In Frankenstein, Victor Frankenstein is a scientist who brings a conglomeration of human and animal parts back from the dead. Despite his logical act of destroying the monster’s bride, Frankenstein still imprints hate, and hunts down his monster, making him the villain of his own story. The first clumsy act of villainy Frankenstein commits is when he first creates the monster. This horrid creature, made of human and animal parts, is born without intelligence, but more importantly is born with the ability to learn.
In the novel, Frankenstein by Mary Shelley, Shelley showcases the theme that people are inherently good. This theme is conveyed through the monster’s character because he can not be classified as either good or evil. This is crucial in the plotline because morally ambiguous characters are considered to be more like real humans. They have their own problems and are not perfect, so the audience sympathizes with those characters. The monster was raised in an environment that modified his moral integrity, which causes the audience to see his character in a different light.
In the modern world, when a person hears about Frankenstein, they think of an abhorrent and detestable monster, but that is not the case. In the book, “Frankenstein”, by Mary Shelley, Frankenstein is a scientist that pursues his dream of reviving a human. Victor Frankenstein, the protagonist, conducts a series of experiments and creates a monster. Abhorred by his creation, he leaves the monster. Through desolation and isolation, the monster is driven by society and Frankenstein to commit crimes.
The Real Villain Experiences, they mold your personality. They dictate what kind of person you are going to be. Victor Frankenstein clearly did not understand this when he created his “monster”. He left his creation alone in the world to figure things out by itself. In doing so, Frankenstein left the creation to terrible experience that cause him to become murderer.
The monster, being left alone with no guidance, is like a newborn in the way that he didn't have any past experiences or knowledge of the world around him that would help him survive.
In the book Frankenstein by Mary Shelley, the creature is an outcast in society, without a friend in the who world is thrust away by humanity due to his appearance. The creature devolves due to a series of events feeling different emotions for the first time in his life. These experiences due to the fact his creator, Victor Frankenstein turns his back on the creature leaving him to his own instincts on learning how to survive and integrate into society. devices to learn how to survive. becoming helpless, discouraged leading into leading into retaliation of anger and violence.
In the book “The Devil You Know”, British author Mike Carey famously writes, “We make our own monsters, then fear for what they show us about ourselves.” This notion suggests that monsters are not just fictional characters but can also represent the darker aspects of human nature. In literature, a monster is characterized as evil, frightening and grotesque in appearance or behaviour. A human could also be called a monster judging by their actions and what they have done. Mary Shelley’s novel Frankenstein refers to Victor's creation as “the monster”, however, the true monster is Dr. Victor Frankenstein who abandons his creation and demonstrates monstrous qualities himself.
The Monster in Mary Shelly’s Frankenstein Friedrich Nietzsche once said that one who fights a monster should see to it that in the process they do not become a monster themselves. The protagonist in the fictional novel Frankenstein by Mary Shelly deals with this dilemma. Victor Frankenstein is a knowledge-hungry modern scientist in Europe in the 18th century. Creating life out of intimate objects fascinates him; one could say he was captivated by the desire to become a god.
The Creature in Frankenstein Mary Shelly’s “Frankenstein” is an inspirational work of horror and science fiction; it is the narrative of an unorthodox act of creation, of a monster which torments his miserable creator. The author puts forth ideas, and reinforces it through the development of the plot, that mankind is capable of both good and evil. Shelly demonstrates the ‘humanity’ of the creature; his actions and his inclination are like those of mankind. Indeed, even the negative aspect of his character, demonstrated through his quest for revenge, has a parallel in the actions of his human creator. In Mary Shelley’s “Frankenstein” the creature is represented as being vicious and murderous but he is not inherently evil or malicious.
Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.
The novel “Frankenstein,” by Mary Shelley tells the story of a man named Victor Frankenstein, who decides to go against the laws of nature by bringing to life a being constructed with decaying body parts. Victor believes in natural philosophy and science, which leads him to the idea of creating this Creature. Although this novel can be interpreted in many ways, I believe that Mary Shelley is shining a light on the harmful and dangerous impacts that prejudice and assumptions can have on people who are considered different. Shelley may be suggesting that humanity is the true 'monster ' due to its socialized ideologies that make ambition, self-greed and rage fulfilling. Even to this day society is known to shun those who we do not see as equals.
Monsters are often classified based upon their appearance and inhumane characteristics. In the book Frankenstein, by Mary Shelley, Victor Frankenstein tears apart graveyards for the formation of a new being, which is brought to life with electricity. Frankenstein was fascinated with life itself and wanted to create this being through the dead with the use of science. After multiple years of suturing this new being together Victor succeeded in bringing this creature to life. Although realizing what he had just created Victor is repulsed by this new being and calls him a Monster.
Do you consider the monster a human? We are already know the meaning of human, but are we know what the monster is? The monster in people’s mind generally is the one who has horribleness, ugliness, or the unnatural body. Will it have some people do not look only appearance but his or her heart.
When reading through the novel some might question who's the real monster? Throughout Frankenstein Mary Shelley uses the concepts of Science and knowledge, social rejection and true evil. Victor is a lonely guy who takes on a “God like” role for his personal satisfaction. Victor creates the monster out of his greed and ambitions which led to many of the horrible events throughout the story. He was portrayed as the victim at the beginning of the story because of how secluded he was and his mother died.
He taught himself how to read and talk. He learned from watching others. He spoke very proper. You would think for a monster he would talk a certain way. He didn't see himself as monster.