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Mtv Swot Analysis

1604 Words7 Pages

Travis Fordon

Com 185

Prof. Macek

29 May 2017

Viacom Report

Ownership Map

•CMT. CMT (Canada) (10%) CMT Music.

•Comedy Central.

•Epix (49%, with Metro-Goldwyn Mayer (20%) and Lionsgate (31%))

•Logo TV.

•MTV. MTV Classic. MTV Live. MTVU. MTV Tres.

•MTV2

•Spike.

•TV Land.

•VH1.

•Nickelodeon, Nick at Nite, TeenNick, Nick Jr., Nick Toons

•Bet, Bet Gospel and Hip Hop

•Centric

•Paramount Channel

•Channel 5

•Colors

•J-One

Viacom is one of the world's leading media conglomerates with an extensive list of cable TV and film production assets. MTV Networks, one of its many assets, runs cable networks such as Comedy Central, Nickelodeon , and the family of MTV channels including MTV, MTV2, VH1. Viacom also owns Black …show more content…

The Company operates through two branches. The first branch is Media Networks while the other branch is Filmed Entertainment. The Company's Media Networks branch provides entertainment content and related brand products for advertisers, content distributors, and retailers. The Company's Filmed Entertainment branch produces, finances, acquires, and distributes motion pictures, television programming and other entertainment content under the Paramount Pictures, Paramount Vantage, Paramount Classics, Paramount Animation, Insurge Pictures, Nickelodeon Movies, MTV Films and Paramount Television …show more content…

Domestic revenues also increased by 25% to 458 million dollars in the quarter, while international revenues increased by 51% to 437 million dollars.

Theatrical revenues rose by 10% to 238 million dollars, with revenues from current quarter releases up 73% compared to releases from the second quarter of fiscal 2016. Domestic theatrical revenues decreased 45%, while international theatrical revenues grew by a whopping 98%, reflecting the strong international performance of the movie xXx: Return of Xander Cage. Foreign exchange had a 3 percentage point favorable impact on international theatrical revenues.

Licensing revenues increased by 45% to 347 million dollars in the quarter, primarily driven by Paramount Television production, as well as higher revenues from licensing arrangements with pay television and subscription video on demand distributors. Domestic licensing revenues grew by 85%, while international licensing revenues increased by

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