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Outline For Hamlet Act 3

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Act 3 scene 3: “O, woe is me, To have seen what I have seen, see what I see!” -Ophelia (Ophelia is overwhelmed by what she has seen. She believes Hamlet is going mad and so is she.)
Act 3, scene 1: “Madness in great ones must not unwatched go” -Caudius (Claudius suspect’s there is another reason for Hamlet;s madness that doesn’t include him being in love with Ophelia. He will keep a close eye on Hamlet for suspicious behaviors.)
Act 4, scene 1: “Should have kept short, restrained and out of haunt, This mad young man.” -Claudius (Claudius says this to Gertrude after finding out Hamlet has killed Polonius, Claudius does not want to be blamed for this act of madness. This is a critical point in development of thew story because it is what pushes …show more content…

Your noble son is mad.” -Polonius (Polonius says this to the queen and king after find out out Ophelia has rejected Hamlet because he is in love with her. Polinius believes that to be the cause of his madness.)
Act 3, scene 1: “Get thee to a nunnery: why wouldst thou be a breeder of sinners?.” -Hamlet (Hamlet tells Ophelia she should put herself in a convent so she won’t give birth to sinners.)
Act 1, scene 4: “And there assume some other horrible form, Which might deprive your sovereignty of reason, And draw you into madness? Think of it”. -Horatio (After Hamlet sees the ghost, Horatio worries it will affect Hamlet’s brain and possibly make him go crazy. At this point, Hamlet is still sane, he is just overwhelmed by the presence/requests of the ghost.)
Act 2, scene 1: “My lord, as I was sewing in my closet, Lord Hamlet, with his doublet all unbraced; No hat upon his head; his stockings foul’d, Ungarter’d, and down-gyved to his ankle; Pale as his shirt; his knees knocking each other; And with a look so piteous in purport As if he had been loosed out of hell To speak horrors, -he comes before me”. -Ophelia (Ophelia expresses concern after Hamlet breaks in her room looking like a mess and very

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Hamlet is justified to say whatever he wants because he is “mad” and Ophelia is pressured to answer to his vulgar

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In the beginning of Act 3 Scene 2. Hamlet is speaking to the actors of the play that is about to be performed before Claudius, Gertrude, and the rest of the royal court. His style of speech is different than when he is being watched by Polonius and/or Claudius because he is speaking in clear prose, making sure he’s understood by the players. Because of this shift it’s clear that Hamlet hasn’t actually become mad because of his encounter with the ghost, but rather he’s been acting as he said. In the first lines of the scene it’s reaffirmed that Hamlet is a skilled actor, showing that he’d have the ability to convince everyone that he’s crazy.

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Hamlet repeatedly acknowledges his faults, most precisely to her. In conversation, he tells Ophelia how he is guilty of such terrible things that he shouldn’t have been born, and that he proud, revengeful, and ambitious (3.1.132-135). Hamlet is fully telling her his faults and that, while being scathing towards her, he is no better. Even after her death, he continues to express his flaws around her presence. This is seen at her funeral, for which he says to her brother, Laertes, “For though I am splenitive and rash, I have in me something dangerous, which let thy wisdom fear,” (5.1.275-276).

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Madness was a reoccurring theme throughout the play and these were the two characters which portrayed it more than others. In Act 3 Scene 1 Hamlet encounters Ophelia and calls her “fair”, creating a calm atmosphere. Later Hamlet rapidly changes his attitude, raging towards Ophelia and telling her “Get thee to a nunnery” implying he loved her once but now denies her love. Hamlet was acting mad in front of her in an aggressive manner and says “God hath given you one face and you make yourselves another”, Hamlet is suggesting that all women are two faced. Hamlet finds out that this was a setup of Claudius and Polonius to spy on him, so they can find out if he is truly mad.

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By verbally harassing Ophelia and estranging himself from her, Hamlet provides the apparent image of losing his prior care without a great amount of consideration. Additionally, Hamlet further displays his anger for his father’s death through this display. By dissolving his relationship with Ophelia, Hamlet furthers his image of insanity to further illustrate himself as incapable within Claudius’s eyes while still communicating distaste for his loss of his father. With Hamlet’s intentionally swift change of heart for Ophelia, Hamlet’s procedure warrants a certain level of sanity. Regardless of the sudden nature, Hamlet’s continual barring from Ophelia possesses procedure which causes further doubt of Hamlet’s mental instability from the audience of the

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When Ophelia returns all his letters and gifts he tells her that he has never loved her and that she should “get thyself to a nunnery.” This is one example how his mood changes throughout the play. Then after all this her father, Polinous, is murdered by Hamlet. The Hamlet is sent away to England All of these actions result in her feeling such stress that she becomes insane in the end.

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This quote shows that Claudius believes that Hamlet’s reason for his madness is due to the death of his father. Claudius tells Hamlet that he needs to get over the death of his father. He says everyone must experience this sort of sorrow and that it is just the way life goes. He continues to believe that this is the only cause for Hamlet’s lunacy until Hamlet’s plan starts to play out. Claudius then recognizes that Hamlet is angry and wants revenge.

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In her soliloquy, she bemoans what she considers to be Hamlet’s descent into complete insanity. Along with William Shakespeare’s creative and meaningful plot, his way of writing and the inclusion of figurative language bring about a more interesting look to the text. For these first six lines of Ophelia’s soliloquy, Ophelia is describing Hamlet and how he has changed. She starts her soliloquy with “O, what a noble mind is here o'erthrown!

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When he learns Claudius is responsible for the death of his father, he intends to reveal this newfound information to not only Gertrude, but the rest of the characters. He is smart enough to know that she will not believe him based solely on his encounter with the ghost, and must create a trap where Claudius will reveal his guilt on his own. When the players arrive at the castle, he alters their script to mimic the king’s murder and “catch the conscience of the king” (II.ii.567). During the performance, Claudius shows signs of guilt and worry, making Hamlet’s plan a success and proving his

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This provokes him to say that god gives women one face, but they use make up to paint on another one. This quote suggest that Hamlet sees woman as naive and gullible creatures, as he sees Ophelia as nothing but an object that is owned by her father, as she is helping him with all of his dirty work. Hamlet believes that woman cannot be trusted as they have are deceiving. He also sees Ophelia as a grown women who is unable to make her own decisions. Hamlet is utterly disgusted by how feeble Ophelia is as she was following her father's scheme.

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Ophelia is grieving the loss of her father after Hamlet kills him. Ophelia doesn't know that Hamlet killed her father. But Ophelia has gone mad from learning about her father's death. Also, after Hamlet telling Ophelia that she needs to go to a nunnery, Ophelia is a little bit discouraged. She is discouraged because Hamlet had told her before that if Ophelia would sleep with him that they would get married.

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In the “nunnery scene” which is played in Hamlet, Ophelia (as per her father’s and King Claudius’ instruction) attempts to push Hamlet away. As Hamlet realizes that Ophelia is trying to cut ties with him, his mood changes from sweet and loving to angry and sour. In a fit of rage Hamlet curses Ophelia’s name, ruins her name in a public setting and leaves her, upset (and crying in most adaptations) as she expresses her sorrow about having to leave Hamlet. In Ophelia’s soliloquy following her interaction with Hamlet, Ophelia mourns the loss of her ‘one true love’ and the way that Hamlet was behaving.

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Ophelia: Hamlet. Oh Hamlet. How I love him and I thought he loved me.

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Ophelia obeys to her father and agrees to stop seeing Hamlet, which portrays her as emotionless toward Hamlet. However, throughout the conversation, she resists and insists that she loves Hamlet. Ophelia mentions that, “My lord, he hath importuned me with love In honorable fashion” (1. 3. 111-112). Ophelia focuses on how honorable and

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Hamlet turns the tables on her, accusing her of a most grotesque lust and claiming that she has insulted her father and herself by stooping to marry Claudius. In the course of their interview, Polonius hides behind a tapestry; at one point, he thinks that Hamlet is going to attack Gertrude and cries for help. Hamlet stabs Polonius through the tapestry, thinking he has killed Claudius. When he finds that he has merely killed a "rash, intruding fool," Hamlet returns to the business of "speaking daggers" to his mother. Just as Gertrude appears convinced by Hamlet's excoriation, the ghost of Old Hamlet reappears and tells Hamlet not to behave so cruelly to his mother, and to remember to carry out revenge on Claudius.

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