Madame Pernelle and Orgon trust in Tartuffe because he looks like the ideal priest. The appearance of institutional religion and its works revolved around Moliere
During lunch hours at Selinsgrove Area High School, student Kalie Jimison, 18, was approached by Jason Heiser, a well-respected social studies teacher, regarding her right hand, middle finger ring. Connecting jewelry to religion, Heiser mistook Jimison as a satanic worshiper offering her to join him in the ritual of devotion. Heiser is a known ghost hunter and has reported that he can talk to the dead spirits. Spotted wandering around with his hands bound together, students have begun to feel startled with is behavior. Within his classroom, satanic symbols are hidden within all four corners in addition with one along the middle of one wall, creating a pentagram.
Throughout the novel Moliere demands rationality from the audience as Tartuffe, the novel’s religious figurehead, deceives Orgon. Moliere represents 17th century French aristocracy through the character Tartuffe, who uses religious acts in order to disguise himself as a saint. Moliere does not believe this to be true piety in that true devotees, according to Moliere, do not need outward demonstrations. Moliere disagrees with several aspects including structure. Elmire -- a women-- is the only one who effectively found a way to awaken Orgon.
As well as, this recognition of Tartuffe's false nature reveals the severity of Orgon’s arrogance. Moliere highlights within the second half of the play, the extremes of pride and how mankind struggles to face it. The theme of pride is accentuated by Orgon’s nature, especially, during
The Enlightenment questioned many of the former philosophies, one of which was ignorance. Tartuffe exemplifies these characteristics through the character Dorine. Dorine is Orgon’s lady-maid, in other words, someone with a low social standing because she is a member of the working class, and presumably ignorant because of this low social status. As first seen in the first few line of (Act 1, scene 1) Madame Pernelle … the values here aren’t good Or everyone would treat me as they should.
Moliere states to the King: “ it is a piece of great temerity on my part to come and importune a great monarch in the midst of his glorious conquest” (Moliere, Second Petition). Moliere is captivated by the King and believes that he is not worthy of his time, but seeks assistance regardless. Orgon, in contrast, believes that
But once Orgon told Tartuffe to leave, Tartuffe claimed it was his house. To end the play, Moliere once again used reversal, but also added in deus ex machina. Rather than Tartuffe sentencing Orgon to jail, Orgon was forgiven by the King of France and Tartuffe was sent to jail, “Officer: Sir, all is well; rest easy, and be grateful. We serve a Prince to whom all sham is hateful, a Prince who sees into our inmost hearts, and can't be fooled by any trickster's arts" (5.7.19). Not only was the play centered around the effects of a hypocrite as a member of the church, but also used reversal to make the simple plot into a more complex
As the innocent victim of Hamlet’s feigned madness, Ophelia’s insanity is a product of her inability to cope with Hamlet and her father’s death. Her songs show hidden grief and sorrow; her flowers represent the fact that beneath the innocent exterior, there is a weakness or flaw in everyone. Hamlet was able to look past his grief for his father’s death, but he caused someone he loves to be in pain. Whether it is the frailty of women, sorrow, or death, anything, including love, can appear to be pleasant, but can be the ultimate cause of a person’s
Throughout Molière’s ‘Tartuffe” the true intentions of multiple characters are consistently questioned. Different characters involve themselves in self-made delusions for specific reasons, causing the label of ‘hypocrite’ to become a significantly used word. This use of the word ‘hypocrite’ throws everything off balance, forcing the audience to question every statement/event deciding whether or not they are truly sincere. Moliere’s use of hypocrisy when describing Tartuffe brings immediate awareness to the text involving central theme of reason verses emotion, deciding whether or not a characters actions were based on their pure heart or their greed.
While reading Tartuffe, I was constantly dumbfounded by the prevalence in the world today of Moliere’s, comedically portrayed, accusations regarding ignorance in arranged marriage, social class dynamics and religious hypocrisy. Moliere created the characters to the complete contrast to what society saw them as, which was intriguing and comedic. He also displayed the average practices, such as planned marriage, to be disgraceful and shameful. Lastly, but most prevalently, Moliere saturated the hypocrisy of religion by later in the story revealing the religious character’s deceitful and malign nature. In this essay, I will be using historic and literary theory to examine Moliere’s interesting views of such practices and the satire involved.
She uses Tartuffe’s lust for her as an advantage. Orgon refuses to believe anyone unless he has physical proof. Elmire uses deception to bring Tartuffe’s downfall and succeeds. Orgon refuses to listen to any of the men, but this time it is woman who uncovers the truth. During this century woman were still considered inferior than men, however Elmire contradicts that.
Orgon is blind not in vision, but he is blind to the two faced ways of Tartuffe. He is blinded by the religious and zeal appearance Tartuffe displays in front of him. Moliere shows his hypocritical ways through the use of Irony. The rest of the family can see through his acting, but Orgon fails to see it. The use of irony throughout the play is shown drastically towards the end when Orgon praises Tartuffe, but simply cannot see that he is an imposter when he shows his real colors.
Orgon is blinded by his admiration of Tartuffe. Without Orgon seeing for himself, he would never believe that Tartuffe could have deceived him. Moliere makes Tartuffe betrays others by his remarkable gestures of humiliation and aid. Moliere uses satire to emphasize the truth about Tartuffe’s lust for Elmire.
Olson, Rebecca. “ Too Gentle: Jealousy and Class in Othello.” Journal for Early Modern Cultural Studies, vol. 15, no. 1, 2015, pp. 3–25.
Molière shows the negative and adverse consequences that can arise when Tartuffe, an imposter, enters a household and ruins the family dynamic present in it before his arrival. From the very moment Tartuffe appears he interfers with the concept of the family as as a stable unit, thus undermining the family structure. Orgon, the household of the family, puts him before his family, “But he’s quite lost his senses since he fell Beneath Tartuffe’s infatuating spell He calls him brother, and loves him as his life Preferring him to mother, child, or