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Outward Conformity In The Handmaid's Tale

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Outward conformity along with inward questioning, that is what the main character, presented in Margaret Artwood’s The Handmaid’s Tale, has to undertake in order to survive in a theocratic society. Stepping out of line in any way risks your life, so in a place where freedom of speech and basic human right’s no longer apply, Offered must comply with whatever rules they have in place and pretend to agree with the system, but in the inside, she cannot help but think about her past life, her husband, her daughter, before everything began. Flashbacks are integrated in the novel to not only compare the old society with the new one, but to also demonstrate this fake conformity Offred has to display to others and her internal struggle with giving up on escaping the Republic or just accepting her fate and playing by …show more content…

Above, on the ceiling, a relief ornament shaped of a wreath, and in the center of it a blank space, plastered over, like the place in a face where the eye has been taken out.” gives the reader a first impression of dull, boring, broken spirited. The short sentences and the commas in them force the reader to pause or break in the flow of reading, so any chance of the moment intensifying never happens. The author does this on purpose to create that more dull, boring tone in the form of simple sentences. She does this because that is just what that moment is, boring, nothing interesting is happening and that is exactly what the character is experiencing at the moment. The structure also implies a robotic speaking tone, meaning the character has been forced to abandon some sense of emotion, and that is demonstrated in the way she is describing her surroundings. It supports the idea of how the new society is forcing human nature to change. “Think of it as being in the army, said Aunt Lydia.” because that is what is has become, a battle of the fittest, of who is fertile and who is

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One of the factors used by the characters in the two novels for their survival is conformity. An example of conformity that plays an important role in the two novels is clothing. In The Handmaid’s Tale, the classifications of each individual are conformed by different clothing. The Handmaids wear red dresses, Marthas wear green, Wives wear blue, Ecowives wear stripes dresses of the three colours, and Commanders and the Angels wear black clothing. According to Offred from The Handmaid's Tale, “The wings too are prescribed issue; they are to keep us from seeing, but also from being seen” (Atwood 9).

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In the novel The Handmaid’s Tale by Margaret Atwood, the protagonist, Offred, expresses her wish that her “story [is] different,” that it is “happier,” or at least “more active, less hesitant, less distracted” than it is ultimately portrayed (267). However, as her story is told, these characteristics are evident in the way she talks and acts, especially around those with authority. Hesitant to express her true thoughts and feelings, and distracted by memories from her previous life, Offred attempts to piece together her role in the society that has taken her freedom. The result is a compilation of moments, of memories, both from her present, her past, and even speculation about her future.

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‘Positive characters … usually prove miserably ineffectual when contending with ruthless overwhelming powers’ claims Amin Malak, noting on such protagonists as Winston Smith and Offred in George Orwell’s Nineteen Eighty-Four and Margaret Atwood’s The Handmaid’s Tale, and, when looking at the dystopian genre as a whole, he certainly seems to be correct. Dystopian fiction does seem to portray the worse side of human nature than the better, leaving the positive traits to the struggling protagonists. While utopian writers seemed to think that the essence of human nature was to do good, dystopian writers seem to think very differently and it is from this notion that these novels seem to be written. Nineteen Eighty-Four certainly seems to do this, with almost every member of the society representing one or more negative aspects of humanity.

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Conformity in the Handmaid’s Tale A Japanese proverb says, “the nail that sticks out gets hammered down”. As seen in several historical events such as the Salem Witch Trials or the Holocaust, this concept illustrates the idea that nonconformity will get punished or suppressed. During the Holocaust, Adolf Hitler’s populist regime led to subservience out of fear because resistance was too dangerous.

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Conflict can be described as the struggle between two opposing forces, whether the forces being person vs person, person vs self or person vs society. Good examples of conflict can be found in almost any book. Margaret Atwood’s novel, the Handmaid’s Tale is a source of all three types of conflicts. The Handmaid’s Tale is about a society where females are given specific duties and are restricted from reading, writing, talking to others and looking at themselves in mirrors. The protagonist, Offred whom is also the narrator in the novel faces conflicts with herself, with other people, and the society that she lives in.

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What would become of the world, if our current societal flaws, such as sexism, racism, and classism were ingrained and executed at a systematic level? This is exactly what The Handmaid’s Tale set out to explore. The novel, which claims to be speculative fiction, is set in the theocratic Republic of Gilead (formerly the USA), where birth rates are rapidly declining and women have been marginalized by the patriarchal regime, forbidden to read, write or love and valued only if they are able to procreate. They are separated into classes, including Wives, Marthas, Aunts, Unwomen, and Handmaids, distinguishable only by the color of their clothing. The Handmaids are renamed by combining ‘of’ and the name of the Commander that they have been assigned to, stripping them of any individuality.

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In the Handmaid 's Tale power is used to control the women and sort them into certain gender roles. Each women in the society of Gilead is assigned a certain job that is stereotypical of a woman 's job such as cooking, sex, and reproduction. These women are the lowest class in Gilead and have no control. The men have superior power of the women but the women such as Ofgeln and Offred gain control in power in their lives. Men have an upper hand in the control of these women.

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There are two ways people will react to when their freedom is taken away. They will either accept it or rebel against it, which is what a lot of the female characters in Margaret Atwood’s novel, The Handmaid’s Tale accomplished. Shown through Offred’s repetition of certain events, Moira’s tone of being a fighter, and Serena Joy’s desperation, the reader can see that lack of freedom leads to rebellion. Offred, the novel’s narrator, now lives in a world where women are powerless. She has had her freedom taken away, and at times follows the rules, but ends up rebelling in many powerful ways.

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“No woman can call herself free who does not control her own body”. When Margaret Sanger spoke these words, she was expressing her belief on a woman’s right to have an abortion. This quote, however, speaks to the fact that women are oppressed on more than just abortions. In the novel, The Handmaid’s Tale by Margaret Atwood, Atwood portrays the dehumanization of sexuality through both the characters and events within the novel, therefore proving that women will always be considered less than men will. Margaret Atwood was born in Ottawa, Ontario in 1939.

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