2.2 The Gothic Monster As my main focus of this paper is the motif of the double and transformation in the film Black Swan, Fin de Siècle Gothic is of most interest here. In these turn of the century Gothic works, the monster is a recurring and very integral theme. Gothic monster as such are Doubles, Vampires, and Shape Shifters or other forms of transformed part humans.
Monster Culture Jeffrey Jerome Cohen is the writer of “Monster Culture: Seven Theses.” He went to the University of Rochester and acquired a PhD in English and has been teaching at George Washington University since 1994. The intended audience of this essay is anybody interested in the monster culture. This essay came from Monster Theory: Reading Culture.
A Portrayal on Accidental Monsters In many folklore and legends, there are tellings of monsters. These monsters serve important roles to show what the culture, and its society is made of. When looking at monster it can be said that there are two different types : accidental and intentional. Different examples, such as, the Golem of Prague, Frankenstein, by Mary Shelley, Beowulf, by Seamus Heaney, and the Tempest, by William Shakespeare, are examples of being an accidental monsters.
Beowulf: A New Translation for Oral Delivery, translated by Dick Ringler, utilized the dark and the ominous to foreshadow or to portray the impending savagery of mankind. Darkness could be defined either by the absence of light or by the lack of intellectual enlightenment. The monstrous creatures are shrouded within the darkness or associate with the ominous. Throughout Beowulf the theme of violence and darkness are intertwined, which is manifest by correlating the darkness with the unknown through Grendel. The unknown generate fear among the mass through their inability to control and understand the existence of inhuman beings.
Rhetorical Analysis of “Monsters and the Moral Imagination” Many people believe monsters are imaginary creatures that are seen in movies or even for others, it could be a serial killer that was heard about on the news. Stephen T. Asma wrote “Monsters and the Moral Imagination” which “first appeared in the Chronicle of Higher Education in October 2009” (Hoffman 61). Asma, who is a professor of philosophy, examines how different individual’s perceptions of a monster can be different depending on the era or even events happening around them. In “Monsters and the Moral Imagination,” Stephen T. Asma wrote a nonfiction, persuasive article for an educated and possibly specialized audience to examine how the idea of monsters have changed over time, what could be the motivation to create them, or even how life experiences could change an individual’s perceptions.
Tina Chen Mrs. Lazar British Literature- Period 8 10/12/2016 The Truths Behind the Monstrous Figures From traditional folktales to modern literature, monsters are often referred as daunting. Their existence meant disaster for the society. Their presence, in all of these literature pieces are neglected, feared, and abhorred by their civilization. Every monster that was created ought to have a loathsome and corpulent appearance.
In the town Beowulf lived was a monster. The monster was a big man and was very strong. He was tall and very mighty. He could beat anyone in a fight. No one dared try to fight him.
In the poem Beowulf, there is a contrast between good and evil. This distinction is presented through the monsters Grendel and his mother, in parallel to the hero Beowulf. The themes of evil and monstrosity are therefore used in the story, as a way to create the notion of Grendel and his mother as monsters. Beowulf therefore appears as a character representing good. Although Beowulf shows traits of abnormal power, like Grendel and his mother, his motifs are interpreted differently.
Monsters will NEVER ever die: all cultures around the world have them and have had them since people first thought of them. Distinguished Professor of Philosophy at Columbia College Chicago, Stephen T. Asma, in his essay, Monsters and the Moral Imagination, describes how we look at and are drawn to monsters. But not just monsters, murderers and psychopaths also. Monsters never age, ranging from the first civilization to now. In Asma's essay he asks, "Why do monsters exist?
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it; for example, vampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
The fear felt for monsters and ultimately connected to desire. Jeffery Cohen has a clear opinion of this. “We distrust and loathe the monster at the same time we envy its freedom, and perhaps its sublime despair.” They are both terrifying and the heart of fantasies. This accounts for the monster’s popularity.
Compare/Contrast Essay Beowulf is an epic hero, who is a strong and powerful man who comes from Sweden to Denmark to help a village that is being attacked by a man-eating monster named Grendel. Arthur, is a romantic hero who is the courageous king of Camelot who is a devoted leader and will do anything to protect his kingdom and people. Even though Beowulf and Arthur are two different heroes, they both share similar traits such as devoted followers, the use of magical weapons, and courageous traits throughout the story. Both epic and romantic heroes had devoted followers that helped them throughout battles. Beowulf was very strong, but when the people of Denmark thought he needed help.
The monster archetype has been one of the most riveting archetypes that surrounds the concept of ‘evil’. It has been portrayed as a supernatural creature with grotesque features that normally brings disruption to the city and needs to be tamed or controlled to bring once again peace to the story. Due to this, it is most commonly depicted with a negative connotation, and with the idea of horror and fear. The monster has been present since the bible, which was written approximately 3,400 years ago, with the anecdote of Goliath. It has remained with its primary role of converting the protagonist into a hero and providing fear to the storyline.
Beowulf and King Arthur are both portrayed as heroes and someone to look up to. Some similarities are both of them are very brave. They are also both very compelling leaders in their own respective ways. Even with their similarities they have differences in their heroic qualities such as Beowulf not really being a human in the sense that he can do superhuman things and King Arthur being a normal human being. It's also interesting to note that King Arthur was more of a hero for his character whereas Beowulf was more of a hero in the sense that he slays monsters and dragons.
