ipl-logo

Object-Detection In Film

1027 Words5 Pages

Object detection in movie by image processing Abstract: Our aim is to detect the object in movie through image processing. If we generate the color blob image from our movie’s object and that image match from image database then our object is easily recognized. On the other hand running object is difficult to recognize the object in movie because if we consider about the sift for detecting the object in movie and that particular object are not so well detected object in movie. So paper we really want to create a generative model of that particular object of that movie and recognized through image processing. Introduction: Today’s world have different types of approach of image processing. We really want to create system where we can easily …show more content…

Everingham et al. use scripts and subtitles to learn the association between character names and faces in television drama using a frontal face detector. Sivic et al. demonstrate a much improved coverage (recall) by using profile views. On their experiment they reported that 42% of actor appearances are frontal 21% profile and 37% are actors facing away from the camera. Following their observation they says that, as a first step future work on increasing coverage should go behind the use of face detection. Generic methods for detecting upper-body or full-body actors have been proposed by Dalal et al., Eichner and Ferrari and Felzenswalb et al. They show that given the movable nature of the video, people can tracked only 50% in this approaches. Our proposed model of actors appearance related to recent work in object detection and recognition. we use a training set with front views, back views and side views of actors as shown in Figure …show more content…

We want to detect the location first by search space reduction. KNN search is very effective for finding the motion of the actor and recognized its patterns. We applied the novel clustering algorithm to analysis the independent view framework of actor model. Head and shoulders of the actor are representation of color blobs where each blob is represented in a nine dimensional space. This nine dimensional space is combined with size, color, shape and position which is relative to the actor's co-ordinate system. It is based on a frequency term. In the first stage we reduce the search space using the k- nearest neighbours. This k- nearest neighbours are corresponding to the actor by just using the appearance of the model blobs. In the second stage, getting the best localization of the actor of all size, we used the sliding window search. Then we can get detection windows and actor names that maximize the posterior likelihood of each frame of the

Show More
Related
743 Words | 3 Pages

Figure 9.4 – Stream When the stream starts, OpenCV, which is running on the server, starts detecting and recognizing faces and displaying the results in a list that resides on the right sidebar. A green box appears, containing the information and the image of the recognized face. If the detected face is unrecognized, a red box appears, containing the face of the unknown individual. Figure 9.5 – Detecting & Recognizing Faces Right after an unrecognized face is caught, an email is sent as an alert for the security guards, containing the unrecognized face of the individual, alongside the date, the time and the IP Camera’s information.

Read More
1594 Words | 7 Pages

The Elimination: A Survivor of the Khmer Rouge Confronts His Past and the Commandant of the Killing Fields. Rithy Panh is an internationally and critically acclaimed Cambodian documentary film director and screenwriter. Rithy Panh was a young boy when Khmer Rouge revolutionaries arrived in Phnom Penh on April 17, 1975. Starting that day, he and his family were designated “new people”—the revolution’s code for those who needed “re-education”—and forcibly evacuated out of the city. That day began a terrifying experience that gradually took away most of his family, forcing Rithy to survive a series of brutal, and often arbitrarily cruel, ordeals.

Read More
481 Words | 2 Pages

Camera movement and angles are what captivate the audience to keep their attention throughout the entirety of the whole film. Sometimes a simple camera movement can make all the difference in the

Read More
1395 Words | 6 Pages

Most teenagers complain about not having enough freedom. To be able to sit and eat ice cream out of the box at ten in the morning for breakfast or blast their favorite music as loud as possible. For most, college provides that, opening its campus to their students with gates of gold granting young adults the freedom that they dream about. Unfortunately, a new danger that once was cloaked from young minds is being revealed, making this freedom less obtainable. That danger is rape.

Read More
428 Words | 2 Pages

Moreover, when introducing characters, Anderson always has a close-up with the actor’s face. In real life, faces are the first thing people see when meeting someone new. From that first glance, a bias is developed and there is a connection. In one simple shot, Anderson manages to give a personal aspect to character introduction, thus separating his movie from others. Another technique that makes the film successful is the fact that Anderson puts details into his movies.

Read More
991 Words | 4 Pages

Reflection Paper on Smoke Signals (directed by Chris Eyre) Smoke Signals is a movie about a young man names Victor and his friend Thomas who travel to Phoenix, Arizona to escape the reservation they live on. Smoke Signals shows an explicit representation of Freud’s Functionalist Reductionism of Religion as Victors faith and religion is being tested by his emotional turmoil experienced through his life. Smoke Signals also shows a relation to Freud’s concept that religion arises from emotions and conflicts of childhood as well as the need for a fatherly figure in one’s life (both in the celestial and real worlds). This essay will firstly discuss the situations which support the ideas of Freud’s Functionalist Reductionism Theory. Secondly, symbols

Read More
715 Words | 3 Pages

At some point of your life you meet very special people that carry very similar interests. This creates bonds that can be a very powerful and important part of your life. Some may say that bonds are created between a series of negative events that leads up to friendship. However, this is not true because in The Way, the main characters come together to walk the same path. Each character motivates each other to achieve the overall reason of why they wanted to walk The Camino De Santiago.

Read More
565 Words | 3 Pages

Saving Face is a comic movie that exposes a same-sex relationship between two girls of the Chinese-American origin (Wu). Given the Chinese social position regarding sexuality, Wil is forced to hide her sexual orientation from her family members to avoid retribution. Even though her family lives in America, it would be obvious that they would conform to the cultural aspects of the society in which they live, but they are still afraid of the image their family would create to the outside world. However, Wil breaks this hiding by engaging in an intimate relationship with Vivian. Chan contends that although interracial relationships present a mixed set of cultural relationship (178), lesbianism is also an area of great concern.

Read More
1116 Words | 5 Pages

When watching the film A Class Divided, a film over how people react to being separated by their eye color and though down on, and reading the article “Disobedience as a Psychological and Moral Problems” by Fromm, an article over why a person is obedient and how someone can be disobedient, a people learns a little bit about how quickly one's attitude and character can change rapidly and why someone might change or even conform to an authoritarian figure. People listen to their self-conscience but tend to conform a person in charge. A person, who is listening to an authority figure, has a hard time walking in a different direction than most people, but it is an act of courage to truly stand up. A person wants to please their own self-conscience,

Read More
802 Words | 4 Pages

Individuality is unaccepted and isolated from our society that embraces conformed values. The Copy Shop and L’homme sans tete are examples of short films that reflect this ironic problem of society where individuals are not identified with their individual morals, but conformed morals enforced by society. The 2001 short film, Copy Shop by Virgil Widrich conveys the idea of conformity. This is done foremost through the metaphor of 'copies' that fill up the film's world that represent conformity, where the composer satirises our society which is filled up by 'copies' of individuals sharing conformed ideals.

Read More
2638 Words | 11 Pages

Soviet Cinema were established between the years 1917 to 1953. This was a time of transition and great development in the film industry. Soviet Cinema focused on creating films that dealt with political and ideological ideas that arose during those times. A Man with a Movie Camera was released in 1929. This film became revolutionary in the way it used techniques of film editing such as; constructive/linkage editing and intellectual montage and how it helped narrate the story without a storyline.

Read More
783 Words | 4 Pages

In the film Extreme Measures someone can find ideas of Secular Ethics throughout the film involving Utilitarianism and its basic tenets along with Kantian analysis. The basic tenets of Utilitarianism include the principle of utility, Hedonism, and the viewpoint of a disinterested and benevolent spectator. While the tenets of Kantian Ethics, which include good will, the formula of universal law, the formula of the end itself, and the categorical imperative. These basic ideas setup arguments for and against the Utilitarian ideas set up by doctor Myrick. In the film doctor Myrick makes the claim that it is worth the deaths of unwilling subjects in order to help/save the lives of millions.

Read More
2415 Words | 10 Pages

This allows one to see through and identify the object of that character’s gaze, prompting the viewer to infer about character psychology (Persson n.d., 64). The manipulation of when and what a character sees, holds the power of showing audiences the emotions and motives of a particular character. Besides assisting the construction of a character’s personality, POV editing builds a spatial relationship between shots. This understanding of spatial bonding is crucial as it plays an important function in narratives, such as telling how close a murderer is to his victim. The main POV that drove The Hunt’s storyline is Lucas’, while there were a few other characters’ POVs contributing to the narrative, such as Klara, those who believed that the allegations were false, and those who believed them to be

Read More
842 Words | 4 Pages

Out of these video surveillance system published in the literature, a total of 5 works has been reviewed and compared. Index Terms—

Read More
1077 Words | 5 Pages

The direction is in front view showing the main character by blurring out the other characters. The movement was pan left showing the reaction of the coach then cuts to the crowd’s reaction. The sound was very dramatic with the crowd screaming. Then goes silent but you can still hear the crowd screaming.

Read More

More about Object-Detection In Film

Related Topics

Open Document