Mood Of Cyrano De Bergerac

Cyrano De Bergerac was written in 1897 by Edmond Rostand. This play revolves around the story of a love triangle involving two men, Cyrano and Christian, and one woman, Roxanne. Christian, who only has good looks, falls in love with Roxanne, but Roxanne is much more attracted to intelligence than appearance. The men decide to send Roxanne love letters every day that are written by Cyrano, yet signed as Christian. Roxanne quickly falls in love with Christian because of the beautiful letters she receives from “Christian.” Fifteen years after Christian is killed in battle, Cyrano decides to tell Roxanne the truth about the letters as he is dying. Christian dies without receiving true love from Roxanne, Roxanne falls in love with a man who never

For example, the short sentence, “It is late October” (Rostand 201) changes the mood very quickly from bright to gloomy. In the beginning of the section, Rostand uses long sentences that have nothing but positive energy and phrases, but suddenly he transitions to such a short, choppy sentence. “Late” is not a very uplifting word, and October is normally a darker time of the year, literally and figuratively. Rostand wants to include certain details, but avioids going too in depth with short sentences by utilizing longer ones. By using long sentences and many drawn out phrases, Rostand makes the scene’s composition very visual. For example, when Rostand is talking about an “avenue” (201), he uses multiple commas and phrases such as “overarched by chestnut trees, leading to the door of a chapel on the right, just visible among the branches of the tress” (201). The author writes so deeply and continuously with long sentences because he wants to get the structure and makeup of the scene exact; he wants the audience to feel like they are there in the scene with the characters. To make a point or change moods, Rostand writes short choppy sentences, but to show in -depth detail, Rostand uses long sentences and

Rostand uses many vivid words to intensify scenes. For example, when describing the leaves, Rostand says that they are “magnificent” (201). Also, he describes the lawns as “bright” (Rostand 201) and goes as far as to tell that the scene has “chestnut” (Rostand 201) trees. Rostand even describes the turf as a “still living green” (201) color. He also describes the “red, yellow, and brown” (201) leaves. The author even tells that the baskets were filled with silk and “balls of wool” (Rostand 201). By using such colorful and detailed language, Rostand paints a beautiful