In fact, the storyteller credits close inestimable centrality to Mrs. Turner's bigotry. In her fixation on whiteness, she "like the various adherents had assembled a holy place to the unattainable," the storyteller uncovers, which is by all accounts a correlation with Jody's realism and hunger for control. This correlation destabilizes the sexual orientation traditions that Hurston sets at the opening of the novel: Mrs. Turner, as men do, watches an allegorical "Ships at a distance." Hurston does not overbearingly tie herself to her own origination of sexual orientation contrasts. As Janie's hair can be both a site of female excellence and a phallic image, Mrs. Turner can love false divine beings like male characters. The last chapter demonstrates