Her brain was just a mess from the meth and crash. She couldn't think at all but bloody tears kept falling and falling. Sad that her life was wasted on meth. Sad Trey was probably dead. Sad she abandoned her family and son.
Alonza Thomas’s Life Incarceration Case Study SWRK 140C Social Work Practice Janice Montgomery Heidi Solorio May 17, 2024. Section 1: Generalist Assessment Alonza Thomas, a 16-year-old African American male, is embroiled in a complex web of challenges stemming from his engagement in criminal activity, including armed robbery. His story parallels the brutal realities experienced by many young people caught up in a pattern of destitution, criminal behavior, and being imprisoned as powerfully depicted in PBS Frontline's documentary "Stickup Kid". Alonza desires help to negotiate the complexities of his situation and forge a path for reconciliation and societal reintegration. Client Profile Alonza's adolescence takes place in urban Oakland, California,
The women were often arrested on made up charges and were jailed when they refused to pay fines. They were sent to Occoquan Workhouse, a prison in Virginia (Carol, Myers, Lindman, n.d., National Woman 's Party, Picketing and Prison section, para 2). The women staged hunger strikes and “were forcibly fed in a tortuous method” (Carol, Myers, Lindman, n.d., National Woman 's Party, Picketing and Prison section, para 2). The women were beaten and thrown into “cold, unsanitary, and rat-infested cells” (Carol, Myers, Lindman, n.d., National Woman 's Party, Picketing and Prison section, para 2). Eventually prison officials moved Alice to a sanitarium to get her declared insane but the news of her treatment, along with the other women, became public.
She explains how happy, but conflicted because her parents refuse money from her and live as homeless people. She writes the memoir to work through her feelings and share’s her story. Some topics that I could identify in the text are: poverty, teenage pregnancy and child rights. The issue of poverty is portrayed from the beginning of the book to the end.
Michael G. Santos did not write this book to just past time in prison, but also wrote this book to teach people what life is like in prison. Living in prison, Santos describes as invasive and dehumanizing. Santos also describes living in prison like being a machine, where the prisoner is the robotic machine, and the correctional offciers, who Santos says doesn’t do very much correcting, is the person in charge of keeping the robot in routine and constantly on schedule. Not only does Santos describe what life is like in prison, but Santos also describes what goes on in prison. Santos states that some female correctional officer serve as prostitutes to inmates, such as Lion, the leader of prison gang who used female correctional officers as toys for his pleasure.
The first section deals with hard headed African American women. Using prominent historical figures like Rosa Parks and Condoleezza Rice to help push the narrative along. The first poem in the section was “Red Velvet” in which she narrates the struggle of one one seamstress that became an important figurehead of a movement. She goes from there to poems about victims of hurricane Katrina in “Left” and finishing off the section with some choice words about George W. Bush in “Plunder” and one of the people under his command in the “Condoleezza Suite”. all the poems in this section
Angela Davis in her book, Are Prisons Obsolete?, argues for the overall abolishment of prisons. Amongst the significant claims that support Davis’ argument for abolition, the inadequacy of prison reforms stands out as the most compelling. Reform movements truthfully only seek to slightly improve prison conditions, however, reform protocols are eventually placed unevenly between women and men. Additionally, while some feminist women considered the crusade to implement separate prisons for women and men as progressive, this reform movement proved faulty as female convicts increasingly became sexually assaulted. Following the theme of ineffectiveness, the reform movement that advocated for a female approach to punishment only succeeded in strengthening
In the early 1800s the punishment of juveniles altered to the notion to rehabilitate juvenile offenders among with separate juveniles from adults in the system, and to keep the juvenile recidivism rate low, therefore the creation of the New York House of Refuge began (ABA Dialogue Program, n.d., p.5). The House of Refuge was the first prison to separate juveniles from adults and “were supposed to provide a home for unruly and troubled children, where they would be reformed, educated, and disciplined (Roberts, 1998, p. 96).” The program did not concentrate on punishment or pain, but on life skills that the juveniles could utilized once released. According to Roberts (1998), “Order, discipline, and moral teachings were emphasized (p.97).” The
In the early hours of March 2013, I remember waking up and praying for the nightmare to be over because I felt I had no way out of my current situation. My life had come to a point where I was no longer in control and heroin was controlling my every decision. A few short hours after that fictitious “fox hole” prayer, I found myself handcuffed in the back of an uncover officers vehicle on my way to Lackawanna County Prison. I had never felt so alone, but at the same time, I had never felt so relieved in my life. Later I would realize that what I perceived as the worst day of my life would soon become the event that I am most grateful for because I was given an opportunity to break the chains of addiction and to grow into the person that I had always dreamed I could be.
An obstacle that my mother has faced is being Black Muslim women in America. It 's more of a problem than what reaches the surface and mainstream media. It 's rarely talked about in America. In america there are people who want to smear our entire faith and say that Islam is an inherently violent religion. These are exciting times to be an American Muslim.
Susan S. Lanser’s “Feminist Criticism, ‘The Yellow Wallpaper,’ and the politics of color in America” examines the impacts “The Yellow Wallpaper” had on feminist writing styles and critiques. Lanser writes that the story helps to analyze the reading trough “the lens of a female consciousness” and apply the knowledge gained from a female perspective onto other literature (418). The transition that the narrator displays from being dependent on John to becoming independent reflects the feminist movement and challenges the “male dominance” that currently takes precedence in society (418). The “patriarchal prisonhouse” that is society controls the narrator and oppresses women not only in “The Yellow Wallpaper” but in real life as well (419). The
A young woman pushed forward, said she had already been there. They had no clean water, she said, no oxygen, no medications, no electricity. “There is nothing there.” “That’s where you go,” the guard said”(p. 306). The women are treated as if their welfare is unimportant because women are thought of as a mere decoration to the society and are considered useless enough to not pay any attention to.
Women of color are the most targeted, prosecuted, and imprisoned women in the country and rapidly increasing their population within the prison systems. According to Nicholas Freudenberg, 11 out of every 1000 women will end up incarcerated in their lifetime, the average age being 35, while only five of them are white, 15 are Latinas, and 36 are black. These two groups alone make up 70 percent of women in prison, an astonishing rate compared to the low percentage comprise of within the entire female population in the country (1895). Most of their offenses are non-violent, but drug related, and often these women come from oppressive and violent backgrounds, where many of their struggles occurred directly within the home and from their own family.
People of all different races and ethnicities are locked behind bars because they have been convicted of committing a crime and they are paying for the consequences. When looking at the racial composition of a prison in the United States, it does not mimic the population. This is because some races and ethnicities are over represented in the correctional system in the U.S. (Walker, Spohn, & DeLone, 2018). According Walker et al. (2018), African-Americans/Blacks make up less than fifteen percent of the U.S. population, while this race has around thirty-seven percent of the population in the correctional system today.
It’s a saturday night and you’re at home alone with nothing to do. To keep yourself from dying of boredom, you switch the television on and turn to what? Chances are you pick some fictitious prison show and laugh at the absurd ideas of the prison lifestyle. Although shows like “Orange Is the New Black” and “Prison Break” can show you some of the possible occurrences in a prison, the suggestions made are, for the most part, completely false. For example, the economy.
