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Overthinking Quotes: Mark Twain's 'Monster'

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Lily Ford Professor Champion Kirkwood Composition 3-10-23 Monster "I've had a lot of worries in my life, most of which never happened,"(33 Overthinking Quotes: Inspirational Words of Wisdom). I agree with Mark Twain, I have had many unnecessary worries and thoughts cross my mind everyday. A monster is a person or creature that ignites fear in its victims; they are not one size fits all; they morph into what a person struggles with the most. Monsters could be hard to find. Sometimes they disguise themselves so well that their victims can not figure out where their monsters reside. A person’s monster might possibly be themselves. Mine comes in the form of racing thoughts and overthinking. Overthinking has been an issue that has haunted me for …show more content…

I have many memories of lying awake at night, wanting to fall away to dreamland. Instead, I had thoughts running a mile a minute in my head. These thoughts predicted every possible outcome of every choice I could make. My brain also went through all the possibilities of other people's actions that I could not control. One day, while in bed, I figured out what the monster that prevented me from peace and slumber. My monster was overthinking. Though overthinking is a battle I fight often, I have found ways to escape …show more content…

Now, whenever I feel these thoughts overcoming me, I have learned to push through them. Though this does not always work, it makes my life a lot better by winning the battles I can. In the past, I have struggled with doing what I want to do despite what others may think. I used to stop myself from doing activities that I enjoyed because I was afraid that people would judge me. Then, those people would not want to be around me, and then I would end up all alone. In middle school, I felt like I was the only person who liked to sing or make music. Everyone else around me did it out of obligation or parental force. I remember one of my oldest friends telling me to shut up because I did not sound good. From that point on, I was terrified to sing again by myself. Whenever I got the chance to make music by myself, I would accidentally let my monster run wild. It would fill my brain with thoughts of being alone or no one would like how I sound. Over the years, I have gained confidence back in myself with the help of new friends, my parents, and fighting the thoughts that tell me to stop. No one’s monster is the same, and that is one of the many qualities that make each person

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Monsters are born in literature through their words, origins, thoughts, and actions. Into Thin Air, by Jon Krakauer, as well as Burton Raffel’s Beowulf, contain such monsters that are large impediments to the hero’s quest. Also the expeditions or quests are affected in terms of intimidation by the monsters who are always overwhelming at first to the pessimistic eye such as how the Israelites viewed Goliath, the Philistine, when David went to fight him. A monster’s thoughts, origins, and words are often used to construct the description of monstrosity in literature and are very critical.

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What makes a monster? In media, monsters are often portrayed as terrifying beings that wreak havoc wherever they go. In fact, the definition of monster is “a strange or horrible and often frightening creature” (“Monster”). However, monsters are not always so easy to identify – they exist in virtually every community in society. If to be strange or horrible is to be a monster, then, in a slightly more abstract line of thinking, humans can also be monsters.

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Toby Litt uses the monster character to reflect how we try to avoid discovering ourselves because we fear what we might find. The monster expresses how it avoids contract with other monsters. “And this it gained socially from the kinds of monster which most commonly approached it with what seemed to be sexual intent, meaning an intent to sexually describe” (Litt 250). Pitt wants readers to understand that the monster

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Monsters are a topic everyone can relate to. In Where our Monsters Come From, Leo Braudy speaks of the origin of Halloween, where monsters stem from, and four main kinds of monsters and their origin. Each of these four monsters is relatable to a human element and possibly even our darkest realities. These monsters are ones of nature, creation, one stemming within us, and one of the past. Braudy’s story about these monsters has a deeper connection meant to instill in the reader with a reality on what a monster actually is: us.

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As the famous painter Pablo Picasso once said, “Colors, like features, follow the changes of emotions. ”(Pablo Picasso) Picasso used the colors in his paintings to describe his emotions and real life events. Like Picasso, F. Scott Fitzgerald uses his words to paint a picture for the readers. Throughout The Great Gatsby, colors are portrayed with vivid imagery that astute readers will learn to understand as they endure the magical, thought provoking book. This book is a great example of vivid colors, written by F. Scott Fitzgerald.

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823 Words | 4 Pages

The monster was a troublemaker. Nobody liked him and he was always damaging everybody’s property. He shook the ground every time he walked. The people were terrified of him. They trembled when they saw him coming towards them.

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738 Words | 3 Pages

An example of this is when the monster leaves the De Lacey house and starts to question “why did [it] live? Why, in that instant, did [it] not extinguish the spark of existence which [Victor Frankenstein] had so wantonly bestowed?” (Shelley 125). This self-hatred and existential crisis then cause the monster to have violent thoughts. Such as when he stated that he “could with pleasure have destroyed the cottage and its inhabitants and have glutted myself with their shrieks and misery” (Shelley 125).

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In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it; for example, vampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical

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In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical

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Molly Childree Fleischbein EH 102.147 Draft February 5,2018 Our world is full of monsters, some imaginary, but most are legitimate and terrifying. In his text “Monster Culture (Seven Theses)”, Jeffery Jerome Cohen examines the use of monsters in literate and cinema. Cohen makes the claim that the use of monsters, historically and presently, in forms of entertainment symbolizes more than just the fear they instill in audiences. A monster is no longer just a monster.

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For centuries stories have been told about monsters. Stories that include monsters themselves as the main character, and stories that include a battle between a heroic figure and the monster to represent good vs. evil. The root word for “monster” is “monstrum”, which means that which reveals or warns. A monster is the product or symbol of a culture from which the monster comes from. They are more than their physical body and entertainment value that plays into these stories of the monstrous figure we read about or watch in movies or television.

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1703 Words | 7 Pages

The monster archetype has been one of the most riveting archetypes that surrounds the concept of ‘evil’. It has been portrayed as a supernatural creature with grotesque features that normally brings disruption to the city and needs to be tamed or controlled to bring once again peace to the story. Due to this, it is most commonly depicted with a negative connotation, and with the idea of horror and fear. The monster has been present since the bible, which was written approximately 3,400 years ago, with the anecdote of Goliath. It has remained with its primary role of converting the protagonist into a hero and providing fear to the storyline.

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Max Weber's thesis in his book “The Protestant Ethic and The Spirit of Capitalism” is that the Protestant world is economically more successful than the Catholic world due to the influence of the Protestant religion in each of its individuals: love for work, honesty, savings and a permitted attachment to material possessions. Which is something that Catholicism only half preached on Sundays but did not control or promote in the daily life of the people. Based on his own statistical studies in Germany in the early 20th century, Weber begins by noting that the Protestants are involved in the ownership of capital more than Catholics. The first cause of this difference is that the Protestant Reformation gave a more strict church-religious domination

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I am full of fears; for if I fail there I am an outcast in the world forever” (Shelley 93). The monster longs for a friend and fears the rejection of the people in the world. The creature is denied a companion from his creator. Also the monster is isolated from the world after being denied friendship from the Delacey’s

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Regardless of who we strive to be, or who we dare not to be, those who we respect and look up to will be the ones who leave an impression on our lives. To the Monster’s credit, it continued to pursue a life of good deeds until the people it idolized turn on it. Because of the influence made on it by its parental figures the Monster behaves like an outsider, and as an outsider it gains new role models and is governed by new emotions such as anger and hate. The monster should not be blamed for its malicious nature, rather, the people who taught it hate and the Doctor who created it without a true intent of being its

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