Night Of The Living Dead Analysis

Throughout history, individuals have deliberated on social issues faced in society through their works of literature. During the 1960’s, the United States consisted of sparks of change that impacted an individual or the society. George Romero, director of Night of the Living Dead, constructed a document of contemporary social changes by addressing social issues, such as women’s right, race, and the media. First of all, George Romero produced a document of contemporary social changes by incorporating the women’s right. To begin with, the 1960’s was a time period that changed the life of a woman because they began rebelling for what belonged to them. For instance, Kenneth T. Walsh, author of The 1960s: A Decade of Promise and Heartbreak, stated

During the 1960’s, there were numerous amount of issues regarding race that separated the colored and the white. Because African American were slaves in the south, they are often taken advantage of. According to Walsh, he expressed “America’s cities become power kegs as African Americans, despite historic gains”, which mean that although African American had a tough historic background, they still managed to become powerful. Specifically, in Night of the Living Dead, Romero made the protagonist an African American male who hold the power. For instance, during the zombie apocalypse, when Harry Cooper, a white male, tried to control the house, Ben fights back stating he is going to fight for everything and everyone in the house. As an African American, he’s fighting for everything and everyone in the house who are all white. Lastly, the film consisted of one African American male who held the power and have the authority to control everyone else. For instance, when Harry Cooper attempted to gain the control, he was quickly overpowered by Ben. In summary, race was a major negative issue in the society, but Romero presentation showed how African Americans are beginning to demand their rights and acquire them. As can be seen, by including race into the film, Romero is able to produce a document of contemporary