Oppression Of Women In The Yellow Wallpaper

Over the ages, female discrimination has emerged as a major issue. Women were expected to dwell in their husbands' shadows and to not entertain their own thoughts. Females had been oppressed and treated as objects rather than as equal partners and as people. Readers throughout this journey of this novel witness how Charlotte Perks Gilman depicts the oppression of women in the late 1800s and early 1900s in "The Yellow Wallpaper" by utilizing symbolism.

Charlotte Perkins Gilman utilizes the symbolism of the wallpaper, the author's notebook, and the nursery in "The Yellow Wallpaper" to reflect the imprisonment and repression of women in society in the late 1800s. Her domineering spouse and how culture regulates women are two possible interpretations

She is afraid to so much as glance towards them because she knows that there are additional downtrodden women like her in this world. She is in love with the wallpaper considering that it has taken onto such a significant function in her life, however as the plot develops, she begins to detest it due to how it has affected her psychological health. She uses the act of tearing down the wallpaper to liberate herself as The wallpaper serves as a visual representation of the home life that American women had expected to adhere to in the late 19th century. The writer's notebook serves as a metaphor for a female's liberation against social expectations and an inability to articulate herself.. In "The Yellow Wallpaper," the author claims, "I sometimes imagine that if I were only well enough to write a bit, it would ease the strain of thoughts and rest me." Her spouse John seems to be the single major challenge throughout her existence which keeps her from pursuing what she enjoys and helps her feel better, which is writing. He prevents her from being better and enjoying a happy life by exerting complete power over her. From oppressive patriarchal society. It demonstrates why she is hardly required to uphold these ideals and is free to act whatever she sees fit. The author of this piece claims that perhaps the narrative's symbolism "...becomes the narrator's state of mind as well as representing it." The writer develops a strong bond with the wallpaper to the point where she becomes one with it, empathizes with the captive lady, and cares for it as if it were alive. The writer's declining health and how it has permeated her existence are also represented through the wallpaper. The disorganized patterns on the wallpaper serve as a metaphor for the