Corruption within a human’s heart breeds malevolent inhumanity, thirsting for personal desire - the embodiment of jealousy. In the play Othello: Tragedy of the Moor of Venice authored by William Shakespeare, consequences unravel as a result of the rupture among characters and their beliefs. Othello and Iago are present under the art of jealousy as the play escalates to its conclusion. Jealousy invokes properties of distasteful attractions upon the possession of others, and dismay of possessive deprivation under anger, in the presence of an individual.
Motivation fuels one’s mind to pursue a determined goal. An envious individual craves for aspiration. This structure of jealousy focuses on envy obtained from the craving to have something others own. As a serious threat exposed to others, one’s envy can manipulate that individual to perform actions without compassion. Iago’s decisions stressed in the play illustrates the envy towards another’s possession.
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Iago’s plagued yearning for lieutenancy has vesseled him in envy. In this scene, Iago indirectly expresses his jealousy over the decision conducted by Othello. While criticizing Cassio’s merit, Iago compares himself to him in calm, but abhorrent atmosphere. This analytically symbolizes the measure of jealousy catalyzed upon what others have. Relative depictions persistently appearing on Iago’s jealousy against others are derived throughout the rising action of the play.Impotency is obtained from fright during events of desperation. The jealousy theme shifts into another form, appearing throughout moments of emotional tension. As evaluated in the description of fear as a facet of jealousy, an individual can be weakened drastically enough to provoke a reflex of anger. The reaction can result in malignant intentions to hurt another being, particularly the one responsible for the suspicions and incitement. Othello’s role in the play as a pivotal character manifests this form of