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Movie Vigilantes Film Analysis

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The 12 Biggest Badass Movie Vigilantes “Revenge is sweet and not fattening,” Alfred Hitchcock noted—and indeed it is, especially on the big screen. For some reason, it's always sweeter when it’s delivered outside the justice system, by citizens unafraid to take the law into their own hands. Here are 12 of the most monumental movie vigilantes, but please, don't repeat their epic cinematic actions at home. 12. Paul Kersey (Death Wish I-V) After his wife gets murdered and his daughter sexually assaulted by criminals, Paul Kersey takes vengeance by cleaning New York's streets of all crooks and thieves. The former Korean War veteran played by Charles Bronson attempts to achieve that in a rather merciless and straightforward manner, gunning …show more content…

Harry Brown (Harry Brown) Flawlessly played by Michael Caine, Harry Brown is the oldest vigilante on our list. At first, he appears to be a kind and unassuming senior citizen who spends most of his time playing chess with his best friend. But when his friend is killed by a gang of juvenile delinquents, the former Royal Marine teaches them a lesson in respecting the elderly that they’ll never forget! 5. Maximus (Gladiator) Perhaps the boldest example of vigilantism on our list takes us to the Roman Empire's famous colosseum. Maximus, the former general, is fuelled to avenge the murder of his wife and child by killing the evil emperor himself. A dear sacrifice is made, but it serves as a turning point that leads Rome to a brighter future. 4. Batman (Batman Begins, The Dark Knight, The Dark Knight Rises) By far the most recognizable cinematic vigilante, Batman needs little introduction. Unlike colleague superheroes, this Guardian of Gotham City doesn’t possess any superpowers. So he relies primarily on intellect, strong will and innumerable skills, as well as on substantial wealth. Justice is served using cutting-edge technology capable of frightening even the nastiest of enemies. 3. Black Mamba (Kill Bill: Vol. 1 and

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The fictional superheroes Superman and Batman are two classical examples that are in accordance to Ray 's meaning of an official hero and an outlaw hero. The Thematic Paradigm makes it simple to understand the characteristics Americans look for in their heroes, Superman as the official and Batman

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Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.

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Classic western films dominated the screen in the 1960s, with major productions such as The Good, The Bad and the Ugly (1966) and Once Upon a Time in the West (1968) directed by Sergio Leone, The Magnificent Seven (1960) directed by John Sturges, and what is considered a well-known western produced in this area, The Man Who Shot Liberty Valance (1962) directed by John Ford and starring John Wayne and James Stewart as the main characters. While The Man Who Shot Liberty Valance meets all the criteria to classify it as a classic western, that being set in a culture structured around codes of honor and personal justice and gunslingers in every scene of the movie, the film lacks many characteristics to classify it as a well-rounded film. Set in the late 1800s, a senator by the name of Ransom Stoddard visits this town in the middle of nowhere with his wife to attend the funeral of one of his old friends Tom Doniphan. Many question the reasoning for the appearance of Ransom because not many know who Tom Doniphan was. With the local newspaper harassing him for answers as to who Tom Doniphan was, Ransom gives in and tells the tale through the use of flashbacks.

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The film I am analyzing, A League of Their Own, would be categorized as a narrative film about the growth of women’s baseball teams during World War II. It follows the dramatized story of Dottie Hinson’s time in her baseball league and their struggles to make women’s baseball be taken seriously; however, the film focuses more on Dottie’s personal goals and relationships. With the added personal challenge of Dottie’s increasing rivalry with her sibling, Kit, as well as the uncaring attitude of their manager, Jimmy Dugan, Dottie’s tale is filled with tension and emotion that is shaped to draw the audience in. To showcase the drama of the film and to help the audience become attached to the stories of the characters, the movie uses flashbacks, comedy, and interpersonal drama to manufacture the story of our main character, Dottie, more interesting and engaging to the audience. As is easily evident simply by the summary of the movie, A League of Their Own is a nonfiction, narrative film made for entertainment and drama, and uses the time period as the circumstances of the story relevant to the audience.

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Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

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A group of four men called the untouchable. Agent Elliot Ness arrives in Chicago and is determined to take down Al Capone but he learns that it 's not going to be easy, because Capone has the police in his pocket. So in going up against Al Capone, agent Eliot Ness picks just two cops to help him and his accountant colleague. One is a sharpshooting rookie, the other a seen-it-all beat man. The four of them are ready to battle Capone and his empire, but it could just be that guns are not the best way to get him.

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In the year 1945 Fritz Lang directed Scarlet Street, a truly classical film noir. The screenplay consists of two criminals who take advantage of a middle-aged painter in order to steal his artwork. Absolutely one of the finest of all film noirs, Fritz Lang’s Scarlet Street is a remake of Jean Renoir’s La Chienne. These two films share essentially the same structure. “The ineffectual nebbishy cashier and protagonist, Maurice Legrand in La Chienne and Chris Cross in Scarlet Street, demonstrates a level of cowardice and naiveté in grown men that is simply unforgivable, thereby resulting in a fate that must be tragic” (Hassannia Para. 1).

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Revenge: A Taste of His Own Medicine A Tale of Two Cities is largely comprised of ideas from the French Revolution and the challenges faced by the people involved in it. The French Revolution involves many uprisings by the lower class because of poor conditions and inequity among the people. Charles Dickens demonstrates this injustice through the peasants of St. Antoine and gives insight of their feelings and motives towards the aristocracy. In fact, the peasants use their motives to plan evil conspiracies as revenge for the aristocrats.

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1 Annotated BibliographyMark, J. J. (2011, April 28). Julius Caesar. Ancient History Encyclopedia. Retrieved from https://www.ancient.eu/Julius_Caesar/The author represents Julius Caesar as having excessive pride, when he was captured and insisted he was worth more than what they had requested. He also demonstrated the type of character he had, as he declared what he would do once he was released from captivity.

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As a writer at Gladiators Monthly, I am examining the historical accuracy of the movie Gladiator. There are aspects of Gladiator that do and do not hold true to the historical accuracy of the Romans under Commodus. This essay will show how the depiction of Commodus has both accurate and inaccurate qualities, while the portrayal of the Roman crowd determining the fate of the gladiators is quite accurate. In reality, Commodus did not kill his father, Marcus Aurelius, nor did he reign for such a short period of time.

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Accessed February 12, 2018. https://en.m.wikipedia.org/wiki/Gangs_of_New_York . In this article it presents all the information behind the movie, “Gangs of New York”, while naming all the cast members and awards the movie received. This article also includes the production of the movie, a summary of the plot, soundtrack, and a statement on its historical accuracy.

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The composition and the governing structure of the Roman republic was not uniform throughout its existence, but some of the fundamental elements of its government came into being in the immediate aftermath of the monarchy’s collapse. Therefore, it is unsurprising that many of these institutions were created in reaction to the monarchy and its failures, and thus were shaped by this relationship. For example, the fundamental opposition to monarchy and the rule of kings that came with the experience of the Kingdom of Rome, remained quite strong in the Roman mindset throughout the existence of the Republic and into the beginnings of the Roman Empire, and its influence can be seen throughout Roman political discourse especially in the discussion

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The movies made car crashes, gunfire, and killing seem like wonderful things just because these gangsters had cool cars, girlfriends, and nice clothes (Lieurance 71). These gangsters were so glorified in the movies, but in real life, they were no joke. “During the first ten years of the 18th amendment, the murder rate climbed to 78% across the country and the arrests for drunken driving increased by 81%” (Hanson). One of the most popular and well-known gangsters in the 1920s was Al Capone (Lieurance 72). His most popular nickname was “Scarface” because when he was young he was attacked by a man named Frank Galluccio that cut his face three times with a razor (Lieurance 72).

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From Batman fighting crime in Gotham city to Superman keeping the peace in Metropolis, we find ourselves drawn to the idea of heroes overcoming the odds and prevailing in the end in their story. The theme of having a

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