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One's Ability To Love In Frankenstein

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One’s Ability to Love

“The picture I present to you is peaceful and human…” (Shelley, 120) Mary Shelley’s Creature says this as he asks Victor Frankenstein for a mate. The Creature is pleading his case for someone he can give his love to. Someone that can give him love in return. What makes a human, a human? Is it body shape and facial features that make us human? Or maybe it’s the way we smile and want when a baby is near. Within Rossum’s Universal Robots and Frankenstein, both texts seem to agree that the ability to love and the want to love, along with the idea of human suffering is what makes a human, a human. In the book, Frankenstein, the Creature is in constant need of love and attention and this in turn makes him human. Within the Creature’s first waking minutes he is already trying to find love and comfort in Victor Frankenstein without realizing what this is. The Creature realizes he will be denied this love and comfort, and goes in search of a new source. Soon he stumbles across the De Lacy family and comes to the idea of what love truly is. Watching the De Lacy family has helped mold his perceptions of what love is, and how everyone should receive this love. The De Lacy family had absolutely …show more content…

Without suffering humans would not know the joy of love. Humans would not be able to appreciate what is in front of them and learn to love what is there. A prime example of this is throughout the book of Frankenstein. The Creature has suffered immensely. He is driven away by his creator, named an outcast, and denies love from every outlet he can get. This is all driven by his looks. He is considered too ugly and a monster by normal everyday society. The Creature finally comes to terms with his suffering when Victor Frankenstein dies. He has realized that what is in front of him could have been great if he had not attacked and killed so many. Through his suffering he was taught to

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Mary Shelley’s book Frankenstein is a frame narrative of the life of Victor Frankenstein recorded by Robert Walton. It is circled around his creation of a monster that suffered a lonely life and wanted revenge for being created. In Frankenstein, Shelley portrays many big ideas but, one that continues to show importance is the idea of Human Needs and Desires. so, in the novel Mary Shelley presents the idea that all creatures have a basic need for friendship and love.

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When he finally creates the creature, he runs, consumed by “breathless horror and disgust” (Shelly 35). He - in his sickly state - failed to see the true nature of what he has made, and immediately regrets it. Furthermore, when the creature confronts Frankenstein, Frankenstein shows cruelty to his creation, screaming, yelling and flat out refusing to listen to it, “ Begone! I will not hear you.”

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“At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification”(Shelley 80). The Creation of Frankenstein woke up in a world of hate. Since he looked different, the Monster never fit in with normal people. He would become isolated and feared because of his looks. Because the Monster was a hideous creation from Frankenstein, he was isolated and hated by his looks and behaved in an ethical manner when he began his path of vengeance.

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He threatens Frankenstein by telling him “I may die, but first you” which shows that the creature is not afraid of dying as long as he can inflict as much pain as possible on Frankenstein first (Shelley 123). This alone is a monstrous way to act and it shows that the creature felt compelled to take on the role that society gave him. The consequences of the creature being villainized because of his appearance ended up threatening the lives of Frankenstein and everyone he

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The creature wishes to live in peace, but because he does not look like a normal human, he can not live in peace. Additionally, Frankenstein does not help the creature or nurture him with love, thus, he causes the creature to develop a deep resentment towards Frankenstein. The creature, whom is optimistic until now, says, “ Cursed, cursed creator! Why did I live?” (161).

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Frankenstein’s creature initially shows no signs of ill will or malice when first encountering human beings (Shelley 72-73). On the contrary, through careful observation he is able to learn more about human society and personal relationships. He begins to admire the close connection between the people he observes and respects their virtue. This, however, makes him realise what he is missing. Observing the love and affection between others only increases the effect his own solitude has on him.

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Joyce Carol Oates states in her essay Frankenstein Fallen Angel, “…he (Victor) seems blind to the fact that is apparent to any reader – that he has loosed a fearful power into the world, whether it strikes his eye as aesthetically pleasing or not, and he must take responsibility for it.” Victor is unwilling to care for the creature, because he finds him dreadful, so he takes the easy way out and leaves the creature to take care of himself, which he is not capable of doing. Victor’s obsession to act superhuman blinded him while he was creating the creature because he had a desire to assemble the creature from makeshift parts so that the creature would be hideous and therefore inferior to Victor. The creature is formed as an ugly being so that it is easier for Victor to walk away from. Victor is willing to abandon his own creation because he views the creature as a, “… filthy mass that moved and talked” (136).

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In both novels Frankenstein and The Handmaids Tale the question of what it means to be human is a reoccurring theme in which emphasizes the passions and desires every individual may have... There are both dark and bright sides of being human as overcontrolling passions may lead to madness, distress, and use of violence. Victor 's overpowering passion for knowledge led to him doing the extreme by playing God and bringing a creature to life in a world where it would never be accepted as society tends to only accept humans that are visually appealing- as for society what it means to be human depends mainly on the outer appearance. The monster wanted nothing more but compassion and human contact, something babies desire for the most, but since

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The two passages above, one from Frankenstein, and one from The Creature, highlight their perspectives on life having either been supported by a family or growing up with no parental guidance. This shows a parallel relationship between the two passages. Ultimately they both end up left in solitary, only having each other. In The Creature’s passage, he talks about his desire for a family.

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The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.

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Once the creature begins to go out on his own and learn about life and society, during his first interaction with other people he learns that he will be immediately judged based on how he looks. To start, when Frankenstein first sees the creature, he quickly runs away without any interaction and exclaims “no mortal could support the horror of that countenance” (Shelley 36). This interaction made the monster realize that even his creator could not avoid the habits of the society he lived in, and immediately ran away from him in fear because he didn’t believe he was attractive. Then after that, the creature still has enough hope to go into a village and meet other people, but he is immediately met with children that “shrieked” and one woman who “fainted” just at the sight of him (Shelley 74). In every situation where the creature attempts to interact with others, he is shunned immediately, before even being able to say a word.

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