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Pan Labyrinth Essay

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In del Torro’s Pan Labyrinth there are a lot of characters who are Orange personas, simply given the time period the movie is based in. The story is about a guerilla rebellion, and so it would make complete sense for a lot of the participants to be action-oriented, willing to take more extreme risks, and in some sense wild, because these are the kind of people who shine in times of war.
The General is very Orange in nature, he can be cruel and cold but he will get the work done no matter the expense. But in addition to that he is also Gold: being a military leader, organization and regiments run as part of his instinct. Ofelia is more Green and Blue. She is Green because she is an independent individual, and doesn’t quite take well to suggestions as can be seen in her decision to eat the grape despite all the warning the pixies gave her. But she is Blue because she connects to those around her, people like her mother and Mercedes and the staff. Mercedes is Orange, just in that she could take a knife to split the General’s mouth in half simply out of frustration. …show more content…

However, focusing on simply Ofelia, if she was a Gold personality, she probably wouldn’t have gotten those pixies killed because she would have had the self-discipline to just not eat the grapes. If she wasn’t a Blue or a Green personality she wouldn’t have been suited for the position of royalty, because she wouldn’t have been a leader to the people or a unique role model for them to look up to. If she were Orange she probably would have gotten killed much earlier, just taking into account the General’s short temper, his flippant attitude towards human life and her predated dislike of her. And these were different projectories just based on one character. If each of the characters changed personality, the story itself would no longer be the

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Del Toro, additionally, contrasts the real world and the fantasy world through the use of colors, shapes, and varying levels of organization and cleanliness. Furthermore, he places objects of the real world into the fantasy one to draw relations between the two. Through these three singular parallels, Del Toro's Pan's Labyrinth explores the realities of fascism in Franco-Era

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Men, women, and children were caught in the crossfire and sometimes even deliberately murdered by both sides. del Toro does not sugarcoat the brutality of the Spanish Civil War as even the first image the audience is shown is of a dying and bloody child. Indeed, much of the violence in the movie is experienced by the young and innocent. In The Transnational Fantasies of Guillermo del Toro, it is suggested that the violence in the movie “is commensurate with the brutality of certain fairy tales in their original form and also with a realist vision of the cruelty of war that uses the figure of the child to create greater empathy and affect the spectator”(Davies 192). While much of the cruelty in Pan’s Labyrinth is very graphic, it is the explicit nature of what is experienced by children that makes the movie hard to watch for some.

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