The novel ‘Jasper Jones’ written by Craig Silvey and the film ‘Dressmaker’ directed by Jocelyn Moorhouse have connected to the audience and use of narratives conventions in very similar ways. The ways that they have succeed doing this is through characteristics, plot and setting. By looking into how they are used by the author/ director widen the knowledge and have deeper in-depth understanding on how authors and directors use them to connect with the audience. The author and director have used characteristics to connect with the audience by using relatable situations like peer pressure, disliked by people, challenges and traumatic experiences.
The films that I chose to explore in this paper are Do the Right Thing by Spike Lee and Lone Star by John Sayles. Each film offers examples of counter narratives in my opinion. There are many examples of characters vying for both power and respect from characters of the other race. Spike Lee, however, has an undeniably unique style that offers a counter on many levels.
The common thought that people have about Disney is happiness and merriment. Ridley Pearson provides an opposing view in the book “Kingdom Keepers II” by showing the darkest parts of what we thought we all knew. Pearson allows this to occur by taking the reader through the lives of kids who work as DHIs(Disney Host Interactions) that become holographic people that fight the villains. Pearson not only does this to show his opinion, but he uses it to intrigue the reader enough to want to keep reading. This fictional fantasy about Disney and Disney parks are mysterious and allows an appeal to readers.
To summarize this essay, there are several points that highlight differences between the two films, yet the overall context of the film remains the same. One common theme that tends to drive the force between the reasoning in why the two films have varying aspects is because they were made for slightly different audiences at different times in society. Though both versions of the movie have small portions that vary from one another, the main emphasis is the same and both versions are loved by the
This sense of hostility springs forth from the misconstrued view of literature being the superior art form among the two, extending to the apparent artistic inferiority of cinematic adaptations, which seemingly “betrays” its source material. But the idea of cinema as a potent and dynamic art
The values and attitudes that the protagonists carry with them into new worlds can influence their perception of their discoveries and its significance, giving the protagonist a growing depth of understanding and discernment. Discoveries, driven by wonder or necessity, can be challenging and confronting, compelling individuals to leave their comfort zone. Consequently, they are prepared to sacrifice the old to embrace the new, transforming and gaining new insights of themselves and the world around them. “The Tempest, a pastoral romance by William Shakespeare, portrays individuals who were faced with confronting experiences that assess their values, and who rediscover the necessity for compassion instead of abuse of power, leading them to re-evaluate their relations with other characters. In comparison, Ang Lee’s film, “The Life of Pi” is primarily focused on the process of self-discovery through isolation.
Movies are proposed to entertain us and lead us to a different time or place. But if you look at a movie deeper you see the themes and ideas put into the movie. Directors strive to show, the theme of the idea not just in the characters, but in the setting and camera work. Throughout the play knight riders, the director and producers use characters and images to project to the audience, what they hope that they see. Using this movie to project themes of leadership, even if they were not trying to this start even in the first scene.
Disney studios has been taking over the movie industry and is rapidly on the rise. This has made a boom in finding the real and humanized meaning behind the once fun and reckless children’s movies. Furthermore, Jon Favreau’s film, The Jungle Book, which brings to life Rudyard Kipling’s original children’s book, has recently caught a lot of viewers’ attention. Disney studios accidentally expresses colonization and imperialism in the film. With these hidden themes of colonization and imperialism, the film demonstrates a deeper meaning behind each character, each representing a different part of the British colonizing India.
Amanda Putnam’s essay, “Mean Ladies: Transgendered Villains in Disney Films”, is a compelling piece on gender portrayal and views in Disney films. Putnam opened the essay with a personal anecdote about her daughter. Her daughter wanted a Disney movie without a “mean lady”, as in most Disney films the villains are scary, evil women. The real life evidence strengthened her claim that children are noticing the characterization of female villains in Disney films. The antidote was brought fill circle when she referred back to her daughter in the final paragraphs of her essay.
Philosophy in Literature and Films (HS3033) Assignment Sashank K EE11B124 3 November 2014 1 1 An Introduction to Moral Philosophy and some of its Theories Most humans judge the moral consequences of what they and others do. They classify everything as good or bad. Thus, ethical philosophy is a branch of philosophy which is relevant at some level to even laymen, who are not philoso- phers. All of us make moral judgments based on some preconceived or preexist- ing moral principle.
For hundreds of years, stories have been passed on from one person to another through the oral tradition and the visual arts. In our society today, film is the dominant form of storytelling. Films shape and inform our opinions of the world. Many people’s only source of information is from films. This can be harmful when the information is false or misguided.
Behind each movie lies the meaningful aspects and significant features worth noticing. All movies and books can be carefully examined and interpreted. Thomas C. Foster’s How to Read Literature Like a Professor provides a new view on interpreting literature. In the novel, Foster identifies and analyzes common patterns, themes, and motifs found in literature, many of which are also present in Disney’s film, Maleficent. This movie showcases several of his ideas, including quests, flight, geography, and symbolism.
The lyrics of the song Arabian Nights are just one of the many examples in which Disney movies stereotype minority groups, even up to the level that can be identified as racism. Yet, thinking about Disney certainly does not often lead to discussions about racism. However, watching these movies now as an adult and with the ability to critically question the depiction of marginalised groups, these illustrations raise the question as to if and how beloved classic Disney features help fostering stereotypes and racism. Therefore, the following academic work aims at debating this issue. b. Problem
ETHICAL ISSUE AT WALT DISNEY The Walt Disney Company is a leading international family entertainment and media enterprise. The company is there in the field of family entertainment for more than nine decades. From their humble beginnings as a cartoon studio in the 1920s to the global corporation they are today, the company continues to proudly provide quality entertainment for every member of the family all around the world. They have five main business segments including studio entertainments,, interactive medias, consumer products, parks and resorts and media networks. The subsidiaries within these segments of the Disney Corporation include ESPN, Touchstone, Marvel, ABC, Pixar, numerous theme parks and resorts, and a variety of consumer product lines.
Being a visual medium of presentation, a film creates an instant, direct and more convincing impression on its audience fulfilling its dual purpose of entertaining as well as sensitizing the audience. A lot of movies based on social issues are now being made to create awareness among people about the issues besides entertaining the audience, which is perhaps the foremost purpose behind the making
