Motherhood In The Awakening

Kate Chopin’s The Awakening was written at the end of the nineteenth century, where many roles for women began to change; therefore, the it appears to have been a turning point for females (“The Role of the Wife and Mother”). These changes in female roles were mostly due to the actions of women themselves, motivated by their desires to break away from the limits imposed on their gender The nineteenth century was a critical point in time for women, in regards to their roles in society (“The Role of the Wife and Mother”). In The Awakening, Edna goes through noteworthy changes in the course of the novel, which reconstructs her into a woman who goes against societal ideals regarding motherhood and marriage . In the 1890s, motherhood was viewed

At the beginning of the novel, Edna had appeared to be recognizing the fact that her life revolves around her husband and her children, and that it is her main duty to care for them. It is mainly Mr. Pontellier, her husband, who tries to establish an image of her being a both a perfect partner and wife. He views her as an object that must be suitable for the eyes of society. According to him, his wife is a “valuable piece of personal property which has suffered some damage” (Chopin 2). He is controlling over her appearance and actions. For example, when the couple returns from Grand Isle, Edna begins to act on her own and refuses to show hospitality towards her guests and it begins to exasperate Mr. Pontellier. As the novel progresses, it is evident that the relationship between Mr. Pontellier and Edna is purely superficial; it lacks sentiment and is only picture perfect for society. Because Edna is portrayed as an object of her husband, it fits the the fact that marriages in the nineteenth century viewed women as an “object of others [rather than] the free subject of their own fates”

In the seventh chapter, she is described as “not a woman given to confidences, a characteristic hitherto contrary to her nature” (Chopin 13). Though, it was the trip to the Grand Isle which had awakened many of her desires and caused her to question her role as a woman and go become her own person. Her transition into a new self begins when she first demonstrates resistance towards her husband. Her newfound intransigence towards Mr. Pontellier exhibits her realization that she is not inferior to and has no need to rely on him. In chapter thirty two, she moves out of her and her husband’s home and into the “pigeon house,” which shows that she has gained self-confidence and believes that she would “never again [...] belong to another than herself” (Chopin 80). Soon after Edna moves out, many of her intimate desires had been awakened. She begins to open herself up to her sexual wants and begins to explore her sexuality, though she does know that it is inappropriate. In the nineteenth century, women were looked down upon for having sexual thoughts or desires towards other men besides her husband (Adultery). Despite the societal restraints, she begins to fantasize about Robert Lebrun and goes on to have a meaningless affair with Alcée Arobin, which was only driven by her own sexual desires.
The nineteenth century was a critical point in time for women, in regards to their roles in society (“The Role