have you ever had to eat a rice sandwich? If so, you might identify with a certain little girl named Esperanza. Esperanza Cordero is the main character of the book The House on Mango Street. Esperanza exhibits many strong character traits. Esperanza is a very timid, or shy girl.
Esperanza also realizes that she must be strong and fight her way up, and make her own identity, like the trees she notices, that grew despite the concrete. Esperanza believes that if she can move her roots, then she’ll be able to flourish and grow to be herself. But her problem is that she needs to move away from Mango Street to plant her roots. In the chapter “Four Skinny Trees”, Esperanza says, “Their strength is their secret. They send ferocious roots beneath the ground.
Not once, or twice, or ever again.” (Cisneros 105). One of the reasons for this is her meeting the three old ladies who came for Rachel’s sister’s funeral. There prophesy that Esperanza will leave Mango Street boosts her self-confidence. The narrator also says, “Before Keeler it was Paulina, but what I remember most is Mango Street, sad red house, the house I belong but do not belong to.”
