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Much Ado About Nothing Movie Analysis

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I recently viewed the cinematic depiction of the play Much Ado About Nothing. This comedic play was written in 1598 by William Shakespeare, and was meant to be viewed as a comedy. Many writers and producer still look to Shakespeare for inspiration, causing many reproductions to be made. The two cinematic versions that I viewed was the 1993 adaption by Kenneth Branagh and the 2012 version by Joss Wheden. Although both versions of the film are using the same dialog setting and character development. The first thing an audience sees, when viewing both films is the setting. Branagh’s version is filled with bright colors that are hard to look away from, these colors automatically give off a light hearted tone. Another contribution to the setting is the ambiguous Italian renaissance house that they are all staying in. Not being able to recognize where or when it takes place, gives the viewer a sense of freedom from reality. All of these elements combined let the viewer know that they are about to view a light hearted comedy. Wheden takes a completely different approach in his 2013 version, by making the entire film in black and white. He also chooses to connect with the audience more by using a modern home in a wealthy suburban neighborhood. By depriving his audience of the dream-like world that Branagh provides, it …show more content…

Branagh and Wheden’s versions of Much Ado About Nothing differ in a number of ways. Branagh takes on the literal meaning of the play and exemplifies it with over the top acting and a dreamlike setting. Due to this over the top setting Wheden down plays the film to make it into reality. I would personally recommend the Branagh film, because it is easy to enjoy and immediately draws the viewer into the story. Writing about both films grew my appreciation for Whedens version, but that appreciation would not have a developed without view Branagh’s. These films are meant to

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Josie Rourke’s modern stage adaptation of Much Ado About Nothing is renowned for the hilarious reunion of the Doctor Who costars: David Tennant and Catherine Tate, whose chemistry is mesmerizingly brilliant and inevitable from the moment the two step on the stage. As said by the Guardian: “Tennant and Tate sparkle in Much Ado,” it is this sort of partnership that really enraptures an audience, the choice of pairing being one of the main highlights of the exceptional replication of the 16th century classic. The play centers Beatrice (Tate) and Benedick (Tennant), the disputatious lovers, who hold a reputation for being unapparent to the love that they clearly share for each other, going along with repartee, oblivious to the

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To summarize this essay, there are several points that highlight differences between the two films, yet the overall context of the film remains the same. One common theme that tends to drive the force between the reasoning in why the two films have varying aspects is because they were made for slightly different audiences at different times in society. Though both versions of the movie have small portions that vary from one another, the main emphasis is the same and both versions are loved by the

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The movie version wasn’t all that long. They took a bunch of lines out of the play so they play would be shorter and not as long and it wouldn’t make people not want to watch the anymore. They tried to put the most important lines that were written on their script into the movie. So as time went on I think people got tired of the same old movie version of Much Ado About Nothing.

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Known for producing one of the most renowned and successful depictions of Hamlet, director Kenneth Branagh has transformed the world of Shakespearean films. Within his film, Branagh placed a fair amount of

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The animated tale Gnomeo & Juliet is a children oriented movie which adapted from William Shakespeare’s classic tragedy work, Romeo & Juliet. The story is introduced to the audience by a little gnome reading a prologue on a stage with a lighting focuses on him, saying "The story you are about to see has been told before. A lot. And now we are going to tell it again. But different.

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The movie She's the Man is a comedy that is based off of the play Twelfth Night. In both the movie and the play they use mainly the same names. The relationships in both the play and the movie are pretty similar, and still very crazy. The movie compared autoplay is more modern and the play was written in more Shakespearean text. The play is more based off of love and the shipwreck where the movie is based off of soccer and it has its relationships in it.

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Much Ado About Nothing is a timeless tail about two soldiers who fall in love with nobles daughters, and the hardships they face to be together. The play emphasizes the theme of pride and jealousy, and accentuates the ramifications of the character 's actions. When comparing different versions of plays, you have to consider many aspects including the setting, language, and film techniques of the play. After watching both the Branagh version and the modern versions of the Shakespeare 's play, Much Ado About Nothing, I would have to say that the Branagh version was by far the best, after considering these components. For example, in the Branagh version the director did an excellent job of matching the language and costumes to the setting.

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The setting of the movie is the first obvious difference that can be seen. The movie was set in New York City, New York in 2000 while the play was set in Elsinore, Denmark in the late middle ages. This greatly affects the way the movie is viewed because it is essentially an entirely different world. In the movie there are video cameras, cars, phones and skyscrapers, all things that obviously weren’t around during Shakespeare’s time. Even if the movie and the play had been based in the same year, the story still would have been slightly different.

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Defining the Cultural Influence of Human Nature in William Shakespeare’s “Much Ado About Nothing” The definition of human nature often serves as a quick and a prominent explanation for how people behave under a variety of circumstances within their cultural boundaries. Similarly, in William Shakespeare’s play “Much Ado About Nothing” the 16th century Sicilian culture in which the characters live in, defines the complex relationships and interactions that shape characters human nature in this dramatic comedy. In comparison, I have often heard people refer to the nature of humans in the 21st century, as a way to distinguish a person’s violent actions under wartime circumstances. In “Much Ado About Nothing” the culture of social and wartime influence is defined through the relationships and interactions between characters with the heart and mind of the characters in constant conflict.

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With the actors and the film choices, these helped diversified messages to dip into the film. Even though the film was mainly focused on the Prospera’s revenge and reconciliation, Taymor also brilliantly convey other small themes to the audiences as the tools to carry out the film. Such as the magic, which Prospera an Ariel tormented Antonio’s group, and the love with Ferdinand and Miranda, which lead to comprise with Alonso and Prospera. Furthermore, Taymor expressed usurpation, and treachery of Caliban and Alonso’s servant in a more absurd way than the original play, which I think it was one of Taymor’s dramatic choices in the film. Whereas “Much ado about nothing” is totally explicated in comedy, and love, albeit some treachery, reconciliation are in the film.

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