The experience of transitioning from one world to another can be prevented due to obstacles that can possibly be challenging which may result in the growth of an individual. One may encounter barriers that can prevent successful transition, thus having an effect on their perception and the perception of others. The remarkable play ‘Shafana & Aunt Sarrinah: Soft revolution’ -2010 by Alana Valentine portrays the experience of venturing into a new religious world as both protagonists exhibit their juxtaposing perspectives on devotion towards religion as the cultural significance of the hijab becomes a barrier between generations. This provides the audience with an insight into Muslim women’s world, exploring their own identities in regards to
Othello is the General of the Cyprus army with honest Iago by his side. During this time racism was happening and Othello was a part of it. Othello tried his best for everybody to like him; people would talk behind his back, call him names, and would eventually ruin his life. Iago was an ensign in the army, and his “good” friend, who would put lies into Othello's head, which eventually, he took control of Othello. In this essay Othello will display cultural criticism and how it displays him as a person in the story.
Also contributing to the loss of Samir’s clients is the aftermath of Hosamm’s murder-suicide, which causes Samir’s children to recommend he relocate his practice. Therefore, the reader learns about the “other” from the words spoken, not only by Samir, an Egyptian-Muslim, but about him by his loved ones. When one thinks of the traditional Middle
Othello: A Close Reading This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello. In an attempt to fulfill the incessant need for comfortable dichotomies, societies tend to be divided into two groups: the ‘in-crowd’ and the ‘others’. These strict dualities, constructed upon the inherent need for adversaries, are often as arbitrary as they are false and based on nothing but fear.
With the laws of Venice miles behind them, the characters of Othello seem to have entered a Hobbesian state of nature where anything is permissible so long as it furthers the individual interest. Indeed, upon arriving in Cyprus, the majority of the characters have lives that are “poor, nasty, brutish, and short” (Hobbes 76). Othello is the perfect illustration of the dangers of rhetoric. Iago exemplified the type of rhetoric that made the Greek demagogues threatening.
One can view Islam as a terrorist religion, while another can view Islam as a peaceful religion. Neither perspective is wrong of Islam because perspective can be influenced by environment, personal experience, society, family, and a variety of other factors. This is why Marjane Satrapi’s unique influences affect her perspective on how she portrays imperialism, social classes, and revolution in her life and the book Persepolis. The photograph shows the United States and Europe taking the natural resources out of Africa.
Othello is for instance not really Othello 's play. Othello is not Othello 's story” (Buntin). Othello is focused more on the schemes of Iago and the tragic life of Desdemona. By retelling this story Sears is putting Othello in the centre of the narrative and giving focus to the nuances of his life as a black man. Dickson
Othello’s Demise Othello, the lead character in William Shakespeare’s play Othello, is done in by the same character attributes, which propelled him to become a great military leader. He has accomplished great victories in battle to the likes, of no others. He is held in high regard throughout the nations as one of the greatest military leaders and is called upon to fight in the most challenging battles successfully. There is no deterrence, by Othello even though his is not of the same race or from the same country, whom he defends.
During the Elizabethan Era, drama began to flourish in Western Europe. Plays have become more violent and dramatic as well as new ways of driving a performance. William Shakespeare’s Othello involves a man named Iago who wants to get revenge on Othello who is known as ‘the Moor of Venice’. Iago is able to get Othello to fully trust him and manipulates Othello to believe in false claims which eventually brings both of them to their downfall.
When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello. Most characters in Othello display both covert racism and overt racism towards Othello.
Mahfouz, as well as Said, shared a direct contact with the Arabian lifestyle because they grow up in that society. Mahfouz’s novel depicts the real world with the touches of the supernatural and mystic, but as a form of evil in the world not as exotic and uncivilized as the Europeans did. Mahfouz’s Arabian Nights and Days “takes new depths and insights as it picks up from where the ancient story ends” (Fayez 229). Mahfouz uses the Arabian Nights tales and Shahryar’s and Scheherazade’s society to portray the contemporary social and political issues of his people. Mahfouz aims to show various thematic concerns of the people of the East than the early versions left out.
The play’s protagonist and hero. Othello is the highly respected general of the armies of Venice, although he is not a native of Venice but rather a Moor, or North African. He is an eloquent and powerful figure, Othello shows to be a fearless soldier and general. and has been in the army for many years. He is used to the work of military life.
We find both racial attitudes towards Othello even though he is a man that works hard to get what he wants. The racial attitude is only because of the era that they live in, the Elizabethan era in
According to Kader Mutlu in “Racism in Othello,” Othello “has a harmony of racism. This harmony is provided by the tireless verbalization of ‘otherness’ in the words of ‘Moor’ and ‘Black’” (Mutlu 136). In addition to
The common aim of playwrights of any time or location is to capture and hold the attention of their audience; this is what Shakespeare has clearly done. The tragedy of Othello, the Moor of Venice, is one of Shakespeare 's most renowned plays. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience; despite being over four centuries old. It possesses so many conditions that can be accentuated to hit nerves with both a Shakespearean and modern audience. The entire plot of Othello is very much like the attitudes and methods of our modern day society.
